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Alto Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.939725

Composed by Richard St. Clair. 20th Century,Contemporary. 8 pages. Richard St. Clair #3002481. Published by Richard St. Clair (A0.939725).

Music and Lyrics by Richard St. Clair. Duration: 3 1/2 minutes. Oya-Sama means beloved parent, a term that Jodo Shinshu Buddhist faithful use to describe their personal relationship to the great savior Buddha, Amida. The words Namu Amida Butsu translate as Thank You, Amida Buddha and also as I take refuge in Amida Buddha. The MP3 Audio Clip is a computer-generated soundfile.

Lyrics:

NAMU AMIDA BUTSU, NAMU AMIDA BUTSU
I give thanks to Amida Buddha,
I give thanks to Amida Buddha,
Amida Buddha, my Oya-Sama,
beloved parent and my savior
rescuing me from many kalpas of evil karma.
By the power of His Universal Vow,
I am among the millions gifted
with this inconceivable Shinjin
and the assurance of Buddhahood
in His glorious Land of Peace and Bliss!
This realm of suffering
is a place of impermanence.
I wish to leave it
and go to Amida's Pure Land.
Amida will bring me there,
soon as I leave this body of skin and bones.
I am truly saved!
I give thanks to Amida Buddha, my savior!
NAMU AMIDA BUTSU.

Amida Buddha, My Oya-Sama, for Alto and Piano Accompaniment
Accompagnement Piano
the power of His Universal Vow,
I am among the millions gifted
with this inconceivable Shinjin
and the assurance of Buddhahood
in His glorious Land of Peace and Bliss!
This realm of suffering
is a place of impermanence

I wish to leave it
and go to Amida's Pure Land

$6.99 6.65 € Accompagnement Piano PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.939647

Composed by Richard St. Clair. A Cappella,Contemporary,Sacred,World. Octavo. 7 pages. Richard St. Clair #2951865. Published by Richard St. Clair (A0.939647).

The lyrics for this 4-minute polyphonic choral piece are an English translation from an ancient Buddhist sutra called the Larger Sutra on Amida Buddha (a.k.a. Sukhavati Vyuha Sutra), delivered by Shakyamuni Buddha some 2,500 years ago. In it we hear the Buddha extolling the great saving Light of Amida Buddha, the transcendental savior of all suffering beings. Intoning the 12 resplendent Lights of Amida, the music goes through the circle of 5ths in rapid modulation in the middle portion of the piece. The music is completely diatonic (with some unorthodox voice-leading), starting and ending in B-flat Major but proceeding through many modulations. The accompanying MP3 recording is computer-generated.





The Twelve Lights of Amida Buddha, for Chorus SATB a Capella
Chorale SATB

$5.99 5.7 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.939717

Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. Published by Richard St. Clair (A0.939717).

This 9-minute motet in which the Buddha-to-be Dharmakara praises His master, Lokeshvaraja Buddha and vows to become the Savior of all Beings (namely, Amida Buddha). The music beings with an extended recitative/aria by solo soprano, and proceeds to the full choral ensemble to its conclusion. The MP3 Audio Clip is a computer-generated soundfile of the entire work. The music is completely tonal and traditional, suitable for good amateur choirs and professional choruses alike.

Words from the Larger Sutra on Amida Buddha expounded by Shakyamuni Buddha some 2500 years ago in India.

[Setting: Many ages ago, Dharmakara Bhikshu (in his stage before becoming Amida Buddha) declares to his Master, Buddha Lokeshvararaja, his intention to create a Pure Land wherein all suffering beings can be saved.]

Text (slightly abridged):

Then appeared a Buddha named Lokeshvararaja, the Tathagata, Arhat, Perfectly Enlightened One, Possessed of Wisdom and Practice, Perfected One, Knower of the World, Unsurpassed One, Tamer of Men, Master of Gods and Men, Buddha and World-Honored One.

At that time there was a king, who, having heard the Buddha's exposition of the Dharma, rejoiced in his heart and awakened aspiration for the highest, perfect Enlightenment. He renounced his kingdom and the throne, and became a monk named Dharmakara. Having superior intelligence, courage and wisdom, he distinguished himself in the world. He went to see the Tathagata Lokeshvararaja, knelt down at his feet, walked round him three times keeping him always on his right, prostrated himself on the ground, and putting his palms together in worship, praised the Buddha with these verses:

The shining face of the Buddha is glorious;
Boundless is his magnificence.
Radiant splendor such as his
Is beyond all comparison.
The sun, the moon and the mani-jewel,
Though shining with dazzling brightness,
Are completely dimmed and obscured
As if they were a pile of ink-sticks

The countenance of the Tathagata
Is beyond compare in the whole world.
The great voice of the Enlightened One
Resounds throughout the ten regions.
His morality, learning, endeavor,
Absorption in meditation, wisdom
And magnificent virtues have no equal;
They are wonderful and unsurpassed.

I resolve to become a Buddha,
Equal in attainment to you, O holy king of the Dharma,
To save living beings from birth-and-death,
And to lead them all to emancipation.
I vow that, when I have become a Buddha,
I shall carry out this promise everywhere;
And to all fear-ridden beings
Shall I give great peace.

Even though there are Buddhas,
A thousand million kotis in number,
And multiudes of great sages
Countless as the sands of the Ganges,
I shall make offerings
To all those Buddhas.
I shall seek the supreme Way
Resolutely and tirelessly.

Even though the Buddha-lands are as innumerable
As the sands of the Ganges,
And other regions and worlds
Are also without number,
My light shall shine everywhere,
Pervading all those lands.
Such being the result of my efforts,
My glorious power shall be immeasurable.

When I have become a Buddha,
My land shall be most exquisite,
And its people wonderful and unexcelled;
The seat of Enlightenment shall be supreme.
My land, being like Nirvana itself,
Shall be beyond comparison.
I take pity on living beings
And resolve to save them all.

Those who come from the ten quarters
Shall find joy and serenity of heart;
When they reach my land,
They shall dwell in peace and happiness.
I beg you, the Buddha, to become my witness
And to vouch for the truth of my aspiration.
Having now made my vows to you,
I will strive to fulfilll them.

The World-Honored Ones in the ten quarters
Have unimpeded wisdom;
I call upon those Honored Ones
To bear witness to my intention.
Even though I mu.

Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
Chorale SATB

$10.99 10.45 € Chorale SATB PDF SheetMusicPlus

Piano,Tenor Trombone - Level 4 - Digital Download

SKU: A0.1502105

Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digital Publishing #1077976. Published by FOSTERMUSIC.JP Digital Publishing (A0.1502105).

THREE ANCIENT CAPITALS was originally written for Trombone Quartet Zipang in 2007. It was published just after its premiere in December of that year, and I am very glad that it has been played by a number of trombone quartets since then.

Following its publication, a female trombonist uttered, “Although quartet is fun, it would be also enjoyable if it was played solo, wouldn’t it? “ and this brought the opportunity for this “solo trombone version” to be born.

The whole work consists of three pieces. They were written based on my impression of each place when I visited them.

1. Kamakura: In the Hydrangea Temple

I visited Meigetsu-in Temple, which is well-known as “Hydrangea Temple,” on a rainy day in June. There I saw colorful beautiful hydrangeas in full bloom, struck by gentle rain. The motif which is repeated many times in the piece represents each hydrangea.

2. Nara: Consecration of the Great Buddda

Among the Great Buddhas all over, Rushana-butsu in Todai-ji Temple in Nara, which is 16 meters tall, is the most famous.
I imagined the solemn scene of the Consecration Mass of Great Buddha.

3. Kyoto: The Golden Pavilion in the Sunset

It was toward dusk when I visited the Rokuon-ji Temple, known as “Temple of Golden Pavilion,” which was built by Ashikaga Yoshimitsu, the third shogun in the Muromachi period. It shined like gold in the light reflected by the setting sun.

It was fun for me to arrange the trombone quartet into solo trombone with piano, and I chose every single note carefully while building the relationship between the trombone and piano. I hope the audience will enjoy a different experience from the original quartet. I hope this work, born by Zipangu Quartet, will be loved by more people beyond the frame of its original setting.

Performance Time: 12’00”

PROFILE: Keiko Takashima

Keiko Takashima was born in Takamatsu, Kagawa in 1962 and grew up mainly in Hiroshima.
She began taking piano lessons at the age of four and enjoyed chorus as a club activity in junior and senior high school. She started learning harmony and composition theory while she was in high school and enrolled in the composition department at Tokyo University of the Arts of Music in 1982. After graduation, in the wake of providing new arrangements of CHANSON JAPONAISE (YUYAKE-KOYAKE) and FANTASIE (WARABE-UTA) as encore pieces for the Paris Trombone Quartet for their first tour to Japan, she has written many works for trombone.

Her repertoire for trombone quartet includes PASSEPIED, MEMORIES, SQUARE DANCE, THREE ANCIENT CAPITALS, THE INTERSECTION OF CROSSING PATHS, SONG OF HOMETOWN, JAPANESE FOUR SEASONS, DOGWOOD PRAYER, and BEYOND THE SANDY HILL. She also wrote for solo trombone and piano: FANTASY ON ITSUKI LULLABY, which is included in Mr. Michel Becquet’s solo album, as well as BREEZE IN THE HEARTS - BLOOM IN THE WORLD, IN THE QUIET OF THE NIGHT, and HEAR THE SPRING CALLING. Her choral works are TOKI-SOBA (for mixed chorus) based on Japanese comic storytelling, LOVE IN KYOTO (suite for female chorus, lyrics by Madoka Mayuzumi), and FLOWER TIDING (lyrics by Urara Takahashi). PIANO RECITAL STORY, a suite for piano, is also on sale at PTNA Musse.jp (a music delivery service on the Internet).

Ms. Takashima also wrote the fanfares for the opening and closing ceremonies at the National Sports Festival, held in Hiroshima in 1998. She is a regular member of the the Piano Teachers’ National Association of Japan.

*The YouTube sample is a performance of oboe d'amore for reference of the music.

Three Ancient Capitals for Trombone and Piano
Trombone et Piano

$29.95 28.49 € Trombone et Piano PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1508529

Composed by Sambuddha Sarkar. Classical,Contemporary. Score. 6 pages. Sambuddha Sarkar #1083780. Published by Sambuddha Sarkar (A0.1508529).

A solo work for piano, the piece is named 'Echoes in Absurdity', and hence tries to express just that. The primary theme in minor speaks of the aftertaste of war and of the echoes of pain and suffering which yet linger. The contrasting major theme expresses acceptance, tenderness, consolation, and compassion and hopes for a bright future uninterrupted by calamities caused by ignorance and greed. The off-tonic feint at the end of the composition (in Db major) before the coda symbolizes the utopian dream built by the Dionysian ideal of universal love and empathy. The restatement of the primary theme in the coda is cut short by a D# instead of the expected F#, highlighting the uncertainty and absurdity of the situation.

Echoes in Absurdity
Piano seul

$11.99 11.41 € Piano seul PDF SheetMusicPlus


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