Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.513368 Composed by Ingrid Michaelson and Sara Bareilles. Arranged by Nicholas Labita. This edition: Interactive Download. Christmas,Holiday,Pop. Individual part. 6 pages. Duration 228. Labitaloca Music #43r1ysVn1dSmSACCQPlv7w. Published by Labitaloca Music (A0.513368). Key: Bb minor.A beautiful cover of the original with a masterful use of space.

Piano,Trombone - Level 2 - Digital Download SKU: A0.1384493 By Bruno Mars. By Ari Levine, Bruno Mars, Christopher Acito, Fredrick Brown, Philip Lawrence, and Thibaut Berland. Arranged by RODRIGO BENEDUCCI. Classical,Funk,Pop,R & B,Wedding. Score and part. 13 pages. Paulo Galvao Filho #968764. Published by Paulo Galvao Filho (A0.1384493).

Woodwind Ensemble,Woodwind Quintet English Horn - Level 4 - Digital Download SKU: A0.990315 Composed by Timothy Lee Miller. 20th Century,Contemporary. 60 pages. TLM Music Publishing #595997. Published by TLM Music Publishing (A0.990315). A challenging little suite for woodwind quintet about a confused little duck. The tonalities are based mostly on twelve-tone techniques.

By Perry Como. Arranged by Stephen DeCesare. Score. 15 pages. Published by Exultet Music (H0.158759-335800). - Score - - Exultet Music

(TTBB) - Digital Download SKU: HX.436440 Arranged by Mark A. Brymer. Broadway,Musical/Show. Choral. 13 pages. Duration 180. Published by Hal Leonard - Digital (HX.436440).

By Joni Mitchell. This edition: scorch. Folk,Jazz,Rock. Score. 6 pages. Hal Leonard Europe #30662. Published by Hal Leonard Europe

Mezzo-soprano, piano and violin - intermediate to advanced - Digital Download SKU: S9.Q18785 For Mezzosoprano, Piano and Violin. Composed by Georg Kreisler. This edition: Sheet music. Downloadable. Duration 9 minutes. Schott Music - Digital #Q18785. Published by Schott Music - Digital (S9.Q18785). German.Fünf Lieder für Barbara are Georg Kreisler's last complete compositions. In them, he turned again to serious music. Kreisler's strong bonds to the musical tradition of his native town of Vienna, in this case especially to Franz Schubert, become particularly apparent. In the third song, for example, he takes up the text of Wilhelm Müller's 'Lindenbaum'. But Kreisler's setting with its completely different music material virtually turns Schubert's famous song upside down.

By John Legend. This edition: scorch. Love, Pop. Solo Guitar. 7 pages. Published by Hal Leonard - Digital

Small Ensemble - Level 3 - Digital Download SKU: A0.1130850 By Michelle Williams. By Benj Pasek and Justin Paul. Arranged by D. Gagnon. Pop,Rock. Score and parts. 24 pages. D. Gagnon #731123. Published by D. Gagnon (A0.1130850). Arrangement for piano, clavier, trompette, violon, basse (score and sheet music included).

Piano,Violin - Level 2 - Digital Download SKU: A0.1465568 Composed by Traditional. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred,Traditional. 4 pages. Ben Dockery #1044201. Published by Ben Dockery (A0.1465568). Arranged for violin solo with piano accompaniment. Great for recitals, lessons, preludes, offertories, and postludes. Easy intermediate level. Includes score and parts.

String Orchestra - Level 4 - Digital Download SKU: A0.909023 Composed by Henry Purcell. Arranged by Emma Butterworth. Christian,Classical,Contemporary,Easter,Renaissance. Score and parts. 15 pages. Emma Butterworth #4355007. Published by Emma Butterworth (A0.909023). A hugely enjoyable arrangement for string orchestra of three movements from Purcell's grand and powerful Music for the Funeral of Queen Mary. This music was also played at Purcell's own funeral shortly after. 1. Funeral March2. Thou Knowest, Lord3. Canzona IIThe three contrasting movements include slow, powerful chords, contrapuntal moving parts and fugue-like lively themes.  This arrangement includes a violin III part which can be used if no violas are available. The double bass part, whilst making a significant contribution, could also be omitted if no basses are available. All of Emma's arrangements find creative and artistic ways to re-present original pieces in a way that suits the new instruments and ensemble whilst maintaining the integrity of the original piece. Her aim is to go far beyond a simple copying of the melody and harmony, but to create an arrangement that sounds as if the piece was always meant for these new instruments.