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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1196739 By John Powell. By John Powell. Arranged by Rob Bushnell. 20th Century,Celtic,Film/TV,Folk,Irish. Brass Band. 79 pages. RBMusic #795900. Published by RBMusic (A0.1196739). Test Drive is from the soundtrack to the 2010 computer-animated action fantasy film How to Train Your Dragon, based on the book by Cressida Cowell. It follows the story of Hiccup and Toothless as they form an unlikely friendship, against the backdrop of the Viking village of Berk, where the other villagers attempt to kill dragons when they attack.The music is composed by John Powell. Whilst this was his sixth collaboration with DreamWorks Animation, it was the first where he was the sole composer (having worked with other composers such as Harry Gregson-Williams and Hans Zimmer prior to this). In an interview with The Wasp, Powell said that the directors wanted “size and depth and emotionâ€, wanting “a feeling of the Nordic musical past.†This led him to the music of Nielsen, Grieg and, in particular, Sibelius. “Sibelius was the key. I studied a lot of Sibelius as a kid, and I've always adored his music.†He continues, “we looked at all the folk music from the Nordic areas. And I'm part Scottish and grew up with a lot of Scottish folk music, so that came into it a lot. And Celtic music was something that Jeffrey [Katzenberg] felt had this very attractive quality to it, and a sweetness, that he thought would be wonderful for the film.Test Drive appears in the film when Hiccup first takes flight on Toothless. It perfectly brings together “Hiccup's Theme†and “Toothless' Themeâ€. The two themes take over from each other, representing the development of their onscreen relationship during this flight scene as Hiccup starts to trust Toothless, and vice versa. The soundtrack was nominated for the Academy Award for Best Original Score and the BAFTA Award for Best Film Music.This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=IpPIK4T068s.Other searchable terms: Jay Baruchel, America Ferrera, Astrid Hofferson, Gerard Butler, Stoick the Vast, Craig Ferguson, Gobber the Belch, blacksmith, Christopher Mintz-Plasse, Fishlegs Ingerman, Jonah Hill, Snotlout Jorgenson, T.J. Miller, Kristen Wiig, Tuffnut and Ruffnut Thorston, David Tennant, Spitelout, Robin Atkin Downes, Ack, Philip McGrade, Starkard, Kieron Elliott, Hoark the Haggard, Ashley Jensen, Phlegma the Fierce, Randy Thom, Night Fury.
Test Drive
John Powell
$44.99 38.73 € PDF SheetMusicPlus

Bassoon & piano - Digital Download SKU: IZ.IMS178 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS178. Published by Imagine Music - Digital (IZ.IMS178). 9 x 12 in inches.Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory ofMarie Mountain Clark. She was a friend and former principal flute in the Ann Arbor Symphony Orchestra (andCongressional Gold Medal recipient for her service as a WWII Women's Air Service Pilot aEUR WASP). Since thepremiere of Requiem in 2009, several of my friends have asked me to transcribe Prayer for their instruments. It hasbeen used for weddings, funerals, offertories, and preludes.Prayer precedes the final verses of Psalm 19 in the Requiem, and it introduces the Psalmist's poignant text on thehuman weakness of willful transgression. Cleanse thou me from secret faultsaEUR|. Let the words of my mouth, and themeditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer (KJV).I think the fact that I had a bad cold while writing this music added to its effectiveness, for I was feeling quite sorry formyself. The melody portrays my prayer rising ever higher, asking forgiveness for my sins. The plagal (Amen) cadenceat the end acknowledges God's gracious forgiveness.Difficulty level: College or advanced high school, requiring full control of intonation and long tones in all ranges.Performance Time: 3' 40
Prayer (Bassoon & Piano)
Basson, Piano (duo)

$10.00 8.61 € Basson, Piano (duo) PDF SheetMusicPlus

Trumpet & piano - Digital Download SKU: IZ.IMS1924 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS1924. Published by Imagine Music - Digital (IZ.IMS1924). 9 x 12 in inches.Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal flute in the Ann Arbor Symphony Orchestra (and Congressional Gold Medal recipient for her service as a WWII Women's Air Service Pilot - WASP). Since the premiere of Requiem in 2009, several of my friends have asked me to transcribe Prayer for their instruments. It has been used for weddings, funerals, offertories, and preludes. Prayer precedes the final verses of Psalm 19 in the Requiem, and it introduces the Psalmist's poignant text on the human weakness of willful transgression. Cleanse thou me from secret faults.... Let the words of my mouth, and the meditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer (KJV). I think the fact that I had a bad cold while writing this music added to its effectiveness, for I was feeling quite sorry for myself. The melody portrays my prayer rising ever higher, asking forgiveness for my sins. The plagal (Amen) cadence at the end acknowledges God's gracious forgiveness. Difficulty level: College or advanced high school, requiring full control of intonation and long tones in all ranges.Performance Time: 3' 40.
Prayer
Trompette, Piano

$10.00 8.61 € Trompette, Piano PDF SheetMusicPlus

Oboe & piano - Digital Download SKU: IZ.IMF1819 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMF1819. Published by Imagine Music - Digital (IZ.IMF1819). 9 x 12 in inches.Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal flute in the Ann Arbor Symphony Orchestra (and Congressional Gold Medal recipient for her service as a WWII Women's Air Service Pilot - WASP). Since the premiere of Requiem in 2009, several of my friends have asked me to transcribe Prayer for their instruments. It has been used for weddings, funerals, offertories, and preludes.Prayer precedes the final verses of Psalm 19 in the Requiem, and it introduces the Psalmist's poignant text on the human weakness of willful transgression. Cleanse thou me from secret faults.... Let the words of my mouth, and the meditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer (KJV).I think the fact that I had a bad cold while writing this music added to its effectiveness, for I was feeling quite sorry for myself. The melody portrays my prayer rising ever higher, asking forgiveness for my sins. The plagal (Amen) cadence at the end acknowledges God's gracious forgiveness.Difficulty level: College or advanced high school, requiring full control of intonation and long tones in all ranges.Performance Time: 3' 40.
Prayer
Hautbois, Piano (duo)

$10.00 8.61 € Hautbois, Piano (duo) PDF SheetMusicPlus






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