C Instrument - Level 1 - Digital Download SKU: A0.919849 Composed by Traditional. Arranged by Ash. A Cappella,Christmas,Contemporary,Folk,Holiday. Lead Sheet / Fake Book. 4 pages. Music by Ash #6575441. Published by Music by Ash (A0.919849). General DetailsA cappella4 voice parts (no further divisi)For groups of any sizeDuration: approx. 1:50Vocal RangesVoice 1: D3-E4Voice 2: D3-C4Voice 3: D3-C4Voice 4: B2-B3 Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com

C Instrument - Level 1 - Digital Download SKU: A0.919850 Composed by Traditional. Arranged by Ash. A Cappella,Christmas,Contemporary,Folk,Holiday. Lead Sheet / Fake Book. 3 pages. Music by Ash #6575445. Published by Music by Ash (A0.919850). General DetailsA cappella3 voice parts (no further divisi)For groups of any sizeDuration: approx. 1:50Vocal RangesVoice 1: Eb3-F4Voice 2: Eb3-Db4Voice 3: C3-Bb3All parts can be sung an octave higher Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com

Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1514721 By Air Supply. By Candy Derouge, Gunther Mende, Jennifer Rush, and Mary Susan Applegate. Arranged by PACIS EUSEBE NDOLI NDAHIRO. A Cappella,Contemporary,Pop. 11 pages. PACIS EUSEBE NDOLI NDAHIRO #1089212. Published by PACIS EUSEBE NDOLI NDAHIRO (A0.1514721). This particular SATTBB arrangement for A Capella choir holds a special place in my Arranging journey. I still think to this day it's one of my personal favorites: It's creatively emulating the instruments on the original Jennifer Rush audio, plays with counterpoint in the middle voices (Tenors 1 and 2), recalls a few melodies from Harry Styles' As we were, and around the end, it's interesting to hear how the basses and the tenors re-create that vintage 80's ballad drum beats.I hope you find it fun as much as I did writing it.

Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital

SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.1.3572-E Composed by Eric William Barnum. 27 pages. Galaxy Music Corporation - Digital #1.3572-E. Published by Galaxy Music Corporation - Digital (MQ.1.3572-E). English.Commissioned by Dr. Geoffrey Boers and the University of Washington Chamber Singers to be short responses to movements of an eclectic Mass, these four Responsorials can be performed together or separately. The texts are extracted and adapted from William Wordworth’s Illustrious metaphysical poem, On the Power of Sound, which delves deeply into the mysteries of the natural (and supernatural) world and its complex relationship with the physics of voice and sound. An expansive feeling of both joy and mystery pervades these short vignettes. Duration: 6:001. As deep to deep shouting through one valley calls (1:30)2. The heavens whose aspect makes our minds as still as they themselves appear to be (1:30)3. A Voice to Light gave Being (1:30)4. Break foth into thanksgiving, ye banded instruments (1:30).

Rhythm Section SATB Chorus divisi,Voice - Level 4 - Digital Download SKU: A0.1488659 By Loreena Mckennitt. By Cseki Kalman and Roby Lakotos. Arranged by Kerry Marsh. Jazz,New Age,Pop. Vocal Jazz Ensemble. 64 pages. Kerry Marsh #1065505. Published by Kerry Marsh (A0.1488659). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).Composed by the Canadian Celtic singer Loreena McKennitt, Mummers' Dance has its roots in a centuries old tradition in which a roving band of costumed actors travels and puts on performances for people throughout the land. McKennitt's lyrics speak of the beautiful natural settings in which these mummers would live and work, and the musical landscape is matched perfectly in this arrangement, featuring both sustained and open sounds and exotic melismatic figures that would normally be played by period instruments. This arrangement features a break-out treble-clef soloist, with some modern reharmonization included to employ the vocal jazz aesthetic, and a polyphonic, wordless development section increases the energy of the piece before it winds down at the end, as if the mummers have moved on to travel to the next village.