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Small Ensemble - Level 1 - Digital Download SKU: A0.889381 Composed by Luis Anjos Teixeira. Children,Concert,Contemporary,Standards. Score and parts. 3 pages. Luis Anjos Teixeira #58727. Published by Luis Anjos Teixeira (A0.889381). Back to School 2015 Go To Bed With The Chickens is a little Children's song to be played on a keyboard instrument before going to bed. It is made for students on a easy/beginners Level. It is also a little illustrated story for children, to find at - https://www.yumpu.com/en/document/view/37794319/go-to-bed-with-the-chickens - The score and the sound sample where produced with Finale and Garritan instruments. I am a member of the SPA (Sociedade Portuguesa de Autores)…If You have any questions about this Piece, please get in contact with me per e-mail at…silveira.luis@web.de My Music is also on - https://soundcloud.com/anjos-teixeira... and more scores are also here to find - http://profile.musicaneo.com/de/ http://www.minimi-edition.com/home/music/ My site - http://www.anjosteixeira-music.com Thanks a lot for taking Your time to read the text, to look at the score and to listen to the file. I hope You enjoy and have a lot of fun…Cheers… Luis.
Go To Bed With The Chickens - Piano

$7.20 6.18 € PDF SheetMusicPlus

Piano - Digital Download SKU: LV.22592 Composed by J. Eichberg. Military officers, Portraits, Civil War--Union. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22592). Col. Chickering's Battle March. Composed by J. Eichberg. Published 1862 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of da capo with piano instrumentation. Subject headings for this piece include Military officers, Portraits, Civil War--Union. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Col. Chickering's Battle March
Piano seul

$5.99 5.14 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1300095 By DaCapo Primary Music. By John Ashton Thomas and Tracey Mathias. Arranged by Louis d’Heudieres. Contemporary. Score. 5 pages. DaCapo Primary Music #889851. Published by DaCapo Primary Music (A0.1300095). Bom Chicka is an original score composed by John Ashton Thomas for DaCapo Primary Music as part of a suite named Around the World. The words were written by Tracey Mathias and this piano reduction was arranged by Louis d’Heudieres.It can be performed by a children’s chorus in unison and a piano accompanist. The piano parts can be simplified or filled out more depending on the accompanist's abilities.The melody is based on a folk tune from Albania. In typical DaCapo fashion, the piano is rhythmically and tonally complex but the melody is purely diatonic and rhythmically uncomplicated in order to help young children easily learn it. The words were written by the DaCapo in-house lyricist Tracey Mathias and tells the story of Granny meeting an alien.This piece is approx 2mins and you can find more DaCapo pieces for Children’s Chorus and piano accompaniment at DaCapo Music Shop.
Bom Chicka (Albania)
Piano, Voix
DaCapo Primary Music
$4.99 4.28 € Piano, Voix PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.42 € Chorale TTBB PDF SheetMusicPlus

Piano - Digital Download SKU: LV.7836 Composed by E. Mack. Birds, Meadows, Food, Country life. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7836). The Chick Waltz. By E. Mack. Published 1867 by Lee & Walker, 922 Chestnut St. in Philadelphia. Composition of da capo with piano instrumentation. Subject headings for this piece include Birds, Meadows, Food, Country life. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Chick Waltz
Piano seul
E Mack
$5.99 5.14 € Piano seul PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.23875 Composed by Archie Gottler. Portraits, Fathers & sons, Soldiers, Courtship, Love, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23875). Would You Rather Be a Colonel With an Eagle on Your Shoulder, or a Private With a Chicken on Your Knee. Words by Sidney D. Mitchell. Music by Archie Gottler. Published 1918 by Leo Feist, Inc. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Fathers & sons, Soldiers, Courtship, Love, World War I. First line reads Once I heard a father ask his soldier son, Why can't you advance like other boys have done?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Would You Rather Be a Colonel With an Eagle on Your Shoulder, or a Private With a Chicken on Your Knee
Piano, Voix

$5.99 5.14 € Piano, Voix PDF SheetMusicPlus

Piano - Digital Download SKU: LV.10230 Composed by Thomas S. Allen. Cartoons. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10230). Chicken Pickin's. Dance Descriptive. By Thos. S. Allen. Published 1910 by Walter Jacobs in Boston. Composition of sectional with piano instrumentation. Subject headings for this piece include Cartoons. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Chicken Pickin's. Dance Descriptive
Piano seul
Thos S
$5.99 5.14 € Piano seul PDF SheetMusicPlus

Piano - Digital Download SKU: LV.10083 Composed by Jos. M. Daly. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10083). Chicken Reel, or, Performer's Buck. by Jos. M. Daly. Published 1910 by Daly Music Publisher in Boston. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Chicken Reel, or, Performer's Buck
Piano seul

$5.99 5.14 € Piano seul PDF SheetMusicPlus

Piano solo - Digital Download SKU: S8.AC0300-1000032 Composed by Irene M. Giblin. Two-Step. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 3.6: African American Music - Ragtime Composers and Publishers, Box 109, Folder A, Archives Center, National Museum of American History, Smithsonian Institution. Rags, Women Composers. 9 pages. Published by Smithsonian Institution (S8.AC0300-1000032). Sheet music published in 1905 by Jerome H. Remick & Co. About Sheet Music from the Smithsonian CollectionThe Smithsonian Collection: These official, high-quality facsimiles have been hand-picked from the Sam DeVincent Collection of Illustrated American Sheet Music in the Archives Center of the Smithsonian Institution and are available exclusively through Sheet Music Plus.The Smithsonian name and logo are registered trademarks of the Smithsonian Institution.
Chicken Chowder
Piano seul

$5.99 5.14 € Piano seul PDF SheetMusicPlus


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