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62 partitions trouvées

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Full Orchestra - Level 4 - Digital Download SKU: A0.1233717 By Andrea Bocelli. By Lucio Dalla. Arranged by Marek Czekala. 20th Century,Classical,Opera. Score and Parts. 37 pages. Marek Czekala #829285. Published by Marek Czekala (A0.1233717). Caruso is one of the most well-known Italian love songs. Written in 1986 by singer-songwriter Lucio Dalla, it is dedicated to acclaimed Italian opera singer Enrico Caruso.In an interview, Dalla revealed the origin and meaning of the lyrics. After his boat broke down between Sorrento and Capri, the singer-songwriter had no choice but to spend the night in a hotel in Sorrento (known as Surriento in Neapolitan), a city overlooking the Bay of Naples. He chose the Excelsior Vittoria Hotel, and happened to stay in the very same hotel room that Enrico Caruso had stayed in, shortly before he passed away.(There’s no Lyrics in this Score).
Caruso
Orchestre
Andrea Bocelli
$69.00 58.85 € Orchestre PDF SheetMusicPlus

Accordion,Instrumental Solo - Level 3 - Digital Download SKU: A0.1409337 Composed by Aguirre Agustin Lara. Arranged by Bob van der Poel. 20th Century,Jazz,Latin,Standards. Individual part. 2 pages. Accordion Arrangement by Bob van der Poel #991961. Published by Accordion Arrangement by Bob van der Poel (A0.1409337). Agustin Lara is Mexico's most popular singer and composer of the early 20th century. His songs have been recorded by a diverse list of artists ranging from Bing Crosby to Enrico Caruso. This song was originally featured in the 1941 Spanish language film ``Melodias de America''. In 1945 the Xavier Cugat Orchestra (with cronner Bing Crosby) took their version to #4 on the charts.This arrangement is handcrafted for Stradella Bass accordion.
Solamente Una Vez
Accordéon

$4.99 4.26 € Accordéon PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.774048 Composed by Ernesto De Curtis. Arranged by Anthony Giamanco. 20th Century,Concert,Standards,World. Score and part. 12 pages. Whole Tone Press #6425717. Published by Whole Tone Press (A0.774048). One of the most beloved Neapolitan songs of all time, composed by Ernesto de Curtis in 1894, and recorded by many artists, including Enrico Caruso, Luciano Pavarotti, Dean Martin, Bing Crosby and Sergio Franchi. This intermediate-level arrangement for alto sax and piano displays the beauty and passion of the original vocal solo, and will be a welcome addition to your recital/concert  repertoire. NOTE: There are two possible endings - the 'Long Ending', with cadenza (which requires a more advanced player as it soars well into the altissimo range; and the 'Short Ending', which is much simpler and easier to play.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
COME BACK TO SORRENTO - alto sax and piano
Saxophone Alto et Piano

$4.50 3.84 € Saxophone Alto et Piano PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1108226 Composed by Sir Arthur Seymour Sullivan and Words by Adelaide Anne Porter. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score. 11 pages. Piacere Music Sheets #710853. Published by Piacere Music Sheets (A0.1108226). Opus/Catalog Number: IAS 42Key/Tone: D MajorMovements/Sections: Andante moderatoYear/Date of Composition: 1858/1877Difficulty: Grade 4/12 (Intermediate)Vocal range: A3-D5Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18.This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays.This is an arrangement for Low Voice and piano.Included: Full score and separated parts for each instrument.
Sullivan - The Lost Chord in D Major for Low Voice & piano - Intermediate
Piano, Voix

$8.95 7.63 € Piano, Voix PDF SheetMusicPlus

Clarinet,Piano - Digital Download SKU: A0.805599 Composed by Ruggiero Leoncavallo. Arranged by Marcus Martin. Concert,Romantic Period,Standards. Score and part. 6 pages. Cornelius Edition (uk) #6231391. Published by Cornelius Edition (uk) (A0.805599). Mattinata was the first song ever written expressly for the Gramophone Company (the present day EMI). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite of tenors. This new arrangement for Bb clarinet makes an attractive 3 minute item suitable for recitals and other occasions.
Mattinata (Leoncavall) arranged for Bb Clarinet and Piano
Clarinette et Piano

$3.99 3.4 € Clarinette et Piano PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.809593 Composed by E. di Capua. Arranged by Marilyn Thompsona. Christian,Christmas,Gospel,Sacred. Score and parts. 32 pages. Marilyn Thompson #6293831. Published by Marilyn Thompson (A0.809593). The tune was adapted from that of the Italian song, O Sole Mio, recorded in 1916 by famous by opera star Enrico Caruso. William Emmanuel Booth-Clibborn, the grandson of William Booth, the founder of the Salvation Army, is the lyricist. Down from His Glory is likely more of a solo (and in this case a moving choral selection than a congregational hymn), but it speaks effectively of the Saviour’s willing condescension. The Orchestral Score and SATB/Piano are available on separate posts. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP
Down From His Glory--Parts.pdf
Orchestre

$12.99 11.08 € Orchestre PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano

$26.95 22.99 € Saxophone Baryton, Piano PDF SheetMusicPlus

Piano,Trumpet - Digital Download SKU: A0.774047 Composed by Ernesto De Curtis. Arranged by Anthony Giamanco. 20th Century,Concert,Standards,World. Score and part. 12 pages. Whole Tone Press #6425533. Published by Whole Tone Press (A0.774047). One of the most beloved Neapolitan songs of all time, composed by Ernesto de Curtis in 1894, and recorded by many artists, including Enrico Caruso, Luciano Pavarotti, Dean Martin, Bing Crosby and Sergio Franchi. This intermediate-level arrangement for trumpet and piano displays the beauty and passion of the original vocal solo, and will be a welcome addition to your recital/concert repertoire.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
COME BACK TO SORRENTO - trumpet and piano
Trompette

$4.50 3.84 € Trompette PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Alto Sax & Piano
Saxophone Alto et Piano

$26.95 22.99 € Saxophone Alto et Piano PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Piano Accompaniment,Trombone - Level 3 - Digital Download SKU: A0.746840 Composed by Ruggiero Leoncavallo. Arranged by Keith Terrett. 20th Century,Traditional,World. 6 pages. Keith Terrett #3586855. Published by Keith Terrett (A0.746840). Mattinata by Ruggero Leoncavallo (1857-1919) arranged by Keith Terrett  for C Baritone, Euphonium, Trombone  & Piano (BC)Mattinata (English: Morning) was the first song ever written expressly for the Gramophone Company (the present day HMV). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite.
Mattinata for Baritone, Euphonium, Trombone & Piano (BC)
Trombone et Piano

$6.99 5.96 € Trombone et Piano PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.966146 Composed by C. Adolfo Bracco. Arranged by Alexander Timofeev. Romantic Period. Score and parts. 144 pages. Alexander Timofeev #6669179. Published by Alexander Timofeev (A0.966146). This is an arrangement for Tenor and Orchestra of Souvenirs d'un concert (Serenata) by C. Adolfo Bracco. Lyricist: Enrico Caruso. This arrangement of Serenata was inspired by the famous recording sung by Mario Lanza. Tenor range: D3-B4.  Full Score, and Parts are included. The arrangement is scored for Tenor and Orchestra: 2-2-2-2, 2-0-2-0, 1 perc., harp, strings.  The number of parts included in the set: Flutes (2), Oboes (2), Clarinets in Bb (2), Bassoons (2), French Horns in F (2), Trombones (2), Percussion (1), Harp (1), Violin I (8), Violin II (8), Viola (6), Cello (6), Double bass (4).  If more string parts are needed, please purchase two or more copies of this arrangement.
Souvenirs d'un concert (Serenata) for Tenor and Orchestra
Orchestre

$79.99 68.23 € Orchestre PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.955847 Composed by Alberto Pestalozza. Arranged by Scott S. Stewart. Romantic Period. 6 pages. Scott S. Stewart #6356345. Published by Scott S. Stewart (A0.955847). Ciribiribin, an Italian waltz style ballad. was composed by Alberto Pestalozza in 1898, with lyrics by Carlin Tiochet, and has been popular in Europe and North America ever since. The lyrics were originally written in the Piedmontese dialect of northwest Italy.  It has been recorded by such notables as Enrico Caruso, Mario Lanza, Grace Moore, Katherine Grayson, as well as the orchestras of Benny Goodman, Harry James, Glenn Miller. Ciribiribin has also been featured in many movies and television shows between (from at least) 1929 to the present day. This arrangement is scored as a duet for soprano & baritone with piano accompaniment. Original traditional Italian text is used and and English text also appears on this arrangement.  Performance time: 3:15.  This song is popular with outdoor ethnic festivals.
Ciribiribin
Voix duo, Piano

$12.99 11.08 € Voix duo, Piano PDF SheetMusicPlus

Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764661 Composed by Ruggero Leoncavallo (1857-1919). Arranged by James Pybus. Opera,Romantic Period. 10 pages. James Pybus #37123. Published by James Pybus (A0.764661). Vesti la giubba (Put on the costume) is a famous tenor aria from Ruggero Leoncavallo's 1892 opera I Pagliacci. Vesti la giubba is sung at the conclusion of the first act, when Canio discovers his wife's infidelity, but must nevertheless prepare for his performance as Pagliaccio the clown because The show must go on. The aria is often regarded as one of the most moving in the operatic repertoire of the time. The pain of Canio is portrayed in the aria and exemplifies the entire notion of the tragic clown: smiling on the outside but crying on the inside. This is still displayed today, as the clown motif often features the painted-on tear running down the cheek of the performer. The 1904 recording by Enrico Caruso was the first million-selling record in history. This aria is often used in popular culture and has been featured in many renditions, mentions, and spoofs. In this arrangement for SATB Saxophone Quartet written in 2013, the original key has been transposed to a more saxophone-friendly key. The tenor saxophone is featured. Duration 3:35 contact me at james.pybus56@gmail.com.
Vesti la giubba from I Pagliacci
Quatuor de Saxophones: 4 saxophones

$15.00 12.79 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus


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