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Scarlatti : Sonate en r mineur pour piano, K. 9 - Allegro
Piano seul
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Scarlatti : Sonate pour piano en r mineur, K.32 - Aria
Piano seul
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Scarlatti : Sonate en r mineur pour piano, K. 141 - Allegro
Piano seul
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Scarlatti Domenico : Sonate pour clavecin en r mineur, K. 34 (Duo)
Guitare
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Scarlatti Domenico : Sonate pour clavecin en r mineur, K. 34 (niveau facile/intermdiaire, guitare seule)
Guitare
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Scarlatti Domenico : Sonate pour clavecin en r mineur, K. 34 (niveau intermdiaire/difficile, guitare seule)
Guitare
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Fassung für kleines Kammerorchester: Fl. solo - Hfe. solo - Str. (4 · 0 · 2 · 2 · 1) Fassung für großes Kammerorchester: Fl. solo - Hfe. solo - 2 Vl. solo · Va. solo · Vc. solo - Str. flute, harp and string orchestra - Digital Download SKU: S9.Q3147 Transcription by Hans Werner Henze for flute, harp and strings of the Clavier-Fantasie with violin accompaniment (1787). Composed by Carl Philipp Emanuel Bach and Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q3147. Published by Schott Music - Digital (S9.Q3147). I originally wrote this piece as a piéce d'occasion for the Accademia Filarmonica Romana, to complement the Mozart Concerto for flute, harp and strings. Retaining the note values of the original with exactitude, I have to set C. P. E. Bach's Fantasy-Sonata for piano and violin of 1787 for solo flute, harp and strings. I was my purpose to project the extremely interesting and expressive harmonic material of this composition into a larger instrumental apparatus and thereby to make its future-oriented harmonic structures more manifest and plastic. The strings can be presented in two different forms: either as a string quartet and a string quintet, or as string quartet and tutti strings. As will be seen, I have also attempted to loosen up and set in a concertante manner the sound of the strings in the spirit of early classic chamber music. - Hans Werner Henze.
I sentimenti di Carl Philipp Emanuel Bach
Orchestre Cordes

$19.99 17.15 € Orchestre Cordes PDF SheetMusicPlus

Small Ensemble - Level 3 - Digital Download SKU: A0.958760 Composed by Johannes Brahms. Arranged by Juan Carlos Cortés A. Concert,Romantic Period,Standards,Traditional,World. Score and parts. 2 pages. Juan Carlos Cortés Aguirre #6452591. Published by Juan Carlos Cortés Aguirre (A0.958760). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Danza húngara (Ungarischer Tanz) No 6 (WoO 1) en re bemol mayor - VivaceBasada en la obra Rózsa Bokor por Adolf NittingerCibergrafía: https://ks4.imslp.info/files/imglnks/...(WoO = Sin número de opus) Por: Johannes Brahms Nissen (Hamburgo, 7 de mayo de 1833 - Viena, 3 de abril de 1897) Compositor, pianista y director de orquesta alemán del romanticismo. Danzas húngaras (En alemán: Ungarische Tänze) Serie musical de 21 danzas húngaras, donde 3 danzas son composiciones originales numeradas como 11, 14 y 16 y las restantes 18, adaptaciones musicales del Folklore húngaro. Originalmente compuestas para piano a cuatro manos, luego 10 arreglos para piano solo y orquestación original de las danzas 1, 3 y 10. Las demás han sido orquestadas por Antonín Dvořák, quién influenciado por estas obras, se inspiró para componer su serie de Danzas Eslavas.
Danza húngara (Ungarischer Tanz) No 6 (WoO 1) por Johannes Brahms Nissen y Adolf Nittinger.

$7.99 6.86 € PDF SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contemporary. Score and parts. 13 pages. Peet du Toit #6859613. Published by Peet du Toit (A0.802701). Josef Weinberger has been synonymous with popular musical theater for over 125 years. Weinberger was born the son of a goldsmith in Lipto St. Miklo in Hungary but his family moved to Vienna in 1865. In 1885 Josef Weinberger and Carl Hofbauer started an art and music store in Vienna, but the partnership ended when both partners set up on their own, Weinberger in 1890 and Hofbauer in 1892. Weinberger saw the potential, in publishing and licensing, of the craze for operetta, and made a connection with Johann Strauss II. Within a few years all the great operetta composers were his clients: Strauss, Millöcker, Zeller, Kálmán, Oscar Straus, Stolz, and Fall. He even provided licensing services for the last great Viennese operetta composer, Franz Lehár, who from the 1920s published through his own company, Glocken-Verlag.The firm expanded quickly, opening branches in Paris (1885) and Leipzig (1889) where they worked with Friedrich Hofmeister. One of the most remarkable aspects of the developing Weinberger catalogue was the commitment to Czech music, and from April 1893 to August 1894 the Hofmeister entries were almost all by Smetana (various publications of Dalibor and Hubička as well as overtures) and Vilém Blodek (V studni); later additions included Tajemstvi (1895) and  Libuše (1897). Otherwise most of the repertoire was of popular music for various combinations, not least military bands, with von Suppé figuring prominently from 1895 onwards.The mid 1890s also saw significant enlargements of the Weinberger catalogue through the acquisition of other publisher's lists: in 1894 the ancient firm of Artaria, then in 1895 items from the Kratochwill catalogue and over 1,500 works from the Kratz catalogue of theatrical works. This latter acquisition included a number of works with international performing rights, which encouraged Weinberger to open a Parisian branch in 1896, but it also reflected a shift in Weinberger's publishing interests towards theatrical music generally. Another major step in that direction was taken in 1897, when the entire theatrical catalogue of Gustav Lewy – which included the stage works of Johann Strauss the younger and Millöcker – were taken over (with the Strauss performing rights following in 1899).Weinberger was active in three other fields apart from popular music. Firstly, he was Gustav Mahler's third publisher, issuing the Lieder eines fahrenden Gesellen in 1897, and distributing Symphonies nos 1-3, Das klagende Lied and Lieder aus des Knaben Wunderhorn (1900) on behalf of the owner of the publishing rights, the Erste Wiener Zeitungsgesellschaft. Secondly, he took an active part in setting up a trade association, AKM (Gesellschaft der Autoren, Komponisten und Musikverleger or society of authors, composers and publishers) to collect the performance fees due for non-theatrical musical works, in 1897. Finally, Weinberger was the driving force behind the founding of Universal Edition in Vienna in 1901, and not only served as its managing director until 1906 (when he was replaced by Arthur Fadüm), but also provided the new company with space in his own firm's premises until 1908.This orchestration is for a brass quintet. The French Horn acts as a substitute or support for Trumpet 2.
Hermine - Josef Weinberger arr. R Woschnjak (Brass Sextet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$14.00 12.01 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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