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Small Ensemble Bass Guitar,Drums,Piano,Voice - Level 3 - Digital Download

SKU: A0.969094

Composed by Dick Coburn, John Schonberger, and Vincent Rose. Arranged by Dan Gabel. Contemporary. Score and parts. 2 pages. Daniel Clayton Gabel #6256055. Published by Daniel Clayton Gabel (A0.969094).

A favorite of bands, jazz musicians, and dancers for one hundred years, Whispering has stood the test of time. It is a great tune, and one of great historic importance that deserves a place in your band's library!

This is more than a lead sheet: it is an arrangement in Ab, including the lyrics, and the rarely-heard verse (with a second set of lyrics). This is ready to pass out to your combo: bass, guitar, drums, piano, voice, and some horns, too. 
The chart is professionally engraved and formatted for ease of reading. 
Optional Tag ending provides a nice arranged ending for your group as well.

This arrangement is based on the stellar recording by Bing Crosby with Bob Scoby's Frisco Jazz Band on:
Bing with a Beat (RCA Victor, 1957) - see history below.


Whispering - a brief history:
One of the first recordings made by a Big Band, it was a huge hit for Paul Whiteman and His Orchestra, selling over one-million copies in 1920. Benny Goodman's Trio recorded a famous version for Victor in 1936 featuring Teddy Willson on piano and Gene Krupa on drums. The pleasing chord changes are the basis for the famous contrafact by Dizzy Gillespie: Groovin' HighRevived once again with the original verse, Bing Crosby recorded it on one of the best jazz vocal albums of the 1950s: Bing with a Beat, with Bob Scoby's Frisco Jazz Band. 

Because of the historic importance and the great melody, Whispering was chosen by Dan Gabel (the arranger of this lead sheet) as his personal theme tune in 2010. Gabel opens every show with different arrangements of the song, featured by Dan Gabel's High Society Orchestra (Hot Jazz of the Roaring 20s), and recorded and featured with great success by Dan Gabel and The Abletones (Big Band). 





Whispering

$4.99 4.75 € PDF SheetMusicPlus

Instrumental Duet Bassoon,Cello,Instrumental Duet - Digital Download

SKU: A0.530800

Composed by Silver & Cohn. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 4 pages. Last Resort Music Publishing #6071813. Published by Last Resort Music Publishing (A0.530800).

YES! WE HAVE NO BANANAS - This fabulous hit song by Silver & Cohn from 1923 has been re-recorded by Benny Goodman and His Orchestra, Spike Jones & His City Slickers, Kidsongs, and many more.

Playable by Two Cellos, Two Bassoons, Cello Duet, Bassoon Duet, Cello & Bassoon

Each duet is published in score form (both parts on the same page) so that the players can play from the same part.

All available on SheetMusicPlus and www.lastresortmusic.com

Published by Last Resort Music Publishing www.lastresortmusic.com

Yes! We Have No Bananas for Cello Duet, Bassoon Duet or Cello and Bassoon Duet - Music for Two
Basson, Violoncelle

$5.95 5.66 € Basson, Violoncelle PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.869355

Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355).

Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!

Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre

$9.99 9.5 € Orchestre PDF SheetMusicPlus


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