By John Michael Montgomery. Pop. Piano/Vocal/Guitar. 9 pages. Published by Hal Leonard - Digital Sheet Music

This edition: Interactive Download. Rock. Guitar TAB. 9 pages. Published by Hal Leonard - Digital Sheet Music (HX.358622). - Guitar TAB - Rock - Hal Leonard - Digital Sheet Music

By Annie Lennox. By Robert Poindexter, Richard Poindexter, Jackie Members. Pop; Rock. Piano/Vocal/Guitar (chords only). 9 pages. Published by Hal Leonard - Digital Sheet Music (HX.40775). - Piano/Vocal/Guitar (chords only) - Pop; Rock - Hal Leonard - Digital Sheet Music

Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.

Solo Guitar - Level 5 - Digital Download SKU: A0.1271026 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 7 pages. Jeremiah Lawson #863416. Published by Jeremiah Lawson (A0.1271026). I started composing this single-movement sonata for guitar on October 29, 2016 and completed it on May 11, 2018.  As the title says, this is an homage to Stevie Wonder, one of my musical heroes. This is a roughly 12-minute single-movement that has original themes inspired by the chord changes from the synth break to Stevie Wonder's Living for the City.  The work is primarly in standard tuning but the performer must switch to the tuning E flat, A, D, G, B flat, E flat in the final page.  The sonata may be played on classical, electric or acoustic guitar. Although this is not indicated in the published score between measures 236 and 260 you can introduce embellishments and four-measure cadenzas. I suggest inserted cadenzas between measures 255 and 256 as well as between measures 259 and 260. 

String Quartet Cello,String Quartet,Violin - Level 2 - Digital Download SKU: A0.1074771 Composed by Connie Boss. Pop,Wedding. Score and parts. 9 pages. Connie Boss #679025. Published by Connie Boss (A0.1074771). This is a beautiful original song for a strings quartet perfect for a wedding/engagement, anniversary event. It has many moving parts. The flute has a flowing accent part. For questions or requests, email at cdboss@cvalley.net Lyrics below: How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful – How beautiful is your love for me How beautiful – How beautiful is my love for you How beautiful – How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do� Outro: How beautiful……. How beautiful…….

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182134 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #781898. Published by Helene Schulthess (A0.1182134). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.

Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1259043 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Tablature. 2 pages. Darek #852306. Published by Darek (A0.1259043). Nocturne in Eb Major, Op. 9, No. 2 (GUITAR TAB) [Frédéric Chopin]Guitar arrangement of Nocturne in Eb Major, Op. 9, No. 2 by Frédéric Chopin (Frederic Francois Chopin). Simplified arrangement for guitarists. Easy arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial.  I invite you to explore the captivating world of Frédéric Chopin's Nocturne in Eb Major, Op. 9, No. 2 on the guitar. I understand the desire to learn and play beautiful and iconic compositions, and this Nocturne is the perfect choice. Unlock the magic of this timeless piece with my meticulously crafted guitar tabulature. Designed specifically for beginner-intermediate guitarists, my sheet music provides an accessible gateway to mastering this beautiful composition. Within the tabs, you'll find a combination of sheet music, tabulature, and chords, allowing you to approach the piece from different perspectives. This comprehensive approach not only helps you understand the melody but also gives you the flexibility to explore the harmonic structure of the composition. To assist you on your musical journey, I have also created a YouTube tutorial exclusively for you. This step-by-step video guide offers visual demonstrations, insightful tips, and inspiration to help you learn and perform the Nocturne with confidence. Transport yourself to the romantic era, where the guitar emerged as a instrument for capturing emotions and telling stories. Chopin's Nocturne, beautifully arranged for the guitar, allows you to experience the essence of this era and the expressive power of the instrument. I prioritize your musical growth, offering sheet music tailored to your beginner-intermediate level. I believe in providing a balance between challenge and attainability, allowing you to develop your skills while enjoying the journey of playing this exquisite Nocturne. Discover the joy of creating music on the guitar as you immerse yourself in the melodic and harmonic beauty of Chopin's masterpiece. With my meticulously prepared guitar tab, you'll be able to embrace the nuances and intricacies of the composition, enabling you to express your own musical voice. Choose excellence, choose expression, and choose my sheet music for the Nocturne in Eb Major, Op. 9, No. 2. Let the guitar become an extension of your soul, and let this composition be your muse as you continue to grow as a beginner-intermediate guitarist. Begin your musical journey today and unlock the profound beauty of Chopin's Nocturne on the guitar.

Piano Solo - Level 3 - Digital Download SKU: A0.1259040 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #852303. Published by Darek (A0.1259040). Nocturne in Eb Major, Op. 9, No. 2 (MEDIUM PIANO) [Frédéric Chopin]Intermediate arrangement for pianists of Nocturne in Eb Major, Op. 9, No. 2 by Frédéric Chopin. Intermediate version for pianists. Included: Fingering, Dynamics, Articulation and Youtube tutorial.  I invite you to explore the captivating world of Frédéric Chopin's Nocturne in Eb Major, Op. 9, No. 2 through my meticulously curated piano sheet music. As an intermediate pianist, I understand the desire to tackle challenging yet rewarding compositions, and this Nocturne is the perfect choice. Immerse yourself in the beauty and complexity of this iconic piece, expertly transcribed for intermediate-level pianists like yourself. My sheet music offers a comprehensive package that includes fingering, dynamics, and articulation markings, meticulously crafted to guide you towards a polished and expressive performance. With my detailed annotations, you'll gain insight into the delicate nuances that make Chopin's Nocturne truly remarkable. From the softest pianissimos to the most passionate crescendos, these markings enable you to unlock the full musicality and emotion inherent in the composition. To complement the sheet music, I have also prepared a YouTube tutorial exclusively for you. This video guide provides step-by-step demonstrations, offering valuable insights and techniques to enhance your interpretation. Immerse yourself in my comprehensive tutorial, and watch as your performance reaches new heights. Chopin's Nocturne in Eb Major is a timeless masterpiece that transports us to the romantic era, where the piano reigned supreme. By mastering this composition, you'll not only expand your repertoire but also gain a deeper appreciation for the rich heritage of classical music.  I prioritize your musical journey, offering sheet music tailored to your intermediate skill level. I believe in providing a balance between challenge and attainability, allowing you to stretch your abilities while experiencing the joy of playing this exquisite Nocturne. Dive into the enchanting realm of the piano, where each note tells a story and every phrase carries profound emotion. Let Chopin's Nocturne guide you on a path of self-expression and musical discovery. My sheet music provides the perfect opportunity to refine your skills and showcase your talent as an intermediate pianist. Don't miss out on the chance to elevate your performance and embrace the artistry of Chopin's Nocturne. Unlock your potential and experience the satisfaction that comes from conquering a complex piece of music. With my meticulously prepared sheet music and accompanying tutorial, you'll embark on a musical adventure that will captivate both yourself and your audience. Choose excellence, choose expression, and choose my sheet music for the Nocturne in Eb Major, Op. 9, No. 2. Let the piano become your voice, and let this composition be your muse as you continue to evolve as an intermediate pianist. Begin your musical journey today and unlock the profound beauty of Chopin's Nocturne.

Piano Solo - Level 3 - Digital Download SKU: A0.1183052 By Santino Cara. By Pier Domenico Paradisi. Arranged by Santino Cara. Baroque. Score. 8 pages. Santino Cara #782774. Published by Santino Cara (A0.1183052). Complete score of the Piano Sonata No.9 in A minor P893/9 Composed in London between 1740 and 1745 by Pier Domenico Paradisi. Published in London in 1754 by John Johnson at the request of the author. Rewritten and elaborated in Rome in 2020 by Santino Cara.2 Movements: 1. Allegro, 2. Andante.

Piano Solo - Level 3 - Digital Download SKU: A0.1203329 By Santino Cara. By Georg Frideric Handel. Arranged by Santino Cara. Baroque. Score. 92 pages. Santino Cara #802004. Published by Santino Cara (A0.1203329). Complete scores of 9 Piano Suites HWV 434/442. Compsed in London by George Frideric Handel  presumably between 1720 and 1730. Rewritten and elaborated for Piano in Rome in 2019 by Santino Cara.Suites:1. Suite No.9 in B flat major HWV 4342. Suite No.10 in G major HWV 4353. Suite No.11 in D minor HWV 4364. Suite No.12 in D minor HWV 4375. Suite No.13 in E minor HWV 4386. Suite No.14 in G minor HWV 4397. Suite No.15 in B flat major HWV 4408. Suite No.16 in G major HWV 4419. Suite No.17 in G major HWV 442.

Piano Solo - Level 3 - Digital Download SKU: A0.1156243 By Santino Cara. By Georg Philipp Telemann. Arranged by Santino Cara. Baroque. Score. 7 pages. Santino Cara #756557. Published by Santino Cara (A0.1156243). Complete score of Two Fantasies in A major and A minor TWV 33:No.9/10 of 36 for Piano. Composed in Hamburg between 1732 and 1733 by Georg Philipp Telemann. Rewritten and elaborated for Piano in Rome in 1982 by Santino Cara. Fantasia No.9 in A major (Allegro - Grave - Da capo Allegro). Fantasia No.10 in A minor (Allegro - Largo - Grazioso - Largo - A capo Allegro) Repeat Fantasy No.9).

Concert Band - Level 4 - Digital Download SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. Benjamin Pritchard #5465. Published by Benjamin Pritchard (A0.986863). This piece was originally written for jazz ensemble and then arranged for concert band. This was done, in part, to make available concert band literature that utilizes jazz/rock instruments (guitar, bass, piano) and improvisation. There are many arrangements of rock and pop tunes available to band directors. While those arrangements sometimes include bass parts they rarely, if ever, have guitar or piano/keyboard parts. Why not? Why not include these parts, even if they are optional? In addition, I’ve noticed that there is very little concert band literature that involves improvisation. Again, why not? I believe that this is the concert band literature of the future – the integrated utilization of electric guitar, keyboards, and improvisation. This piece is my first attempt at such a venture. Having just finished the premier performance of the original jazz ensemble version of 7 to 9 I thought it would be a good platform. Most of 7 to 9 transitions between 7/4 and 9/4. It is a fun, quirky piece with a Latin feel. There is a short 5-bar swing section in the middle for open solos. There is also a one chord solo section later in the piece for less experienced improvisers. The students will really enjoy putting this together, especially with the electric guitar, piano, and bass. It adds a completely new dimension to the concert band as well as an overall excitement. The piece ends with a long building Latin groove with a jam feel to it. The guitarist ends this build with an improvised solo which soars above the rest of the band. It is a fun piece to play but requires a great deal of focus due to the changing meter and odd phrase lengths and entrances. There is only a midi recording available at this time. A live recording will be available soon.

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1477869 Composed by Siu Tin Chi. Broadway,Comedy,Multicultural,Musical/Show,Pop,World. Score. 4 pages. Musical Trio Ltd. (HK) #1055250. Published by Musical Trio Ltd. (HK) (A0.1477869). The Heart of Growth, a musicalChildren's literary author A Nong's work The Heart of Growth has accompanied an entire generation of Hong Kong people as they grew up and is a treasure of local cultural and artistic heritage! His works are filled with deep and sincere emotions, exuding the nostalgic atmosphere of youthful school days and showcasing a positive and proactive attitude towards life.The theatrical version adapted six of his short stories: Listen, the Cicadas Sing!, A Thread of Love, The Shoe-Shining Gang, The Story on the Bus, Tales on a Rainy Day, and Mom, You Should Give Him a Good Scolding!. With live musical accompaniment and dance, these stories were transformed into a musical collection that vividly recreates the people and emotions of old Hong Kong.The Heart of Growth, a musical premiered in the Hong Kong International Arts Carnival (HKIAC) in 2019 as a community and school touring production and an extended theatrical version was staged at the Sai Wan Ho Civic Centre Theatre in 2021, also as a programme of the HKIAC. The two productions were produced by Musical Trio, a Hong Kong Arts Group.  2019 Community and School Touring ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director & Accompanist: Janice TsuiCast: Judy Or, Tony Li, Suet Ip Wong & Seth Chan (Replacement: Vince Lau & Ariel Cheung)Producer: Cheryl Li 2021 Sai Wan Ho Civic Centre Theatre ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director: Frankie HoAccompanist: Janice TsuiCast: Ariel Cheung, Judy Or, Luk Pang-yue, Rick Cheung & Vince Lau Set and Costume Designer: Bill CheungLighting Designer: Leo SiuSound Designer: Martin LaiIllustrator:  A Day A LoneStage Manager: Win LeungDeputy Stage Manager: Nancy LeeProducer: Cheryl Li Complete Song List1. Overture: Listen, the Cicadas Sing!2. Disconnected3. No more Dating!4. Tales on a Rainy Day: Green Mist5. Tales on a Rainy Day: Passerby6. Tales on Rainy Day: Love Fraud7. Prestigious School Girls8. The Distance Between Two Hearts9. Denouement10. Apart for You11. Finale: Listen, the Cicadas Sing!12. Curtain Call13. Apart for You (Solo Version)More information: www.musicaltrio.hkMusical Trio is financially supported by HKADC.

Digital Download SKU: HX.454453 Standards. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.454453). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.