Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1350418 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 175. David Warin Solomons #935215. Published by David Warin Solomons (A0.1350418). Three witch-like altos performing Shakespeare's chant of the three witches (from Macbeth), with a quasi-ostinato guitar accompaniment. The sound sample is a performance by the composer - multitracking.It is suitable for a Shakespeare performance or, more generally, for a Halloween concert. Thrice the brinded cat hath mew'd    Thrice and once the hedgepig whin'd    Harper cries: 'Tis time, 'tis time.    Round about the cauldron go;    In the poison'd entrails throw.    Toad, that under cold stone    Days and nights hast thirty one    Swelter'd venom sleeping got,    Boil thou first i' the charmed pot.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Fillet of a fenny snake,    In the cauldron boil and bake;    Eye of newt, and toe of frog,    Wool of bat, and tongue of dog,    Adder's fork, and blind-worm's sting,    Lizard's leg, and howlet's wing,    For a charm of powerful trouble,    Like a hellbroth boil and bubble.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Scale of dragon, tooth of wolf,    Witch's mummy, maw and gulf    Of the ravin'd saltsea shark,    Root of hemlock digg'd i' the dark    Liver of blasphemer too,    Gall of goat, and slips of yew    Sliver'd in the moon's eclipse,    Nose of Turk, and Tartar's lips,    Finger of birth-strangled babe    Ditch-deliver'd by a drab,    Make the gruel thick and slab:    Add thereto a tiger's chaudron,    For the ingredients of our cauldron.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Cool it with a baboon's blood,    Then the charm is firm and good.

Clarinet,Guitar - Level 3 - Digital Download SKU: A0.1350421 Composed by David Warin Solomons. Contemporary. 13 pages. David Warin Solomons #935218. Published by David Warin Solomons (A0.1350421). Three clarinets performing Shakespeare's chant of the three witches (from Macbeth), with a quasi-ostinato guitar accompaniment. It is suitable for a Shakespeare performance or, more generally, for a Halloween concert. Thrice the brinded cat hath mew'd    Thrice and once the hedgepig whin'd    Harper cries: 'Tis time, 'tis time.    Round about the cauldron go;    In the poison'd entrails throw.    Toad, that under cold stone    Days and nights hast thirty one    Swelter'd venom sleeping got,    Boil thou first i' the charmed pot.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Fillet of a fenny snake,    In the cauldron boil and bake;    Eye of newt, and toe of frog,    Wool of bat, and tongue of dog,    Adder's fork, and blind-worm's sting,    Lizard's leg, and howlet's wing,    For a charm of powerful trouble,    Like a hellbroth boil and bubble.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Scale of dragon, tooth of wolf,    Witch's mummy, maw and gulf    Of the ravin'd saltsea shark,    Root of hemlock digg'd i' the dark    Liver of blasphemer too,    Gall of goat, and slips of yew    Sliver'd in the moon's eclipse,    Nose of Turk, and Tartar's lips,    Finger of birth-strangled babe    Ditch-deliver'd by a drab,    Make the gruel thick and slab:    Add thereto a tiger's chaudron,    For the ingredients of our cauldron.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Cool it with a baboon's blood,    Then the charm is firm and good.The pdf file contains score and parts.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1350419 By David Warin Solomons. By David Warin Solomons. Contemporary. Score. 8 pages. David Warin Solomons #935216. Published by David Warin Solomons (A0.1350419). Three altos performing Shakespeare's chant of the three witches (from Macbeth), with a quasi-ostinato guitar accompaniment. The sound sample is a performance by the composer - multitracking.It is suitable for a Shakespeare performance or, more generally, for a Halloween concert. Thrice the brinded cat hath mew'd    Thrice and once the hedgepig whin'd    Harper cries: 'Tis time, 'tis time.    Round about the cauldron go;    In the poison'd entrails throw.    Toad, that under cold stone    Days and nights hast thirty one    Swelter'd venom sleeping got,    Boil thou first i' the charmed pot.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Fillet of a fenny snake,    In the cauldron boil and bake;    Eye of newt, and toe of frog,    Wool of bat, and tongue of dog,    Adder's fork, and blind-worm's sting,    Lizard's leg, and howlet's wing,    For a charm of powerful trouble,    Like a hellbroth boil and bubble.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Scale of dragon, tooth of wolf,    Witch's mummy, maw and gulf    Of the ravin'd saltsea shark,    Root of hemlock digg'd i' the dark    Liver of blasphemer too,    Gall of goat, and slips of yew    Sliver'd in the moon's eclipse,    Nose of Turk, and Tartar's lips,    Finger of birth-strangled babe    Ditch-deliver'd by a drab,    Make the gruel thick and slab:    Add thereto a tiger's chaudron,    For the ingredients of our cauldron.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Cool it with a baboon's blood,    Then the charm is firm and good.The pdf contains score and separate guitar part.

Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digital Publishing #1077976. Published by FOSTERMUSIC.JP Digital Publishing (A0.1502105). THREE ANCIENT CAPITALS was originally written for Trombone Quartet Zipang in 2007. It was published just after its premiere in December of that year, and I am very glad that it has been played by a number of trombone quartets since then. Following its publication, a female trombonist uttered, “Although quartet is fun, it would be also enjoyable if it was played solo, wouldn’t it? “ and this brought the opportunity for this “solo trombone version” to be born.The whole work consists of three pieces. They were written based on my impression of each place when I visited them. 1. Kamakura: In the Hydrangea Temple I visited Meigetsu-in Temple, which is well-known as “Hydrangea Temple,” on a rainy day in June. There I saw colorful beautiful hydrangeas in full bloom, struck by gentle rain. The motif which is repeated many times in the piece represents each hydrangea. 2. Nara: Consecration of the Great Buddda Among the Great Buddhas all over, Rushana-butsu in Todai-ji Temple in Nara, which is 16 meters tall, is the most famous.I imagined the solemn scene of the Consecration Mass of Great Buddha. 3. Kyoto: The Golden Pavilion in the Sunset It was toward dusk when I visited the Rokuon-ji Temple, known as “Temple of Golden Pavilion,” which was built by Ashikaga Yoshimitsu, the third shogun in the Muromachi period. It shined like gold in the light reflected by the setting sun.It was fun for me to arrange the trombone quartet into solo trombone with piano, and I chose every single note carefully while building the relationship between the trombone and piano. I hope the audience will enjoy a different experience from the original quartet. I hope this work, born by Zipangu Quartet, will be loved by more people beyond the frame of its original setting. Performance Time: 12’00” PROFILE: Keiko Takashima Keiko Takashima was born in Takamatsu, Kagawa in 1962 and grew up mainly in Hiroshima.She began taking piano lessons at the age of four and enjoyed chorus as a club activity in junior and senior high school. She started learning harmony and composition theory while she was in high school and enrolled in the composition department at Tokyo University of the Arts of Music in 1982. After graduation, in the wake of providing new arrangements of CHANSON JAPONAISE (YUYAKE-KOYAKE) and FANTASIE (WARABE-UTA) as encore pieces for the Paris Trombone Quartet for their first tour to Japan, she has written many works for trombone.Her repertoire for trombone quartet includes PASSEPIED, MEMORIES, SQUARE DANCE, THREE ANCIENT CAPITALS, THE INTERSECTION OF CROSSING PATHS, SONG OF HOMETOWN, JAPANESE FOUR SEASONS, DOGWOOD PRAYER, and BEYOND THE SANDY HILL. She also wrote for solo trombone and piano: FANTASY ON ITSUKI LULLABY, which is included in Mr. Michel Becquet’s solo album, as well as BREEZE IN THE HEARTS - BLOOM IN THE WORLD, IN THE QUIET OF THE NIGHT, and HEAR THE SPRING CALLING. Her choral works are TOKI-SOBA (for mixed chorus) based on Japanese comic storytelling, LOVE IN KYOTO (suite for female chorus, lyrics by Madoka Mayuzumi), and FLOWER TIDING (lyrics by Urara Takahashi). PIANO RECITAL STORY, a suite for piano, is also on sale at PTNA Musse.jp (a music delivery service on the Internet).Ms. Takashima also wrote the fanfares for the opening and closing ceremonies at the National Sports Festival, held in Hiroshima in 1998. She is a regular member of the the Piano Teachers’ National Association of Japan.*The YouTube sample is a performance of oboe d'amore for reference of the music.