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Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download

SKU: A0.1492586

Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069264. Published by Alex Rodrigues (A0.1492586).

The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.

This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.

The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.

The Last Rose of Summer - Baritone with piano in D
Voix Baryton, Piano

$4.99 4.47 € Voix Baryton, Piano PDF SheetMusicPlus

Small Ensemble - Level 3 - Digital Download

SKU: A0.835847

Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 17 pages. Paul Burnell #5308433. Published by Paul Burnell (A0.835847).

Two Hornpipes, by Henry Purcell (1659 - 1695), arranged by Paul Burnell for instruments in four parts.

Duration (if each Hornpipe is played through twice) 3:30

Score in C

I The Old Bachelor, Z.607: Hornpipe

II The Fairy Queen, Z629: Hornpipe

Performers may play through each Hornpipe twice, and where the ensemble contains more than four players the second time through may include all players or have varied instrumentation. The melody line has been shared between Parts 1 and 2, but comprehensive cues have been provided in Part 1 to allow the melody to be played complete in that part, if convenient.

The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:

Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)

Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)

Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola)

Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)

Part 4 may be played an octave lower than written.

Any other appropriate instruments, even if not suggested above, may play.

Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.

Programme note:

Baroque period composers in England often used the triple-time hornpipe dance rhythm. Composer Henry Purcell included several hornpipes in his theatrical music. The two hornpipes here are from 'The Old Bachelor' (1693) and 'The Fairy Queen' (1692).

Two Hornpipes, arranged for instruments in four parts

$3.99 3.58 € PDF SheetMusicPlus






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