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Percussion Ensemble - Level 2 - Digital Download

SKU: A0.884303

Composed by Yomo Toro. Arranged by Aaron Ziegler. Contemporary. Score and parts. 29 pages. Aaron Ziegler #4109567. Published by Aaron Ziegler (A0.884303).

This arrangement of Yomo Toro's Don't Bury My Clothes will be fun for your entire band. The melody and harmony parts have both moving lines and strumming to keep the whole band engaged through the learning and performing process. A video of this arrangement is available on YouTube at: https://www.youtube.com/watch?v=1KeeDavi54M 

Difficulty: Early Intermediate

For more information about the arranger visit: www.AaronZieglerPercussion.com .

Don't Bury My Clothes
Ensemble de Percussions

$20.00 19 € Ensemble de Percussions PDF SheetMusicPlus

Percussion Ensemble - Level 2 - Digital Download

SKU: A0.884311

By Bob Marley. By Bob Marley. Arranged by Aaron Ziegler. Reggae. Score and parts. 27 pages. Aaron Ziegler #4110975. Published by Aaron Ziegler (A0.884311).

This arrangement of Bob Marley's Waiting In Vain is a great way to introduce younger bands to the reggae style, or fill out a concert/gig for more advanced players. The simple chord changes and melodic lines will make learning the tune a breeze for any band, and with the melodic parts shared between all of the voices your band will stay engaged throughout the learning process.

Difficulty: Early Intermediate

For more information about the arranger please visit: www.AaronZieglerPercussion.com .

Waiting In Vain
Ensemble de Percussions
Bob Marley
$20.00 19 € Ensemble de Percussions PDF SheetMusicPlus

Large Ensemble,Rhythm Section,Strings Saxophone,Synth String Reduction,Trombone,Trumpet,Voice - Level 3 - Digital Download

SKU: A0.781966

By Casting Crowns. By Bernie Herms and Mark Hall. Arranged by Aaron Hettinga. Contemporary,Praise & Worship. Score and parts. 50 pages. Aaron Hettinga #6011191. Published by Aaron Hettinga (A0.781966).

This powerful song from Casting Crowns is presented here as a Rhythm/Vocal Lead Sheet and 4-3-3 horn section. Strings are included along with a synth reduction. The form matches the original recording and is ½ step lower.

Flexibility: This arrangement will work in multiple contexts. Any number of Rhythm players and vocalist will get adequate information from the lead sheet to make for a complete performance. The freestanding String Quartet parts are reduced into the Synth part for additional reinforcement of string lines if so desired, but that part also includes chord symbols to allow for pads in tacet phrases. The horn section parts are unique to this arrangement and add some extra punch to a live performance without interfering with the core of the piece.

Find more from this arranger at http://aaronhettinga.com


Praise You In This Storm
Casting Crowns
$24.99 23.74 € PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.781958

By Sia. By Adele Adkins, Christopher Braide, Sia, and Tobias Jesso Jr. Arranged by Aaron Hettinga. Pop. Score and parts. 16 pages. Aaron Hettinga #5989491. Published by Aaron Hettinga (A0.781958).

Sia's powerful song Unstoppable is available here arranged for performance by a string quartet. Key of F#minor. Follows the form and key of the original recording. 

This arrangement gives interesting lines to all players.  The Cello part functions as the rhythm section while the melody passes back and forth between the Viola part and both Violin parts.

Find more songs at https://aaronhettinga.com


Unstoppable
Quatuor à cordes: 2 violons, alto, violoncelle
Sia
$14.99 14.24 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download

SKU: A0.1095566

Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566).

At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?

What Will We Say?

$19.99 18.99 € PDF SheetMusicPlus

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.782090

Composed by George Ferencz. Arranged by George Ferencz. Folk,Patriotic,Traditional. Score and parts. 16 pages. Aaron Hettinga #6665989. Published by Aaron Hettinga (A0.782090).

This fun polka is presented in the instrumentation of Alford’s Hungry Five series of Polka/German band books. Atypical to those classic publications, there are some lively 16th note runs featured in the tuba part during the opening strain (you may want your tuba player to set the tempo for this one). Across the rest of the ensemble, everybody gets a chance to take on the melody along with a number of other active lines and transitions to keep things interesting for players and listeners alike.

This composition fits right in with the style of the other traditional Hungry Five pieces. There are no extreme range requirements (other than some lovely chalumeau register clarinet lines and a trombone part that briefly reaches its way up to 3rd ledger line G) and the technical challenges shouldn’t be out of reach for intermediate players so even fairly young ensembles could include this on a German band performance. Ready to go for adding a fine waltz to your Oktoberfest gig!


Hartland Polka - for "Hungry Five" Polka Band

$19.99 18.99 € PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download

SKU: A0.998356

Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356).

    This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things.


This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory.


With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike.


A FEW NOTES:


1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence.


2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged!


3. All ritardandos should be exaggerated for the sake of drama.


4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions.


5. Be sure to practice shifting into 2nd position for the modulation.


I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it!


~Aaron Fonzi

The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes

$20.00 19 € Orchestre à Cordes PDF SheetMusicPlus


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