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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1410565

Composed by Edgardo Donato. Arranged by SMW Publishing. 20th Century,Contemporary,Instructional,Latin,Singer/Songwriter. Score. 14 pages. SMW Publishing #992985. Published by SMW Publishing (A0.1410565).

Tango A media luz is a captivating and iconic tango composed by Edgardo Donato, an influential Argentine musician and conductor. The song was first released in 1925 and has since become one of the most popular and enduring tango compositions.

A media luz translates to in the half-light or in the dim light, and the song captures the essence of the sensuality and drama associated with traditional Argentine tango. It is characterized by its passionate melodies, rhythmic syncopation, and soulful lyrics that delve into themes of love, longing, and the bittersweet nature of romantic relationships.

Edgardo Donato's composition showcases his exceptional talent for combining traditional tango elements with innovative musical arrangements. The song's harmonies, vibrant orchestration, and the interplay between the different instruments create a rich and immersive musical experience that has resonated with audiences for nearly a century.

Over the years, Tango A media luz has been recorded by numerous artists and orchestras, solidifying its status as a beloved tango standard. Its timeless appeal continues to captivate tango enthusiasts and dancers around the world, making it a cherished piece in the repertoire of tango musicians and a testament to Edgardo Donato's enduring contribution to the genre.

Tango A Media Luz
Piano, Voix et Guitare

$7.99 7.6 € Piano, Voix et Guitare PDF SheetMusicPlus

Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download

SKU: A0.1005681

Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681).

My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape.  Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache.  My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful.  With me poetry has not been a purpose, but a passion. Edgar Allan Poe.  Warning:  Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.  




Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."

$7.95 7.57 € PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.903755

Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755).

Third of a set of musical tellings of sayings and proverbs from around the world.  Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion.  A fanfare welcomes him, then we hear his confident march and another roar.  However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright.


The children in the audience could be invited to state the moral of this Kenyan saying:  


A flea can trouble a lion more than the lion can harm a flea.


The movement uses flute doubling on referee's whistle,  piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings. 


Duration:  2minutes.

THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
Orchestre

$11.00 10.47 € Orchestre PDF SheetMusicPlus


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