Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise and Worship. Score, Set of Parts. 244 pages. Published by Colin Kirkpatrick Publications

Brass Quintet - Intermediate - Digital Download By Louis Prima and Keely Smith. Arranged by Thomas Graf. Score, Set of Parts. 25 pages. Published by Thomas Graf - the-hit-factory.com

Brass Quintet, Brass Choir or Ensemble, Small Brass Band - Intermediate - Digital Download Composed by Irish Trad. Arranged by David Catherwood. World, St. Patrick's Day. Score, Set of Parts. 21 pages. Published by Opus 3 Music

By Leonard Cohen. Arranged by Thomas Graf. Score, Set of Parts. 27 pages. Published by Thomas Graf - the-hit-factory.com (H0.165631-34102). - Score,Set of Parts - - Thomas Graf - the-hit-factory.com

By Bobby McFerrin. Arranged by Tim Curd. Score, Set of Parts. 16 pages. Published by Tim Curd (H0.213947-202197). - Score,Set of Parts - - Tim Curd

By Leonard Cohen. Arranged by Dr. Jim Fox, ASCAP. Score, Set of Parts. 28 pages. Published by All Brass Radio Publishing (H0.346757-34102). - Score,Set of Parts - - All Brass Radio Publishing

Brass Ensemble - Level 1 - Digital Download SKU: A0.1005118 Composed by Septimus Winner. Arranged by Ron Flintjer. Contemporary. Score and parts. 28 pages. Ron Flintjer #6016099. Published by Ron Flintjer (A0.1005118).  The low brass starts out with that big oompah sound kids love to play. Next up is the first chorus, as your Three Little Trumpeters state a childhood melody familiar to all! The second chorus has your trumpet trio trading off the theme with the rest of the band. An interim transition is followed by the percussion section leading the way to a big, broad, forte close, punctuated by an unexpected shave and a haircut, two bits stinger on the end. This one is sure to generate smiles in your audience, as your Three Little Trumpeters take their well-deserved bow!       All parts are written within the range of young elementary grade musicians.  To produce a full sound, many instruments double other instruments, i.e. Eb sax and French horn, low brass and tenor sax, flute and oboe.

Brass Ensemble - Level 4 - Digital Download SKU: A0.552680 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 65 pages. Jmsgu3 #6508475. Published by jmsgu3 (A0.552680). Brass Trio: 2 Trumpets in C, 1 Bass Trombone. Duration: ca. 12:20, Score: 37 pagesJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.

Brass Ensemble - Level 4 - Digital Download SKU: A0.739551 Composed by WH Monk. Arranged by David Catherwood. Contemporary. Score and parts. 16 pages. Opus 3 Music #6575527. Published by Opus 3 Music (A0.739551). Abide with MeThis arrangement will be useful to accompany congregational or choral singing (as it is in suitable keys) or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant.This arrangement is suitable for school bands and ensembles as well as more experienced players. The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a larger ensemble or small brass band.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments covering all orchestral brass and brass band instruments and transpositionsPart 1 in Bb (Trumpet 1/Cornet)Part 2 in Bb (Trumpet 2 /Cornet)Part 2 in Eb (Eb Horn 1)Part 3 in C (Trombone)Part 3 in Eb (Eb Horn 2)Part 3 in F (Horn in F)Part 3 in Bb (Baritone/Bb Trombone (treble clef)Part for Bb EuphoniumPart 4 in C (Tuba/Bass Trombone)Part 4 in Eb (Eb Bass Tuba (treble clef)Part 4 in Bb (Bb Bass Tuba (treble clef)Part for Bb EuphoniumPercussion

Brass Ensemble - Level 4 - Digital Download SKU: A0.530221 Composed by George Frideric Handel. Arranged by Daniel Kelley. Baroque,Christmas,Sacred,Spiritual. Score and parts. 12 pages. Last Resort Music Publishing #2922981. Published by Last Resort Music Publishing (A0.530221). Enjoy this terrific arrangement of Joy to the World for Brass Quartet.  Includes a set of parts for Brass Quartet plus optional piano part and extra parts for flexible instrumentation for Brass Quartet minus one! Arranged for the the following instruments (all parts are included)Part 1 Trumpet in BbPart 2  Trumpet in BbPart 2 French Horn in F Part 3 Trombone Part 3 French Horn in F Part 4 Bass Trombone or Tuba Keyboard or Guitar The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played! From Music for Four Brass, Christmas by www.lastresortmusic.com .

Brass Ensemble - Level 1 - Digital Download SKU: A0.768557 Composed by Jim Evans. Concert,Standards. Score and parts. 160 pages. Beginning.band #5372703. Published by beginning.band (A0.768557). A collection of six duets and six trios written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopation!Each piece is about one minute in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part is numbered! You're welcome! Duets may be performed by any two instruments, with like or mixed instrumentation, but if you use mixed instrumentation you may have better results if upper instruments play the top line and lower instruments play the bottom line. Also, it may be preferable to avoid having two tubas, as the results may be less desirable.Trios should be performed by two higher pitched instruments and one lower pitched instrument. Parts 1 and 2 could be flute, clarinet, alto sax, tenor sax, trumpet, or horn. Part 3 should be at least one octave lower, and should be bassoon, bass clarinet, baritone saxophone, trombone, baritone, or tuba.Books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneNotesDuetsSneaking AroundMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, Phrasing, Dynamic ContrastCountry DanceMeter: 3/4Key: BbRange: A - GFocus: Staccato, Triple Meter, PhrasingAll Aboard!Meter: 4/4Key: C minorRange: Bb - AbFocus: Staccato, Slur, Phrasing, Dynamic Contrast,Note: The second part on this piece may be especially challenging for young flute, oboe, and trombone players.Give and TakeMeter: 3/2Key: BbRange: Bb - FFocus: Interplay between voices, especially contrasting staccato and legato, Triple MeterNote: The meter signature of 3/2 allows for livelier rhythmic content without presenting sixteenth notes. Students should be able to read it in 6/4, then perform it in three when they get a feel for it.Night SongMeter: 4/4Key: EbRange: Ab - AbFocus: Legato, Phrasing, BalanceAdagiettoMeter: 3/4Key:EbRange: Ab - AbFocus: Legato, Phrasing, Balance, IndependenceTriosParlor DanceMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, PhrasingBow and CurtsyMeter: 3/4Key: EbRange: Low A  GFocus: Pickups, Staccato, Triple MeterHopscotchMeter: 4/4Key: EbRange: Ab - AbFocus: Staccato, BalanceGalliardMeter: 3/4Key: BbRange: A - GFocus: Phrasing, BalanceOn a CarouselMeter: 4/4Key: EbRange: Ab - AbFocus: Pickups, IndependenceHymnMeter: 3/4Key:EbRange: Low G - AbFocus: Legato, Phrasing, Balance

Brass Ensemble - Level 3 - Digital Download SKU: A0.783247 Arranged by John Groves. Christian,Christmas,Concert,Praise & Worship,Sacred. Score and parts. 7 pages. John Groves #6112505. Published by John Groves (A0.783247). The First Noel - Brass Trio2 Bb Trumpets (or any Bb instruments: Bb Clarinet or Tenor Sax)1 Trombone (or Euphonium / Baritone B.C.)Score and parts included.

Brass Ensemble - Level 3 - Digital Download SKU: A0.783471 Composed by Traditional. Arranged by John Groves. Christmas,Holiday. Score and parts. 8 pages. John Groves #6202121. Published by John Groves (A0.783471). We Wish You A Merry Christmas - arranged for Brass Trio2 Trumpets (or any Bb instruments: Clarinet or Tenor Sax)1 Trombone (or Euphonium / Baritone B.C.)Score and individual parts included.

Brass Ensemble - Level 5 - Digital Download SKU: A0.792812 Composed by Antonio Vivaldi. Arranged by Niels-Bo Ole Johansen. Baroque,Classical,Renaissance. Score and parts. 95 pages. Gordon Cherry #6638557. Published by Gordon Cherry (A0.792812). Antonio Vivaldi's Concerto for Two Trumpets in C with Brass Ensemble and Timpani is a rarity for the Baroque era when solos for brass instruments were almost non-existent. The valveless nascent Trumpets were very difficult to play. But as with Bach, there must have been a few brave souls who mastered the instrument and inspired the composer to write his inspired work.As with most of Vivaldi's concertos, this one begins with a quick and sparkling movement to catch the attention of the audience and to showcase the bright tones of the solo trumpets. This is followed by a contrasting brief and languid second movement. The final movement is back to brilliant mode with quick energy and intricate passages for the soloists. (Encylopedia Britannica).Niels-Ole Bo Johansen has created a very unique arrangement for the two solo Trumpets with Brass Ensemble and Timpani...unique in that the accompaniment instruments are almost all conical (except for the trombones who can blend nicely into that pool of round sounds). This gives the listener a sharp contrast between the brilliance of the soloists and the plush sound of the accompaniment.The 6 1/2 minute work is appropriate for advanced performers. The instrumentation is for: 2 solo Trumpets in A, 2 Cornets in B-flat, Flugelhorn, 2 Horns in F, 3 Trombones, Euphonium, 2 Tubas, and Timpani.

Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.