Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.990163 Composed by Don Bowyer (Sunway University). Jazz. Score and parts. 28 pages. Dolphin Don's Music School #6454121. Published by Dolphin Don's Music School (A0.990163). This fast Latin tune alternates between a 6/8 and 3/4 feel. It is arranged here for a Latin brass ensemble, with three trumpets, three trombones, and rhythm.

Concert Band - Level 4 - Digital Download SKU: A0.1325806 Composed by Julian Work. Arranged by R. Anderson Collinsworth. 20th Century,Classical,Contest,Festival. 83 pages. R. Anderson Collinsworth #908720. Published by R. Anderson Collinsworth (A0.1325806). Autumn Walk is a miniature tone poem that reverberates Work’s compositional style, imbued with rich tonal harmonies, lyrical melodic ideas, and sensitive orchestrations that radiate with imaginative tone color. It was composed in 1958, and was a notable addition among the repertoire recorded by Frederick Fennell and the Eastman Wind Ensemble for the American Concert Band Masterpieces album in 1959 (Mercury Records MG-50220). Autumn Walk is, in its own right, a marvelous composition, but listening to the 1959 EWE recording, one notices a remarkable difference from the published score, including additional passages that sound organically conceived. In his discography of Fennell’s recordings entitled Ffortissimo, Roger Rickson simply noted the work was recorded with “FF edits.� However, it has been recently revealed that it was Donald Hunsberger, then a graduate student and member of the EWE, who was responsible for adding the enhancements heard on the EWE recording. Shortly before his death in November 2023, Hunsberger stated “FF and I were discussing the piece after a rehearsal (I did a lot of rehearsing for him that year as he was away doing President of CBDNA) concerning some of the thinness of sound… I had just spent 4 years with the Marine Band in Washington, playing trombone and serving as resident arranger. I had been trying to upgrade the band's sound, experimenting with all kinds of orchestration, and told FF that I would work over the score and enrich it in various ways.�This revised edition incorporates the additional passages conceived by Hunsberger and reconciles minor errors and other orchestrational aspects.

Vocal Solo,Voice - Digital Download SKU: A0.1161723 Composed by Anonymous. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #762099. Published by Early Music Scores (A0.1161723). Voice and continuo: composed by Anonymous. 17th century. From Oxford, MS Tenbury 1018, ff.44v; British Library, Add. MS 10337, ff.55v. Edited by Felipe Dias. 2 pages.

String Ensemble Cello - Level 5 - Digital Download SKU: A0.1287664 Composed by Ludwig van Beethoven. Arranged by Raïff Dantas Barreto. 19th Century,Chamber,Instructional,Opera,Romantic Period. 96 pages. Artistic Score Engraving di Galvagno Michele #878689. Published by Artistic Score Engraving di Galvagno Michele (A0.1287664). The Egmont Overture, Op. 84, composed by Ludwig van Beethoven in 1809-10, occupies a firm and secure place among the stars of the most-dramatic music firmament. Originally conceived for orchestra, this edition proposes it in an arrangement for 8 cellos by Brazilian Maestro Raïff Dantas Barreto. It comes in a full score and a set of the eight cello parts, all with perfect page turns.Listen to how M° Barreto plays all the eight parts together in this video:.

Medium-High Voice,Vocal Solo - Digital Download SKU: A0.1306849 Composed by Hildegard Von Bingen. Arranged by Early Music Scores. Medieval,Sacred. 2 pages. Early Music Scores #896183. Published by Early Music Scores (A0.1306849). VoiceComposed by Hildegard von Bingen (1098-1179). From Riesencodex ff.474r-ff.474v. Edited by Felipe Dias. 2 pages.

Concert Band - Level 1 - Digital Download SKU: A0.827137 Composed by Bob Marshall. Folk. Score and parts. 23 pages. Bob Marshall #1910645. Published by Bob Marshall (A0.827137). This bright, cheerful piece portrays a visit to Grandma and Grandpa’s house and eating some of Grandpa’s famous griddlecakes. The melody, reminiscent of early Americana, trades back and forth between the woodwinds and high brass while the low brass, woodwinds, and percussion keep that good ole country two-beat a goin’! Using only 6 notes, this work is good teaching tool for dynamic shading (it runs the gamut from p to ff) as well as keeping a good steady offbeat (2 & 4) going without turning the beat around. Key of Eb. Beginning Band Series Level 1.5-2.

Vocal Solo,Voice - Digital Download SKU: A0.1073305 Composed by William Lawes. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #677576. Published by Early Music Scores (A0.1073305). Voice and continuo: composed by William Lawes (1602-1645). From New York Public Library, MS Drexel 4041, ff.7v-8v. Edited by Felipe Dias. 1 page.

Soprano voice,Vocal Solo - Digital Download SKU: A0.805193 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque,Sacred. 5 pages. Early Music Scores #412231. Published by Early Music Scores (A0.805193). Voice and continuo Incipit lamentatio Jeremiae prophetae. Composed by Giacomo Carissimi (c.1605-1674). From Museo internazionale e biblioteca della musica di Bologna, MS Q43, ff.1v-5r. Edited by Felipe Dias. 5 pages. Transposed a fourth higher.

Vocal Solo,Voice - Digital Download SKU: A0.1169120 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 2 pages. Early Music Scores #769470. Published by Early Music Scores (A0.1169120). Voice and continuo: composed by Robert Johnson (c.1583-1633). New York Public Library, MS Drexel 4041, ff. 107v-108r. Edited by Felipe Dias. 2 pages.

Vocal Solo,Voice - Digital Download SKU: A0.862272 Composed by Claudio Monteverdi. Arranged by Early Music Scores. Baroque. 6 pages. Early Music Scores #468773. Published by Early Music Scores (A0.862272). Voice and continuo: Composed by Claudio Monteverdi (1567-1643). From Museo Internazionale e Biblioteca della Musica di Bologna, MS Q43, ff.90v-95r. Edited by Felipe Dias. 6 pages.

Vocal Solo,Voice - Digital Download SKU: A0.791845 Composed by Daniel Batchelar. Arranged by Early Music Scores. Baroque,Classical,Renaissance. 3 pages. Early Music Scores #6614433. Published by Early Music Scores (A0.791845). Voice and continuoComposed by Daniel Batchelar (c.1572 - 1619). From British Library, Add. 24665, ff.48v-50. Baroque period. Edited by Felipe Dias. 3 pages.

Vocal Solo,Voice - Digital Download SKU: A0.1163670 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 1 pages. Early Music Scores #764015. Published by Early Music Scores (A0.1163670). Voice and continuo: composed by Robert Johnson (c.1583-1633). From Oxford, Bodleian Library, MS. Don. c.57, ff.40v. Edited by Felipe Dias. 1 page.

Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital (IZ.CBW221). 9 x 12 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.

High Voice,Vocal Solo - Digital Download SKU: A0.1228484 Composed by Atto Melani. Arranged by Early Music Scores. Baroque. 6 pages. Early Music Scores #824562. Published by Early Music Scores (A0.1228484). Voice and continuoComposed by Atto Melani (1626-1714). From F-Pn, Rés. Vmf. ms. 41, ff. 61r-72v. Edited by Felipe Dias. 6 pages.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818316 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Sacred. Score. 3 pages. Stephen R Dalrymple #5828003. Published by Stephen R Dalrymple (A0.818316). As you Filled Bezalel © 2020 Stephen R. Dalrymple [copyright registered in Worthy Worship and 6 Other Unpublished Works] I Count it a Joy ♫ Original song by Stephen R Dalrymple ♫ Based on Exodus 35:30 ff ♫ The filling of the Holy Spirit was given long before Pentecost. The chief artisan of the Tabernacle, Bezalel was filled with the Holy Spirit in the Sinai desert. The indwelling of the Holy Spirit was not permanent until Pentecost, but the filling is seen throughout the pages of Scripture. ♫The filling of the Holy Spirit ought not be connected with one specific activity (such as the gift of tongues) but any activity that the Holy Spirit can use to accomplish bringing glory to God. Micah was filled with the Spirit of God when he prophesied against the leadership of Samaria and Jerusalem. Peter was filled with the Holy Spirit as he spoke to the pilgrims at Pentecost. Elizabeth was filled with the Holy Spirit as she greeted Mary, and of course Bezalel as he received knowledge and guidance to design and create the Tabernacle. ♫ I wrote this song in Haiti while meditating in Scripture and thinking about ministry. This song is short because I realized that it was better suited as a warmup for ministry than a congregational worship song. Whether on a concert stage or a church platform, it is so easy to get caught up during a performance and get sidetracked, concentrating on the the praise, recognition, acceptance from the audience that singing, playing and instrument, or preaching can bring. This song reminds me of my motive in sharing my gifts and the only method for my contribution to achieve lasting, eternal benefits. ♫ music © 2020 (copyright registered in Worthy Worship and 6 Other Unpublished Works ♫ recording ℗ 2020 Stephen R Dalrymple ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2020 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print.