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Choral Choir (SATB) - Digital Download SKU: A0.966312 Composed by David F Golightly. Arranged by Modrana Music Publishers Ltd. Contemporary,Folk. Octavo. 54 pages. Modrana Music Publishers Ltd #3135883. Published by Modrana Music Publishers Ltd (A0.966312). No1 The Buffalo Skinners. No 2 Chisholm Trail No 3 Shenandoah. No 4 The Streets of Laredo. No 5 John Hardy. Commissioned 1994 by Hull Male Voice Choir recorded by The Soglasie Choir of St Petersburg. Score includes a CD recorded by Soglasie Male Voice Choir of St Petersburg. This is the S.A.T.B. version of these five American Cowboy Songs originally commissioned, recorded and sung by 'The Soglasie Male Voice Choir of St Petersburg on their 1995 23 concert tour of the UK. Only for the most advanced choir but if you like a challenge and enjoy an exciting new approach to traditional American Cowboy songs then these arrangements are for you. From the gentle relaxed approach to the setting of Streets of Laredo to the vibrant challenge of the setting of John Hardy these arrangements bring a freshness and originality to these cowboy songs. At $30 there represent real value, i.e $6 per setting. 44 pages of vibrant and rewarding choral music.
Frontiers S.A.T.B. Five settings of American Cowboy Songs
Chorale SATB

$30.00 28.75 € Chorale SATB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB

$2.10 2.01 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB

$2.10 2.01 € Chorale TTBB PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.924437 By Johnny Cash. By Stan Jones. Arranged by Joseph M. Chopp. Contemporary. Score and parts. 15 pages. JOSEPH M CHOPP #4352809. Published by JOSEPH M CHOPP (A0.924437). Most everyone likes cowboy songs, and Ghost Riders in the Sky is one of the most exciting to hear and perform.  This arrangement gives each musician in the brass quintet several solo opportunities and excellent rhythmic challenges.  The lyrics tell the frightful story of a cowboy receiving a sobering warning to change your ways, or else!  (see page two of the music.)Stan Jones was an American songwriter and actor, primarily writing Western music. He is best remembered for writing the legendary (ghost) Riders in the Sky (A Cowboy Legend), which has been called the #1 Western song ever written.Playing time = 2.5 minutesFind SMP arrangements; just search CHOPP for good quintet music.  Music by Bach, Bartok, Billings, Holtz, Mussorgsky, Jewish Folksongs and several 16th Century composers are available at MusicForBrass.com.  Just search CHOPP.jmchopp@hughes.net
(ghost) Riders In The Sky (a Cowboy Legend)
Ensemble de cuivres
Johnny Cash
$12.99 12.45 € Ensemble de cuivres PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
Cowboy Songs of the American Southwest [TTBB]
Chorale TTBB

$4.20 4.03 € Chorale TTBB PDF SheetMusicPlus

Small Ensemble Cello,High Voice,Piano,Violin - Level 4 - Digital Download SKU: A0.1040455 Composed by Daniel Carr. Broadway,Classical,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 265 pages. Daniel Carr #645246. Published by Daniel Carr (A0.1040455). Full recording here - https://danielcarr1.bandcamp.com/album/daniel-carr-volume-3-high-voice-and-piano-trio In an unusual twist, Carr composed the musical component of Nine Bethany Swann Songs prior to the texts having been written. The poet, Bethany Swann, listened to his music and through that experience was able to create the lyrics that so perfectly flow in the songs – an impressive achievement. The nine-movement song cycle begins with In Memoriam, the most “pop music†sounding of the songs, with a simple lyrical line. Roses Through Barbed Wire follows – it is more aggressive and percussive with an active accompaniment to the voice. The third piece of the cycle, The Somnambulist, is in two parts: the first with long melodic lines over a minimalist accompaniment; the second, more chordal and lyrically active. The Struggle shows influences of “Americana†and has a purely instrumental middle section. The midway point of the cycle, Stained Glass, makes use of glowing chords in various modes. The sixth song is A Return, which contains thick textures and chordal accompaniment in support of the vocal part. Song of Returns introduces a slower pace and is imagined as an “impressionistic cowboy song†– if such a thing were to exist! The penultimate movement, Light Sources is a multi-part song having an ethereal middle section and an explosive instrumental ending. The cycle concludes with Northern Boundaries, which includes a hymn-inspired section at the end.
Nine Swann Songs for High Voice, Violin, Cello and Piano - Opus 18

$9.99 9.57 € PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1294499 Composed by David Ahrens. 21st Century,Classical,Contest,Festival,Folk,Historic. 119 pages. Baseline Music Publishing #884874. Published by Baseline Music Publishing (A0.1294499). A setting of three classic American folk songs for Wind Band. Transport your audience back to the “Old West†as you cross the nation by covered wagon to join the California Gold Rush, move a herd of cattle over the plains to new grasing lands, and be a part of the adventure of early rail commerce.Price discounted on my website “Sweet Betsy from Pike†is a comic folk ballad chronicling the trials and successes of Betsy, a mid-19th century pioneer woman, as she migrates from (perhaps) Pike County, Missouri (or Illinois) to the California Gold Rush town of Placerville (known colloquially as ‘Hangtown’). The journey across the Wild West was full of hardship, peril, and loss This song battles the very real struggles with levity and humor. It was first published in 1858.“Git Along, Little Dogies†is a cowboy ballad, also known as “Whoopie Ti Yi Yoâ€. While likely older, the first mention of the song was in author Owen Wister’s 1893 journal. It was first published in 1910. “Dogies†is a reference to small or orphaned calves. The narrative of the song quotes a cowboy singing to the slow or stray dogies as they move along the cattle drive to Wyoming.“Rock Island Line†refers the Rock Island and La Salle Railroad company (established 1947) which soon after became the Chicago and Rock Island Railroad. When construction of the railroad arrived at Rock Island in 1854, it became the first to connect Chicago with the Mississippi River. This folk song references an encounter between an operator of a toll gate and a train engineer who is let through without paying by lying about his payload. Once safely through, he yells back his confession as the train speeds onward. The earliest known version of the song was published in 1929.Grade 3.5 Performance time: 10:00.
American West Folk Suite
Orchestre d'harmonie

$95.00 91.05 € Orchestre d'harmonie PDF SheetMusicPlus


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