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Piano Solo - Level 4 - Digital Download

SKU: A0.1509851

By Billy Jones. By Frank Silver and Irving Cohn. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). Barbershop,Children,Comedy,Jazz,Ragtime. Score. 8 pages. Martyn Johnson #1085079. Published by Martyn Johnson (A0.1509851).

This is a stride piano/ragtime version of the old vaudeville hit 'Yes We Have No Bananas' by Frank Silver and Irving Cohn. Most famously recorded by the perky Billy Jones. I have embellished it as much as I am able in a style of Fats Waller with a dashing of Scott Joplin. It's meant to be a humourous piece and is played better with a smile on one's face!
I always strive to keep my music as simple as possible to read and to that end don't include pedal markings, fingering or dynamics as I prefer to leave that to the individual pianist and no 2 piano teachers would ever agree on such things. 
I hope you have as much fun playing it as I did arranging it.

Yes We Have No Bananas
Piano seul
Billy Jones
$5.99 5.67 € Piano seul PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download

SKU: A0.984179

By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 20 pages. Deb Jones #4736339. Published by Deb Jones (A0.984179).

Lullabye (Goodnight My Angel)

 

 

This absolutely gorgeous song was written by Billy Joel in response, I believe, to his young daughter asking him what happens when people die and, as he didn’t believe in the afterlife, he was trying to avoid answering her.

 

I was asked to arrange this as a duet with a cello and a ‘smattering of (SSA) choir.’  As I was listening to recordings of this song, a second voice emerged for me, possibly someone who has passed on, calmly lulling the child to sleep whilst her father is trying to distract her from her questions. This was indeed the interpretation felt by people I played it to who found it very moving.

 

 

I hope you enjoy it.

 

Included in this pack are a full score, vocal score and cello part with what I hope are useful cues for you to navigate your way around the piece.

 

Other formats will be available shortly with more choir involvement and for those without access to a cello.

 






Lullabye (Goodnight, My Angel)
Chorale 3 parties
Billy Joel
$1.99 1.88 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.984180

By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 20 pages. Deb Jones #4737103. Published by Deb Jones (A0.984180).

Lullabye (Goodnight My Angel)

 

 

This absolutely gorgeous song was written by Billy Joel in response, I believe, to his young daughter asking him what happens when people die and, as he didn’t believe in the afterlife, he was trying to avoid answering her.

 

I was asked to arrange this as a duet with a cello and a ‘smattering of (SSA) choir.’  As I was listening to recordings of this song, a second voice emerged for me, possibly someone who has passed on, calmly lulling the child to sleep whilst her father is trying to distract her from her questions. This was indeed the interpretation felt by people I played it to who found it very moving.

 

This version has been reformatted for male voices, so duet, cello, smattering of TTBB.

 

I hope you enjoy it.

 

Included in this pack are a full score, vocal score and cello part with what I hope are useful cues for you to navigate your way around the piece.

 

Other formats will be available shortly with more choir involvement and for those without access to a cello.

 

 

Formats available

Duet, cello, SSA

Duet, cello, TTBB

 

 

 

 

 





Lullabye (Goodnight, My Angel)
Chorale TTBB
Billy Joel
$1.99 1.88 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.984181

By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 8 pages. Deb Jones #4745375. Published by Deb Jones (A0.984181).

Lullabye (Goodnight My Angel)

 

 

This absolutely gorgeous song was written by Billy Joel in response, I believe, to his young daughter asking him what happens when people die and, as he didn’t believe in the afterlife, he was trying to avoid answering her.

 

As I was listening to recordings of this song, a second voice emerged for me, possibly someone who has passed on, calmly lulling the child to sleep whilst her father is trying to distract her from her questions. This was indeed the interpretation felt by people I played my original arrangement to who found it very moving.

 

This arrangement is for full SATB choir

 

 

I hope you enjoy it.

 

 

Formats available

 

Duet with cello and smattering of SSA choir

Duet with cello and smattering of Male Voice Choir

 

Full choir versions

SATB

SSAA

TTBB

 

 





Lullabye (Goodnight, My Angel)
Chorale SATB
Billy Joel
$1.99 1.88 € Chorale SATB PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016189_T1

1st B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T1).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Again and Again: 1st B-flat Trumpet
Trompette (partie séparée)

$3.00 2.84 € Trompette (partie séparée) PDF SheetMusicPlus

Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download

SKU: A0.747086

By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086).

An arrangement of the classic King of the Road for Wind Dectet.

King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records.

The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.

The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.

King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.

The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky BobbyBrokeback MountainInto the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.

Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.

A send-up version by English entertainer Billy Howard was a British chart hit in 1976.

A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.



King Of The Road
Randy Travis
$16.99 16.09 € PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016189_T3

3rd B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T3).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Again and Again: 3rd B-flat Trumpet
Trompette (partie séparée)

$3.00 2.84 € Trompette (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016189_AX1

E-flat Alto Saxophone. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_AX1).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Again and Again: E-flat Alto Saxophone
Saxophone (partie séparée)

$3.00 2.84 € Saxophone (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016189_SB

String Bass. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_SB).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Again and Again: String Bass
Contrebasse (partie séparée)

$3.00 2.84 € Contrebasse (partie séparée) PDF SheetMusicPlus






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