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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1202170 Composed by William Billings (1746-1800). Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 13 pages. Con Spirito Music #800831. Published by Con Spirito Music (A0.1202170). Ideal as a prelude or postlude to Easter Sunday and Eastertide services of worship, “Easter Anthem†originated as a choral work by William Billings (1746-1800) with text excerpted from Night Thoughts on Life, Death, and Immortality, an extensive blank-verse poem by the English poet Edward Young (1683-1765) published in nine parts (or “nightsâ€) from 1742 to 1745.Born in Boston, Billings was self-taught in music — a tanner by trade — and he was renowned as a singing master and proponent of the singing-school tradition of American folk culture. Considered the ï¬rst native-born American composer, his works include hymns, anthems, psalms, and fuging tunes.“Easter Anthem†is exemplary of his compositional style, which is noted for rhythmic vitality and straightforward harmonies. Exuberantly glorious, it celebrates the resurrection of Christ and the salvation of the world from its opening acclamation, “The Lord is risen indeed! Hallelujah!†to its closing declaration, Thine all the glory, man’s the endless bliss!The Lord is risen indeed! Hallelujah!Now is Christ risen from the dead,And become the ï¬rst fruit of them that slept.Hallelujah!And did he rise?Hear, O ye nations! Hear it, O ye dead!He rose! He burst the bars of death,And triumph'd o'er the grave.Then I rose!Then ï¬rst humanity triumphantPass'd the crystal ports of light,And seiz'd eternal youth.Man, all immortal, Hail!Heaven, all lavish of strange gifts to man,Thine all the glory! Man's the boundless bliss!This joyful work, which explores various combinations of choral voices, is well-suited to the sonorities of the brass quintet. In this arrangement, tempo indications, dynamic markings and articulations, as well as a newly composed timpani part, have been added by the arranger.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
Easter Anthem (William Billings) — brass quintet, timpani
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 12.97 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. Score and parts. 31 pages. Kevin Riley #457309. Published by Kevin Riley (A0.850639). Autumn in New York is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up!. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella Fitzgerald as a duet. This version for Solo Alto Saxophone and Orchestra requires your soloist to be able to improvise.
Autumn In New York
Orchestre
Bud Powell
$60.00 51.87 € Orchestre PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.823243 By Phillip Phillips. By Derek Fuhrmann, Gregg Wattenberg, and Todd Clark. Arranged by Kevin Cincotta-Guest. A Cappella,Rock. Octavo. 15 pages. Kevin Cincotta-Guest #6353801. Published by Kevin Cincotta-Guest (A0.823243). A fun, creative contemporary a cappella TTTTBB+Solo+Vocal Percussion version of Phillip Phillips' 2013 #1 Billboard Adult Contemporary, platinum hit from his debut album, The World From the Side of the Moon.As performed by Boston, MA, USA based, award-winning all-male Contemporary A Cappella League (CAL) group, Redline (www.redlineboston.com). A part of the 2017 Contemporary A Cappella Recording Award (CARA) nominated album, Paint the Town.
Gone, Gone, Gone
Chorale TTBB
Phillip Phillips
$1.99 1.72 € Chorale TTBB PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.526318 By Phillip Phillips. By Derek Fuhrmann, Gregg Wattenberg, and Todd Clark. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock. 13 pages. Sarah Cellobat Chaffee #6461761. Published by Sarah Cellobat Chaffee (A0.526318). Gone, Gone, Gone was recorded by American Idol winner Phillip Phillips for his debut album in 2013. The catchy, fun, and critically acclaimed folk rock anthem quickly became a huge commercial success; it reached #1 on eight different Billboard charts and was ultimately certified platinum. And since most people are familiar with it at this point, it's sure to be a big success in your gig books! This arrangement for violin and cello duet was originally written for a wedding ceremony and is based on the Tanner Townsend cover of the song; it has a more gentle and elegant feel rather than the barn-dance vibe of the original. This will be perfect for wedding ceremonies, receptions, cocktail hour, proposals, and any other occasion you want to get your audience singing along! Rated intermediate -- this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
Gone, Gone, Gone
Violon, Violoncelle (duo)
Phillip Phillips
$9.99 8.64 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1272619 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 43 pages. Kevin Riley #864843. Published by Kevin Riley (A0.1272619). Unchained Melody is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. According to the song's publishing administrator, over 1,500 recordings of Unchained Melody have been made by more than 670 artists, in multiple languages.In 1955, three versions of the song (by Les Baxter, Al Hibbler, and Roy Hamilton) charted in the Billboard top 10 in the United States, and four versions (by Al Hibbler, Les Baxter, Jimmy Young, and Liberace) appeared in the top 20 in the United Kingdom simultaneously, a record for any song.The song continued to chart in the 21st century, and it was the only song to reach number one with four different recordings in the United Kingdom until it was joined by Band Aid 30's Do They Know It's Christmas? in 2014.Of the hundreds of recordings made, the Righteous Brothers' version, with a solo by Bobby Hatfield, became the jukebox standard after its release. Hatfield changed the melody in the final verse and many subsequent covers of the song are based on his version. The Righteous Brothers recording achieved a second round of great popularity when featured in the film Ghost in 1990. In 2004, it was number 27 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
Unchained Melody
Orchestre
Al Hibbler
$70.00 60.51 € Orchestre PDF SheetMusicPlus






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