SKU: A0.1317262

Contemporary setting of Psalm 4. Responsorial Psalm, paraphrased refrain and verses.
Official Liturgical text: “Lord, let your face shine on us.� Or “Lord, let your face shine on me.� 
Use for 3rd Sunday of Easter, Year B (east3B) and the three weekday masses listed below,
or any opening/closing, especially for: 

Lent 2C
Easter 3B, 6C
Ordinary Time 3A, 20A, 23C, 27A
Tuesday of the 10th Week in Ordinary Time (I) (ord10TuI)
Tuesday of the 10th Week in Ordinary Time (II) (ord10TuII)
Saturday of the 26th Week in Ordinary Time (II) (ord26SaII)
Baccalaureate/Graduation

Themes:
Face Shine on Us/Darkness into Light/Lamplight/Shelter/Safe/Seeking/God's Wonders/
Call on God/God Listens/Hear My Prayer/Love of God/Joy

Scriptural Passages:
Num 6:25; Ps 4:2-9; Ps 18:28; Ps 27:1, 4, 7-8; Ps 31:16; Ps 67:1; Ps 80:3, 7, 19; Ps 119:135. 

This PDF contains the following versions:
 - P/G/V (for piano accompanist, vocalist)
 - Assembly (for director, worship aid makers)
...with descriptions and tips for the director and musicians

Available separately in Lead Sheet and PGV formats and Full Octavo Package.
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SKU: A0.945464

The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work.

The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.