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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download

SKU: A0.552841

Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841).


Baritone Horn
version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries.

It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece.

Schubert

Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911).

Education

Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri.

Performance

Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever.

Legacy

Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.

Schubert: Moment Musicaux for Baritone Horn & Piano

$32.95 31.3 € PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - Digital Download

SKU: A0.549018

Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018).


Baritone Sax
version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries.

It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece.

Schubert

Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911).

Education

Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri.

Performance

Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever.

Legacy

Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.

Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano

$32.95 31.3 € Saxophone Baryton, Piano PDF SheetMusicPlus

Alto Saxophone,Piano - Level 2 - Digital Download

SKU: A0.549015

Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015).


Alto Sax
version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries.

It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece.

Schubert

Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911).

Education

Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri.

Performance

Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever.

Legacy

Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.

Schubert: Moment Musicaux for Alto Sax & Piano
Saxophone Alto et Piano

$32.95 31.3 € Saxophone Alto et Piano PDF SheetMusicPlus

Tuba Solo - Level 3 - Digital Download

SKU: A0.991803

Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803).

Description
A delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.
Total Duration: ~8 minutes

Performance Notes

Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.

The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations.  The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two.  Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc.

 

The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead.

March The rewarding challenge in this piece is to bring out the difference between cheery and con brio.  The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.

Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.

The goal is to befriend the listener with an engaging, buoyant time.

Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.

The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.

After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation.  The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse.

Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness.  This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.

The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes.  Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.

The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.

Unaccompanied Tuba Suite #1 in B-flat Major
Tuba

$9.99 9.49 € Tuba PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses
From the Forward:

EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program.

This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity.

All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows:

Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet)
Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet)
Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet)
Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet)
Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb)

WESLEY L. HANSON

Easy Ensemble Music

$11.95 11.35 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses
From the Forward:

EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program.

This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity.

All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows:

Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet)
Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet)
Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet)
Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet)
Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb)

WESLEY L. HANSON

Easy Ensemble Music

$16.95 16.1 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses
From the Forward:

EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program.

This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity.

All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows:

Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet)
Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet)
Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet)
Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet)
Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb)

WESLEY L. HANSON

Easy Ensemble Music

$11.95 11.35 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses
From the Forward:

EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program.

This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity.

All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows:

Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet)
Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet)
Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet)
Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet)
Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb)

WESLEY L. HANSON

Easy Ensemble Music

$89.95 85.45 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses
From the Forward:

EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program.

This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity.

All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows:

Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet)
Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet)
Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet)
Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet)
Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb)

WESLEY L. HANSON

Easy Ensemble Music

$11.95 11.35 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses
From the Forward:

EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program.

This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity.

All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows:

Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet)
Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet)
Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet)
Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet)
Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb)

WESLEY L. HANSON

Easy Ensemble Music

$11.95 11.35 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses
From the Forward:

EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program.

This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity.

All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows:

Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet)
Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet)
Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet)
Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet)
Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb)

WESLEY L. HANSON

Easy Ensemble Music

$11.95 11.35 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses
From the Forward:

EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program.

This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity.

All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows:

Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet)
Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet)
Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet)
Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet)
Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb)

WESLEY L. HANSON

Easy Ensemble Music

$11.95 11.35 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses
From the Forward:

EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program.

This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity.

All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows:

Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet)
Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet)
Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet)
Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet)
Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb)

WESLEY L. HANSON

Easy Ensemble Music

$11.95 11.35 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses
From the Forward:

EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program.

This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity.

All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows:

Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet)
Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet)
Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet)
Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet)
Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb)

WESLEY L. HANSON

Easy Ensemble Music

$11.95 11.35 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses
From the Forward:

EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program.

This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity.

All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows:

Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet)
Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet)
Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet)
Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet)
Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb)

WESLEY L. HANSON

Easy Ensemble Music

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