Organ - easy to intermediate - Digital Download SKU: S9.Q41648 Erstausgabe. Composed by Joseph Haas. This edition: Sheet music. Downloadable. Schott Music - Digital #Q41648. Published by Schott Music - Digital (S9.Q41648). Joseph Haas (1879–1960), a pupil of Max Reger, is regarded as one of the most important figures of early 20th century German Catholic church music. The forty chorale preludes, all in fughetta form, are published here for the very first time.

Concert Band - Level 2 - Digital Download SKU: A0.1308563 By Early Catholic Chorale. By Johann Sebastian Bach. Arranged by Wesley Besancon (editor). Christian,Classical,Early Music,Instructional,Sacred. Score and Parts. 45 pages. Wesley Besancon #897804. Published by Wesley Besancon (A0.1308563). This is the first in a series of transcriptions Bach Chorales for Band, in which is presented is the scale, standard voicing, and then multiple voicings including switched (tuba plays melody and flute plays bass). These chorales for band are useful for teaching balance, blend, dynamic contrast, and all in all, musicality. The next page shows the original work with lyrics in case you want to teach them.

Piano/Vocal/Chords, Guitar, Choir, SATB, Includes Detailed Overview, Full Score, PGV, Lead Sheet, SAATBB, Cantor Verses, Assembly - Early Intermediate - Digital Download Composed by Gene Klosner. Arranged by Cherolyn Klosner- Lane, Gene Klosner. Christian, Contemporary Christian, Sacred, General Worship, Lent. Octavo. 14 pages. Published by Cher & Gene Klosner

Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christian,Classical,Religious. 4 pages. Military Bible Association #1044448. Published by Military Bible Association (A0.1465850). The History of the Four Immortal Chaplains and the United States Army HymnDuring World War II, four Army chaplains met at the Army Chaplains School at Harvard University. ?ere, they received training for their assignments in the European theater. They then boarded and sailed on the United States Army Transport (USAT) Dorchester to report to their new assignments. The USAT Dorchester left New York on January 23, 1943, en route to Greenland. She carried about 900 military personnel and was escorted by Coast Guard Cutters Tampa, Escanaba, and Comanche. During the early morning hours of February 3, 1943, the vessel was torpedoed by the German submarine U-223 off Newfoundland in the North Atlantic. As the Dorchester sank on that fateful day of February 3, 1943, the four Army chaplains on board helped their soldiers board lifeboats as they handed out life jackets. When they ran out of life jackets, the chaplains gave their own life jackets to four soldiers that they might live. Then the chaplains joined arms and prayed as they went down with the Dorchester. These were young chaplains, new to the Army, holding the rank of first lieutenant. They included Methodist minister Reverend George L. Fox, Reform Rabbi Alexander D. Goode, Catholic priest Father John P. Washington, and Reformed Church in America minister Reverend Clark V. Poling. ?e four chaplains were posthumously awarded the Distinguished Service Cross and the Purple Heart. Chaplain (MAJ) James F. Linzey, USA (Ret.), who was one of four military chaplains in his family, composed the United States Army Hymn, “Eternal Father, Hear Our Prayer,” in remembrance of the “Four Immortal Chaplains” on board the Dorchester. Also, James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030892 Composed by Anderson Isiagu. Christian,Easter,Sacred. Octavo. 5 pages. Anderson Isiagu #51911. Published by Anderson Isiagu (A0.1030892). Lamb of God with Amen is a sacred/religious choral music ideal for contemplative and solemn Christian worship. Suitable for performance in a Catholic Mass setting but with the Amen omitted. Released in early 2015, it runs for approximately 2 minutes and sixteen seconds. E-mail:aoa_i@yahoo.com Facebook: Anderson Isiagu Twitter: @Andersonisiagu Instagram: andersonisiagu.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!

Choral Choir (TB) - Level 2 - Digital Download SKU: A0.727343 Composed by Theodore Dubois, Theodore Baker. Arranged by Carol Troutman Wiggins. Christian,Early Music,Instructional,Religious,Sacred. Octavo. 4 pages. Carol Troutman Wiggins #3460729. Published by Carol Troutman Wiggins (A0.727343). ADORAMUS TE, CHRISTETB/2-Part Male Voices Adoramus Te, Christe or Christ, we do all adore Thee is the final movement from Les sept paroles du Christ' or The Seven Last Words of Christ, an oratorio written in 1867 by Théodore Dubois. The text is very old, taken from the Roman Catholic liturgy: Adoramus te, Christe, et benedicimus tibi: Quia per Crucem tuam redemisti mundum. Easy vocal parts, great for beginning male chorus Late Intermediate level accompaniment Excellent for school repertoire, church services, recitals Some original material laced with the traditional hymn Chords included for additional instruments, if desired.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082302 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 26 pages. Erik Spangler #686452. Published by Erik Spangler (A0.1082302). Latin Mass composed during COVID-19 quarantine from late 2020 to early 2021. Written for and performed by the Mount Calvary Choir, under the direction of Andrew Johnson at Mount Calvary Catholic Church in Baltimore. Combining elements of plainchant and ancient styles of liturgical polyphony, together with a modern harmonic sense of the church modes. In the YouTube video below of the service for Trinity at Mount Calvary on June 12, 2022, the movements of the Mass are heard at: 16:50 - Kyrie, followed by 18:59 - Gloria 1:06:16 - Sanctus 1:20:17 - Agnus Dei.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1229639 Composed by Presentation School Choir. Arranged by Otniel Simangunsong. Chamber,Christian,Contest,Festival,Religious,Sacred. Octavo. 5 pages. Otniel Simangunsong #825400. Published by Otniel Simangunsong (A0.1229639). Hail Mary, Latin Ave Maria, also called Angelic Salutation, a principal prayer of the Roman Catholic Church, comprising three parts, addressed to the Virgin Mary. The prayer is recited in the Rosary of the Blessed Virgin (see rosary) and is often assigned as penance during the sacrament of reconciliation (confession). The first part, the words of the archangel Gabriel (Luke 1:28), appears in liturgies as early as the 6th century. The second part, the words of Elizabeth, the mother of St. John the Baptist (Luke 1:42), was added to the first part by about 1000 CE, the appositive Jesus being added some two centuries later, possibly by Pope Urban IV (reigned 1261–64). The closing petition came into general use during the 14th or 15th century and received its official formulation in the reformed breviary of Pope Pius V in 1568.