By Benny Goodman etc. By Victor Young; Will J. Harris. Key of G-Major. Traditional Pop. Score. With Text Language: English. 7 pages. Published by Shapiro Bernstein Organization (RX.9783841803122). - score - Traditional Pop - Shapiro Bernstein Organization

By Benny Goodman, The Five Keys etc. By Billy Hill; Bob Cutter. For piano, vocal & chords. Key of G-Major. Traditional Pop. Score. Text Language: English. 7 pages. Published by Shapiro Bernstein Organization

By Count Basie, Harry James, Glenn Miller, Benny Goodman, Jelly Roll Morton, and Fletcher Henderson. American; Blues; Jazz; Standards. 9 pages. Published by Hal Leonard - Digital Sheet Music (HX.22314). - - American; Blues; Jazz; Standards - Hal Leonard - Digital Sheet Music

By Louis Armstrong, Benny Goodman, Count Basie, etc. By Jimmy Mc Hugh; Dorothy Fields. Key of C-Major. Traditional Pop. Score. With Text Language: English. 7 pages. Published by Shapiro Bernstein Organization (RX.9783841801425). - score - Traditional Pop - Shapiro Bernstein Organization

Clarinet, Woodwind Quartet - Intermediate - Digital Download By Benny Goodman. Arranged by Diego Marani. Score, Set of Parts. 21 pages. Published by Diego Marani

String Quartet - Intermediate - Digital Download By Benny Goodman. Arranged by Diego Marani. Score, Set of Parts. 17 pages. Published by Diego Marani

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!

Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1379915 By Benny Goodman. By Fletcher Henderson and Irving Mills. Arranged by Rejean Marois. Contest,Festival,Historic,Jazz,Spiritual. 29 pages. Marois Music Publications #964623. Published by Marois Music Publications (A0.1379915). This Fletcher Henderson’s “Down South Camp Meeting� is a  brilliant, original and colorful jazz composition that provides a vivid snapshot of what was going on musically in the world of swing when it was made.I transcribed and adapted on voices the Bill May's transcription played by Benny Goodman and recorded in 1936.Not to forget the beautiful lyrics by Jon Hendricks.Complete live recording at: https://maroismusic.com/the-music-of-benny-goodman/

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pages. Peter Stove #729548. Published by Peter Stove (A0.1129024). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 1! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). What if Benny Carter had not sailed for Europe in 1935 to become staff arranger with the BBC, but instead had helped out Benny Goodman with providing scores for his ‘Let’s Dance’ program? And suppose Carter had done the same trick that Fletcher Henderson pulled later on, e.g. adapting already existing scores of his own band for the Benny Goodman Orchestra? Carter’s ‘Symphony In Riffs’ is presented here as a piece that could have been a cornerstone of the Goodman band library. The sax soli written by Carter is there, but the clarinet dominates the second strain in a Glenn Miller-styled section, and of course later with an extended solo. Other soloists include trb 1, piano, tpt 2 and ts 1. The two different strains are juxtaposed to each other, to make for a maximum of variety. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Difficult for multiple reasons: • The clarinet soloist must be a first-class ‘BG-wannabe’. Fluent soloist, comfortable in the upper register. • Strong lead-alto required, with an old-skool ‘singing’ tone. • Lead trumpet must be able to ‘carry off’ the final section from bar 197 onwards. • Driving rhythm section needed; swinging (preferably acoustic) rhythm guitarist and a bassist who doesn’t shy away from playing compelling bass-lines. If your band meets these requirements: have fun!

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1110811 By Benny Goodman. By Louis Prima. Arranged by Chris Gorman. Jazz,Standards. Brass Band. 53 pages. Chris Gorman #713105. Published by Chris Gorman (A0.1110811). Sing, Sing, Sing (With a Swing) is a 1936 song, with music and lyrics by Louis Prima, who first recorded it with the New Orleans Gang. Brunswick Records released it on February 28, 1936. The song is strongly identified with the big band and swing eras. Several have performed the piece as an instrumental, including Fletcher Henderson and, most famously, Benny Goodman, featuring Gene Krupa on drums. This arrangement is a must for all bands who need to keep up front with the style of the Big Band Era.

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528239 By Benny Goodman. By Louis Prima. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Jazz,Standards. 19 pages. Diego Marani #5348077. Published by Diego Marani (A0.528239). Sing, Sing, Sing (With a Swing) is a 1936 song, with music and lyrics by Louis Prima, who first recorded it with the New Orleans Gang. The song is strongly identified with the big band and swing eras. Several have performed the piece as an instrumental, including Fletcher Henderson and, most famously, Benny Goodman.This brilliant arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.It is suitable for classroom, repertoire, recital and for a powerful encore.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528235 By Benny Goodman. By Louis Prima. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Jazz,Standards. 17 pages. Diego Marani #5325619. Published by Diego Marani (A0.528235). Sing, Sing, Sing (With a Swing) is a 1936 song, with music and lyrics by Louis Prima, who first recorded it with the New Orleans Gang. The song is strongly identified with the big band and swing eras. Several have performed the piece as an instrumental, including Fletcher Henderson and, most famously, Benny Goodman.This arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.It is suitable for classroom, repertoire, recital and for a powerful encore.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1256754 By Benny Goodman & His Orchestra. By Andy Razaf and Leon Berry. Arranged by Wayne Land. 20th Century,Jazz. 45 pages. Kenneth Wayne Land #850126. Published by Kenneth Wayne Land (A0.1256754). The Fletcher Henderson/Benny Goodman big band tune arranged for saxophone quartet with Bass and Drums.  This one swings big time.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.528238 By Benny Goodman. By Louis Prima. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Jazz,Standards. Score and parts. 22 pages. Diego Marani #5336691. Published by Diego Marani (A0.528238). Sing, Sing, Sing (With a Swing) is a 1936 song, with music and lyrics by Louis Prima, who first recorded it with the New Orleans Gang. The song is strongly identified with the big band and swing eras. Several have performed the piece as an instrumental, including Fletcher Henderson and, most famously, Benny Goodman.This brilliant arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.It is suitable for classroom, repertoire, recital and for a powerful encore.