By Atlanta Rhythm Section. For piano, voice, and guitar (chords only). Pop; Rock. 5 pages. Published by Hal Leonard - Digital Sheet Music

By Atlanta Rhythm Section. Country; Pop; Rock. Piano/Vocal/Guitar. 9 pages. Published by Hal Leonard - Digital Sheet Music

Violin Solo - Level 4 - Digital Download SKU: A0.861894 Composed by Mark O'Connor. Folk. 8 pages. Mark O'Connor Musik International #6205947. Published by Mark O'Connor Musik International (A0.861894). Olympic Reel (score - violin and rhythm section) MO139AViolin and Folk Instr. (lead sheet) (violin part available)Music by Mark O’Connor4 pages - 2:00 minutes in length Olympic Reel (for violin) composed by Mark O'Connor was written in early 1996 for the Summer Olympic Games in Atlanta, GA. It was premiered at the closing ceremonies before 100,000 people in the Olympic Stadium, with 10,000 world-class athletes from around the world in attendance, as well as 3.5 billion people from the television viewing audience.Mr. O'Connor wanted to write a fiddle tune that brought celtic sounds from Europe mixed in with the American folk music to give an international flavor to the style. One of Mr. O'Connor's friends and colleagues, Natalie MacMaster, was the artist to first record this music on CD, and she subsequently asked the composer to join her in a version that accommodated both of them on fiddles. The result was fiddle fireworks, Olympic style! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1996 Composed by Mark O’ConnorCan be heard on In My Hand Warner Bros. (Natalie McMaster, Mark O’Connor; and on Mark O’Connor’s Crossing Bridges OMAC Records Catalogue Number MO139ACopyright © 1996 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Violin Solo - Digital Download SKU: A0.861893 Composed by Mark O'Connor. Folk. 8 pages. Mark O'Connor Musik International #6205949. Published by Mark O'Connor Musik International (A0.861893). Olympic Reel (violin part - violin and rhythm section) MO139BViolin Part - Violin and Folk Instr. (lead sheet available)Music by Mark O’Connor4 pages - 2:00 minutes in length Olympic Reel (for violin) composed by Mark O'Connor was written in early 1996 for the Summer Olympic Games in Atlanta, GA. It was premiered at the closing ceremonies before 100,000 people in the Olympic Stadium, with 10,000 world-class athletes from around the world in attendance, as well as 3.5 billion people from the television viewing audience.Mr. O'Connor wanted to write a fiddle tune that brought celtic sounds from Europe mixed in with the American folk music to give an international flavor to the style. One of Mr. O'Connor's friends and colleagues, Natalie MacMaster, was the artist to first record this music on CD, and she subsequently asked the composer to join her in a version that accommodated both of them on fiddles. The result was fiddle fireworks, Olympic style! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1996 Composed by Mark O’ConnorCan be heard on In My Hand Warner Bros. (Natalie McMaster, Mark O’Connor; and on Mark O’Connor’s Crossing Bridges OMAC Records Catalogue Number MO139BCopyright © 1996 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Guitar - Level 2 - Digital Download SKU: A0.1390940 By Atlanta Rhythm Section. By Buddy Buie, Dean Daughtry, and Robert Nix. Arranged by GPTabs. Blues,Rock. Guitar Tab. 11 pages. GPTabs #974475. Published by GPTabs (A0.1390940). Hey music aficionados! Get ready to groove to the soulful sounds of 'So Into You' by Atlanta Rhythm Section. Dive into the smooth vibes of this classic track with my meticulously transcribed score, available exclusively on Arrangeme.Capturing the essence of this iconic song, my transcription pays homage to the musical brilliance of the Atlanta Rhythm Section.Whether you're a seasoned musician or a casual listener, this score allows you to immerse yourself in the magic of 'So Into You' like never before. Let the music take you on a journey and experience the timeless allure of Atlanta Rhythm Section's masterpiece.Don't miss the opportunity to add this gem to your repertoire. Purchase your copy today and let's get lost in the music together! GPTabs   

Acoustic Guitar,Instrumental Solo - Level 5 - Interactive Download SKU: A0.1220656 By Classics Iv. By Buddy Buie, Harry Middlebrooks, J.R. Cobb, and Mike Shapiro. Arranged by Robert Clarke. This edition: Interactive Download. Pop,Rock. Individual part. 6 pages. Duration 292. Robert Clarke #6XKTF48WDN02g51BKIxMYH. Published by Robert Clarke (A0.1220656). Key: D major.This is the Atlanta Rhythm Section version of the Classics IV tune. Several of the Classics IV went on to form the ARS and release Spooky again. The song is 4' 53. I have included the three guitar solo and the keyboard solo. It works well with or without them. The difficulty level is intermediate without the solos.

Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1295505 By Classics Iv. By Buddy Buie, Harry Middlebrooks, J.R. Cobb, and Mike Shapiro. Arranged by Hollywood Charts. Contemporary,Jazz,Pop,R & B,Standards. 9 pages. Hollywood Charts #885796. Published by Hollywood Charts (A0.1295505). This arrangement is scored for three horns (Trumpet, Trombone, Tenor Sax) and includes a Master Rhythm partDive into the sultry and sophisticated world of Dusty Springfield with our accurate sheet music for Spooky. This iconic tune, teeming with subtle allure and undeniable charisma, is a gem from the vibrant 1960s, and now you can bring its timeless elegance to life with our meticulously crafted arrangement.Spooky by Dusty Springfield is a classic piece, recognized for its smooth rhythm, enigmatic lyrics, and jazzy undertones, which fuse to create a musical concoction brimming with ’60s flair. Originally an instrumental song by saxophonist Mike Sharpe, the tune found its voice with the golden vocals of Springfield, rendering it an eternal favorite.This sheet music will guide you through the song's captivating amalgam of pop, jazz, and R&B, enriched by Springfield’s distinctive vocal style, marked by her warm, resonant timbre and nuanced phrasing. The composition’s intricate melodic lines and rhythmic patterns offer a rewarding challenge to musicians while providing an enriching learning experience for those looking to delve into the sophisticated musical tapestries of the ’60s.Perfect for solo performances, ensemble arrangements, or casual jam sessions, this sheet music is a versatile choice for any musician looking to explore the enchanting soundscapes of Dusty Springfield. Whether you’re a fan of Dusty’s original rendition or the dynamic energy of the Atlanta Rhythm Section’s version, our transcription provides a reliable foundation to interpret the song in your unique voice.

SATB choir and organ - Moderately Easy - Digital Download SKU: MQ.8456-E Composed by David Hurd. Building Dedication, African American Heritage, New Year, Wedding. 15 pages. Duration 3 minutes, 20 seconds. E. C. Schirmer Music Company - Digital #8456-E. Published by E. C. Schirmer Music Company - Digital (MQ.8456-E). English. Psalms 100.This anthem was commissioned by Dorothy Yates to mark the 50th anniversary of St. Dunstan’s Episcopal Church, Atlanta, Georgia. The text is announced by a brief fanfare on the organ. The raised 4th scale degree of the opening theme suggests the Lydian mode and accentuates the music’s upward thrust. Following the opening fanfare, the setting passes back and forth between duple and triple meter several times. Triple and duple rhythmic elements occur simultaneously and play off of one another. In the anthem’s middle section, the rhythmic energy of the opening is exchanged for a gentle extended crescendo as voices alternately sing their four-note, stepwise, rising lines over sustained organ chords. Then, the more energetic and somewhat metrically ambiguous elements of the previous section return. Finally, the text and music heard at the anthem’s opening recur in the manner of an antiphon. Duration: 3:20.