By Collin Bay. For Guitar (All). All Styles. 24 pages. Published by Mel Bay Publications - Digital Sheet Music

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.

Large Ensemble Trombone - Level 4 - Digital Download SKU: A0.928155 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by P. F. Strohm. Contemporary,Contest,Festival,Rock,Standards. Score and parts. 76 pages. Pete Strohm Music #5713225. Published by Pete Strohm Music (A0.928155). Tumbling Dice is the 1972 Rolling Stones classic from the album Exile on Main Street, arranged for Trombone Ensemble (11-part) by American composer P. F. Strohm under the copyright agreements maintained by ArrangeMe. The arrangement uses three Solo Tenors (or three Altos), plus six Tenor and two Bass trombone parts to generate the groove of this iconic chart. With large groups, consider a mike for the three solo parts. Alternate Alto parts included. If you have the players, it's three minutes and eighteen seconds of driving, slow groove rock that will not allow anyone to sit still. Add Tumbling Dice to your trombone ensemble library today! Meidum-Advanced level of difficulty owing to the range and exposure of the Solo Tenor (or Alto) parts. Performance time is 3:25. Member, ASCAP. See all music from P. F. Strohm at Pete Strohm Music.

By Dice Tee. By Dice Tee. Arranged by Dice Tee. Broadway, Hip-Hop, Multicultural, Musical/Show, Pop, R & B, World. Score. 1 pages. Dice Tee #567672. Published by Dice Tee

Instrumental Solo,Steel Pan - Level 1 - Digital Download SKU: A0.995891 Composed by Irving Burgie. Arranged by Candice Hill. Contemporary. Individual part. 2 pages. Candice Hill Music #4715743. Published by Candice Hill Music (A0.995891). Simple version of Yellow Bird, arranged for the specific range of steel drums. The melody fits accurately on tenor steel pans, double tenor steel pans or double second steel pans. This arrangement includes the melody and chords. Can also be performed on flute, clarinet, violin.

Piano Solo - Level 5 - Digital Download SKU: A0.1096729 By Various. By Gluck-Siloti. Arranged by Siloti. Classical,Opera. Score. 3 pages. Thomas Swee Chin #700722. Published by Thomas Swee Chin (A0.1096729). Beautiful arrangement by Siloti. Presented here as a clean copy with minor edit. Hauntingly beautiful melody that depicts the sad love story of Orpheus and Eurydice. Gluck I was a Bohemian-Austrian composer of Italian and French opera, and a leading figure in opera in the second half of the eighteenth century.

Piano Solo - Level 1 - Digital Download SKU: A0.1310433 Composed by Bill Walker. Arranged by Bill Walker. Instructional. Score. 201 pages. Bill Walker Music Publishing #899072. Published by Bill Walker Music Publishing (A0.1310433). Mastery of Keys: A Comprehensive Guide of Scales, Arpeggios, and Chords A book for every pianist: student, teacher, and professional!Whether you're just starting your musical journey or seeking to refine your craft, this book is your invaluable companion. With clear, practical exercises, you'll efforlessly navigate the intricate patterns of scales, arpeggios, and chords. From the foundational basics to the most intricate progressions, this book equips you with the tools to unlock your true potential as a pianist.Let's look inside: Section 1: Scales Five Finger Scales Major Scales: One Octave Major Scales: Two Octaves Major Scales: Three Octaves Major Scales: Four Octaves Minor Scales: Natural, Melodic, and Harmonic Major & Harmonic Minor Scales in 3rds Major & Harmonic Minor Scales in 6ths Major & Harmonic Minor Scales in 10th Major & Harmonic Minor Scales in Octaves Chromatic Scales Section 2: Arpeggios Major, Minor, Dominant 7th and Diminished 7th Section 3: Chords Scale-Tone Triads, Cadences, and Inversions 24 Chords Beginning on Each Root Note Section 4: Appendices Appendix A: The Circle of Fifths Diagram Appendix B: Glossary Within these pages, you'll find an approach that embraces all fifteen major and fifteen minor keys, illuminating the keyboard in its entirety. I acknowledge that some keys may seem less trodden in the world of music composition, but their existence justifies the learning of them. Playing in all keys isn't just about mastering notes; it's about enhancing your versatility, shapening your musical ear, and empowering you to tackle any piece of music that comes your way.Let your fingers dance across the keyboard, let the notes resonate with your heart, and let this book be a guiding star on your musical voyage.Happy Playing!

Piano - difficult - Digital Download SKU: S9.Q556978 For solo piano. Composed by Samuel Coleridge-Taylor. Downloadable. Duration 3 minutes. Schott Music - Digital #Q556978. Published by Schott Music - Digital (S9.Q556978). Samuel Coleridge-Taylor’s Papillon for solo piano was first published in 1908 by Augener Ltd. Following George Augener’s retirement in 1910, the work along with the whole Augener catalogue (which contained no less than 24 other works by Coleridge-Taylor), was aquired by Schott and Co. Ltd. At the time both companies occupied offices on Great Marlborough Street, London. Coleridge-Taylor was born in London and brought up in Croydon. He learnt to play the violin, was recognised as a child prodigy and at 15 was awarded a scholarship to study at the Royal College of Music with Charles Villiers Stanford, where he was a contemporary of Holst and Vaughan Williams. Coleridge-Taylor described himself as Anglo-African and, despite support from his colleagues, faced racism throughout his whole career. In spite of this prejudice and his tragically early death in 1912 aged just 37, he enjoyed great success during his lifetime and his music was performed at the Proms no less than 116 times between 1898 and 1939. In contrast, since 1940 his music has only been heard there on thirteen occasions to date. Like many works from this period, at some point in the past Papillon became out of print. Schott Music is now very pleased to present this new modern performing edition with errors and inconsistencies from the original edition now corrected.

Organ: 3-staff - Moderately Advanced SKU: LO.70-1580S Composed by Gilbert M. Martin. Sacred, Family Days, General, Holy Communion, Patriotic. Sacred Music Press #70/1580S. Published by Sacred Music Press (LO.70-1580S). ISBN 9780893283292.Completing our remarkable series of compilations of seasonal organ music, we proudly present our Summer volume, culled from the broad and diverse library of The Sacred Music Press. Fourteen exceptional settings of service music shine brightly, highlighting the celebration of the Holy Trinity, the rite of Holy Communion, appropriate selections for Home and Family, and even something special for a Patriotic Sunday. Rounding out the collection are three general praise and four general prayer hymn arrangements. All timings are accurate and the indices are organized alphabetically, by page number and by the church year. Under any circumstance, a most desirable and prestigious addition to the organist's library.

Piano and voice; ukulele - Digital Download SKU: LV.8988 Composed by Harry Rosenthal. Portraits, African Americans, Mothers & children, Prejudice, Love, Comfort. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8988). Georgia Rose. Lyric By Alexander Sullivan and Jimmy Flynn. Music by Harry Rosenthal. Published 1921 by Leo Feist, Inc. in New York. Composition of strophic with chorus with piano and voice; ukulele instrumentation. Subject headings for this piece include Portraits, African Americans, Mothers & children, Prejudice, Love, Comfort. First line reads Mammy is feeling sad today.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Choir (SATB) - Digital Download SKU: A0.978040 By Franco Battiato. By Francesco Battiato and Manlio Sgalambro. Arranged by Bacco Baccanels. Contemporary. Octavo. 8 pages. Bacco Baccanels #5989447. Published by Bacco Baccanels (A0.978040). Description is first in Italiano e then in English, since I think the song is quite famous in Italy but little known abroad.[ITALIANO]Arrangiare un brano di Franco Battiato è molto difficile perché la sua interpretazione staccata e narrativa, la sua voce dal timbro molto alto e l'argomento, di solito lontano nel tempo e dalla realtà ma qui estremamente vicino a raccontare l'amore in una delle fasi più intense della vita rischiano di stravolgerla. In più, ogni tentantivo di reinterpretarla con altra musica richiede di essere un artista altrettanto grande: io non sono nè grande nè artista, al limite... essere.Ho cercato perciò di stare vicino all'orginale, riconoscibile dal motivetto in sedicesimi che si ripete per tutta la canzone.Poiché si sa che la versione vocale stufa prima delle versioni suonate e l'originale dura 4 minuti, ho tagliato l'intera strofa Ti porterò.... Per chi volesse reinserirla, è facile: dalla battuta 41 si torna alla 5, si ripercorre fino alla 18 (con il testo cambiato per il solista, Ti porterò..., ma le altre voci sono identiche ) e si riprende dalla 42 fino alla fine.[ENGLISH]Arranging a piece by Franco Battiato it's not an easy game: lyrics are often very far in time and his singing very personal and narrative. Here the lyrics tells a love in a hard moment of life and every element is placed in a delicate balance where any change can be disruptive.Even trying to modify the music style would require an artist of the same weight, and I am not.So I tried to stay close to the original, using the most recognizable pattern of the song (the notes in sixteenth).Since we know that the vocal versions have to be shorter than the played ones (ears get bored before) and the original song if 4 minutes long, I cut the entire verse Ti porterò.... For those who want to play also the missing part, it’s easy: from bar 41 go back to bar 5, sing up to bar 18 (with the lyrics changed for the lead, Ti porterò..., other voices do not change) and then go ahead to bar 42 and from there to the end.

Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.1045347 Composed by Alessandro Macrì. Arranged by Alessandro Macrì. Baroque,Christmas,Classical,Renaissance,Traditional. Score and parts. 144 pages. Music Macri Editions #649924. Published by Music Macri Editions (A0.1045347). Il Libro STEP by STEP Book for Horns - Level 2, di Alessandro Macrì, segue un percorso basato sul concetto di fare musica d’insieme, cioè divertirsi a suonare con gli altri ed arricchirsi a vicenda, imparando a conoscere il proprio strumento e cominciando a relazionarsi ed “aver rispetto� di chi suona al proprio fianco. Il tutto al fine di impostare una mentalità di musicista, immergendo i ragazzi in una nuova esperienza, ovvero quella di far parte di un piccolo ensemble. Questo libro presenta una selezione di melodie didattiche, di tradizionali e di brani classici dei compositori più famosi del mondo: Händel, Mozart, Beethoven, Haydn, Brahms, Tchaikovsky, Vivaldi, Telemann, Purcell, Schubert, Praetorius, Offenbach, Corrette, Mouret, Grieg, Arban, Schumann e Rimskij-Korsakov. The Book for Horns STEP by STEP - Level 2, written by Alessandro Macrì, is based on some of the principles that identify a musical ensemble: enjoying playing with other people, learning from them, becoming familiar with your instrument and having respect for those who play beside you. The ultimate aim is to cultivate the attitude of a musician by offering young people a new experience, that is to say being part of a small ensemble. This book presents a selection of didactic melodies, traditional and classical pieces by the most famous composers in the world: Händel, Mozart, Beethoven, Haydn, Brahms, Tchaikovsky, Vivaldi, Telemann, Purcell, Schubert, Praetorius, Offenbach, Corrette, Mouret, Grieg, Arban, Schumann and Rimskij-Korsakov. Includes: - Le crome The eights notes - I sedicesimi The sixteenth notes - Il ritmo di caccia The rhythm of hunting - Easy Christmas Songs Collection Level 2.

Cello Solo - Level 4 - Digital Download SKU: A0.869211 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part. With Sambinha bachiana ... III. 36 pages. Thomas Oboe Lee #30911. Published by Thomas Oboe Lee (A0.869211). Program note: Canções e Sambinhas is the third of a triptych of compositions written for my friend, the enormously gifted cellist, Andrés Díaz. The first was Eurydice, a tone poem on the Orpheus myth for cello and orchestra, and the second was La Chimera Fantastica for the Díaz Trio. Canções e Sambinhas is in four movements. I. Canção de amor ... II. Sambinha bachiana ... III. Valsa lenta ... IV. Mais uma vêz ... Having lived in Brazil during my teen-age years, I inevitably continue to return to the wonderful music of that country for inspiration: the chôros of Ernesto Nazareth, Jacob do Bandolim, Pixinginha, and Heitor Villa-Lobos. The first movement begins with a slow, dark introduction before the love song emerges .... The second movement is a lively samba. As the title indicates, it is a little samba infused with Bach-like counterpoint, although a bit crazier. Villa-Lobos might find this amusing .... The third movement is a slow meditation for the cello on a passacaglia-like theme in the piano. The last movement, Mais uma vêz (meaning One Mo' Time in English), is a samba like the second movement, but it is set more homophonically, more dance-like in character .... The work is dedicated to my wife, Kris, who is an inspiration to my life and work.Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/can-es-e-sambinhas-1996-for-cello-and-pianoVideo link: https://youtu.be/X2gFRiypqTA