By Bobby Timmons. C Instruments. Jazz; Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music

C Instrument - Level 4 - Digital Download SKU: A0.1041515 By Julian Cannonball Adderley. By Bobby Timmons and Oscar Brown, Jr. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #646269. Published by John Fries (A0.1041515). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  The song was first recorded by Bobby Timmons in his debut album This Here Is Bobby Timmons (January 1960) and shortly after by Art Blakey and the Jazz Messengers on the album The Big Beat (March 1960) with Timmons as the band's pianist. Oscar Brown Jr. wrote the lyrics later for his 1960 album Sin & Soul. In 1962 Sheila Jordan recorded the vocal version for her acclaimed debut record Portrait of Sheila.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.825525 Composed by Bobby Timmons. Arranged by The Sheet Music Library. Contemporary,Instructional,Jazz. Score. 3 pages. The Sheet Music Library #5044499. Published by The Sheet Music Library (A0.825525). This Here by Bobby Timmons Lead Sheet for Piano.

Double Bass,Instrumental Solo - Level 3 - Digital Download SKU: A0.825527 Composed by Bobby Timmons. Arranged by The Sheet Music Library. Contemporary,Instructional,Jazz. Individual part. 2 pages. The Sheet Music Library #5044509. Published by The Sheet Music Library (A0.825527). This Here by Bobby TimmonsAs played by Cannonball AdderleyAcoutic BassLead Sheet Style. Bass line & Chords Symbols.

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.825526 Composed by Bobby Timmons. Arranged by The Sheet Music Library. Contemporary,Instructional,Jazz. Individual part. 2 pages. The Sheet Music Library #5044505. Published by The Sheet Music Library (A0.825526). This Here by Bobby TimmonsLead Sheet for Alto SaxAs played by Cannonball Adderley.

Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.825524 Composed by Bobby Timmons. Arranged by The Sheet Music Library. Contemporary,Instructional,Jazz. Individual part. 2 pages. The Sheet Music Library #5044495. Published by The Sheet Music Library (A0.825524). This Here by Bobby TimmonsLead Sheet for Tenor SaxAs played by Cannonball Adderley.

Jazz Combo - Level 3 - Digital Download SKU: A0.825519 Composed by Bobby Timmons. Arranged by The Sheet Music Library. Contemporary,Instructional,Jazz. Score and parts. 17 pages. The Sheet Music Library #5044477. Published by The Sheet Music Library (A0.825519). This Here by Bobby TimmonsFor Jazz Combo ( Alto Sax, Tenor Sax, Piano, Acoustic Bass)Score & PartsAs played by Cannonball Adderley.

Jazz Combo - Level 2 - Digital Download SKU: A0.1514390 By Julian Cannonball Adderley. By Bobby Timmons and Oscar Brown, Jr. Arranged by Toshi Clinch. Jazz. 34 pages. Toshi Clinch Productions #1088874. Published by Toshi Clinch Productions (A0.1514390). Transcribed and adapted from Art Blakey's Big Beat album. Instrumentation is the same as the album - trumpet, alto sax, tenor sax, piano, bass, drums.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1371300 Composed by James Gagne. Blues,Jazz. 67 pages. Jams Engage Music #955508. Published by Jams Engage Music (A0.1371300). A medium swing tune in the style of Cannonball Adderley and Bobby Timmons, Leon's Neon is the first bluesy big band chart about frozen custard.Last update: 2/4/24.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893303 By Julian Cannonball Adderley. By Bobby Timmons. Arranged by Rob Ames. Jazz. Score. 10 pages. Rob Ames #6273627. Published by Rob Ames (A0.893303). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase.  Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.