By Andrews Sisters, Zequinha de Abreu. Arranged by Diego Marani. Score, Set of Parts. 17 pages. Published by Diego Marani

By Andrews Sisters, Zequinha de Abreu. Arranged by Diego Marani. Score, Set of Parts. 19 pages. Published by Diego Marani

Trombone Quartet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 14 pages. Published by Music for all Occasions

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1495930 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Peet du Toit & Sam Harrill (Percussion). Traditional. 20 pages. Peet du Toit #1072461. Published by Peet du Toit (A0.1495930). Tico-Tico no fubá (rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Outside Brazil, the song reached its peak popularity in the 1940s, with successful recordings by Ethel Smith, The Andrews Sisters (with English-language lyrics by Ervin Drake), Carmen Miranda and others.The Philip Jones Brass Ensemble (PJBE) arrangement and recording inspired me many years ago to also do something with this fantastic music.  Enjoy with me.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.528256 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Diego Marani. Contemporary,Instructional,Latin,Pop,Standards. 21 pages. Diego Marani #5709953. Published by Diego Marani (A0.528256). Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. Outside Brazil, the song reached its peak popularity in the 1940s, with successful recordings by Ethel Smith, The Andrews Sisters, Carmen Miranda and others. Other recordings have been made by: Charlie Parker, Berliner Philarmoniker, Henry Mancini, Paquito D'Rivera, Perez Prado and more recently Lou Bega.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.Is is suitable for classroom, repertoire, recital and for a powerful encore.

C Instrument - Level 3 - Digital Download SKU: A0.1193086 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. Lead Sheet / Fake Book. 2 pages. Fabio Eduardo #792540. Published by Fabio Eduardo (A0.1193086). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadTico-Tico no fubá is a Brazilian choro song written by Zequinha de Abreu in 1917.

Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1346155 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Luca Boscolo. 20th Century,Chamber,Folk,Latin,Multicultural,World. 27 pages. Luca Boscolo e Marco De Lazzari #930979. Published by Luca Boscolo e Marco De Lazzari (A0.1346155). An arrangement for saxophone quartet (soprano - alto - tenor - baritone).

Brass Ensemble - Level 3 - Digital Download SKU: A0.780060 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Graham Boag. Pop. Score and parts. 24 pages. Graham Boag #5867677. Published by Graham Boag (A0.780060). This all time classic gives each player their moment to shine and it will prove to be popular with players and audiences alike. This arrangement is for Brass Band Quartet and includes alternative parts to allow for social distancing rehearsals as Bands start to return in groups no bigger than six at a time. The parts are:1. Cornet 1/Soprano Cornet2. Cornet 23. Tenor Horn/Baritone/Euphonium/Trombone 4. Euphonium/ EEb & BBb Bass Thank you and enjoy! 

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.780092 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Graham Boag. Pop. 17 pages. Graham Boag #6235289. Published by Graham Boag (A0.780092).

Drum Set, Glockenspiel, Marimba, Percussion, Vibraphone, Xylophone, Percussion Ensemble - Digital Download LATE INTERMEDIATE By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Percussion Ensemble Collective. Classical,Latin. 24 pages. PercussionEnsembleCollective #811322. Published by PercussionEnsembleCollective

Percussion Ensemble Bass Marimba,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.1117141 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Jörg Richter. 20th Century,Jazz,Latin,Standards. Score and parts. 9 pages. Jörg Richter #718724. Published by Jörg Richter (A0.1117141). Tico-Tico no fubá is a Brazilian choro song written by Zequinha de Abreu in 1917. Its original title was Tico-Tico no farelo, but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Outside Brazil, the song reached its peak popularity in the 1940s, with successful recordings by Ethel Smith, The Andrews Sisters (with English-language lyrics by Ervin Drake), Carmen Miranda and others (From: Wikipedia.org). Here is an arrangement for 2 Marimbas.

Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.747015 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 10 pages. Keith Terrett #5870055. Published by Keith Terrett (A0.747015). Arranged for for Bb Trumpet, C Trombone & Piano Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorõe