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Cello Solo - Level 2 - Digital Download SKU: A0.1237372 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Individual part. 2 pages. Milanov #832883. Published by Milanov (A0.1237372). You are the reason by Calum Scott for Cello. Easy Intermediate. C Major. You Are the Reason by Calum Scott is a heartfelt and emotionally charged song that captures the essence of love and longing. With his soulful and captivating vocals, Scott expresses the profound impact one person can have on another's life, serving as a reminder that they are the reason for their happiness and the driving force behind their strength. The song beautifully articulates the vulnerability and devotion that comes with love, creating an intimate and powerful connection between the listener and the heartfelt lyrics that resonate long after the song ends.
You Are The Reason
Violoncelle
Calum Scott
$5.99 5.19 € Violoncelle PDF SheetMusicPlus

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1214537 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 20 pages. Matthew Nunes Music #811517. Published by Matthew Nunes Music (A0.1214537). Written for the unveiling of a statue of the first secretary of the Smithsonian Institution, Joseph Henry, who successfully observed the transit of Venus in 1874. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Transit of Venus was composed in 1883, and the referenced edition was made Public Domain in 2016. The piece is catalogued as Volume 2, No. 22.
Transit of Venus
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$1.99 1.72 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.868957 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Octavo. 6 pages. Really Good Music, LLC. #5309913. Published by Really Good Music, LLC. (A0.868957). Al tribunal d'amore is a mezzo-soprano aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of Il Farnace from 1738. The music of the aria was largely borrowed by composer from the aria of the same title from his earlier opera L’Atenaide (1729); its score manuscript is written in in E flat major and contains significant textural and rhythmic differences (e. g., common time signature) from the late version of Il Farnace. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (F4 – F5) for high voice.
VIVALDI Antonio: Al tribunal d'amore, an aria from the opera "Il Farnace", arranged for Voice and Pi
Chorale 3 parties

$5.95 5.15 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1293742 By Pentatonix. By Buddy Greene and Mark Lowry. Arranged by Christopher Wormald. Christmas,Praise & Worship,Soul. 9 pages. Christopher Wormald #884219. Published by Christopher Wormald (A0.1293742). A 100% completely accurate, faithful transcription in the original Pentatonix key of B Minor, complete with all complex and inner harmonies, counter melodies and descants, rescored for SATB choir and piano accompaniment without subdivided voice parts. There are no SSAATTBB divisi necessary and the whole arrangement/transcription can be sung to perfection without the need for complicated subdividing, therefore making this faithful transcription in every way entirely accessible for choirs which are not advanced but who would love to sing and sound like the original Pentatonix setting, including in their original key. The Soprano line is therefore never high and rarely rises above treble clef middle line B natural (there is one phrase requiring fourth line D) but the Tenor line requires a number of top line F sharps, but never higher.
Mary, Did You Know?
Chorale SATB
Pentatonix
$1.99 1.72 € Chorale SATB PDF SheetMusicPlus






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