Composed by Stampone - Exposito. Arranged by Roberto Pugliese. For Guitar,Guitar Tab. 20th Century,Modern,South American. Intermediate. Score,Sheet Music Single,Tablature. 12 pages. Published by Roberto Pugliese

Piano Solo - Level 3 - Digital Download SKU: A0.1502080 By Troilo, Di Sarli, Gardel, Exposito. By Troilo, Di Sarli, Gardel, Exposito. Arranged by Marcelo Zallio. Contemporary,Folk,Jazz,Latin. Score. 18 pages. Marcelo Zallio #1077959. Published by Marcelo Zallio (A0.1502080). 6 piano solo arrangement of Argentinian Tango songs.

Percussion Ensemble - Level 2 - Digital Download SKU: A0.978099 By Exposito. By Diaz Jose Fernandez. Arranged by Idalmo Santos. Contemporary. Score and parts. 9 pages. Idalmo Santos #6018661. Published by Idalmo Santos (A0.978099). Cuban Music for trombone Guantanamera - By Icea Augusta Affonso Ramalho & Jose Marti Trombone Quartet version.

Guitar - Level 5 - Digital Download SKU: A0.882843 Composed by Francini - Stamponi - Exposito. Arranged by Roberto Pugliese. 20th Century,World. Guitar Tab. 18 pages. Roberto Pugliese #3037609. Published by Roberto Pugliese (A0.882843). This style of Argentine music, is the blues of the pampas, African slaves generating a wonderful music that also enriched the tango. The score has a second part written in Tab System and is the corresponding YouTube video to help your understanding. https://www.youtube.com/watch?v=nuQ9zf2M7UI

Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ?­ Bass Clarinet in Bâ?­ 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ?­ 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)

Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.912910 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 10 pages. Brandon Nelson #1954845. Published by Brandon Nelson (A0.912910). Commissioned to commemorate the 200th anniversary of Adophe Sax’s birth, each of the movements of this piece (beyond the expository prelude) presents miniature vignettes of music written in Belgium’s past as seen through the lens of Sax’s invention. It is, in that sense, an homage to not only the great musical minds that came before Sax, but also to his own keen inventive mind and incomparable contributions to music history. The Postlude involves a curious intersection of Sax with another brilliant musical mind: Richard Wagner. Sax was the stage director for a performance of Wagner's Tannhauser, and he put some saxophones offstage with French horns because he couldn't find enough horn players in Paris. Wagner was so angry he rescored the Shepherd's Tune from Act 3 of Tristan und Isolde from saxophone to English horn. A portion of that tune appears in the Postlude to this piece, rectifying this petty bit of vengeance for Sax. Learn more about me at: bnelsonmusic.wordpress.com.