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Ed Sheeran : Celestial (niveau facile/intermédiaire, avec orchestre)
Piano seul
Téléchargez la partition Piano Celestial (niveau facile/intermédiaire…
5.99 € Piano seul PDF Tomplay

Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn,Oboe - Level 2 - Digital Download SKU: A0.1268302 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #860859. Published by jmsgu3 (A0.1268302). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
Solage: Plusers gens voy for Double Reed Quartet

$24.95 21.61 € PDF SheetMusicPlus

Organ - Digital Download SKU: A0.978420 Composed by Leonardo Antonio Di Chiara. Christian,Christmas,Contemporary,Easter. Score. 5 pages. LEONARDO ANTONIO DI CHIARA #6413731. Published by LEONARDO ANTONIO DI CHIARA (A0.978420). The melody cell of the first part of Elegy n.3 is mainly made up of a fifth and fourth descending leap supported by voices that proceed in descending chromatisms, amplifying the tension. The second part is formed by a chordal section with overlapping fifths and fourths that leads to a melody line with the same rhythmic sequence but supported by a vigorous chromatism. The third part uses the initial theme again only that it is treated in the opposite direction. I deliberately avoided indicating the choice of stops to use if the piece is played on the organ, thus leaving the performer free to choose. Despite this, it seemed appropriate to indicate the dynamics signs only as a point of reference, but obviously the performer is free to file the sound dynamics of the piece at will. Obviously, playing on the piano also requires the use of the resonance pedal that the performer will use at will.
Elegia n.3 per strumenti a tastiera
Orgue

$2.00 1.73 € Orgue PDF SheetMusicPlus






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