By Duke Ellington. Arranged by Diego Marani. Score, Set of Parts. 10 pages. Published by Diego Marani (H0.142903-409150). - Score,Set of Parts - - Diego Marani

By Duke Ellington. Arranged by Diego Marani. Score, Set of Parts. 10 pages. Published by Diego Marani (H0.142915-409150). - Score,Set of Parts - - Diego Marani

Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869389 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 39 pages. Thomas Oboe Lee #431995. Published by Thomas Oboe Lee (A0.869389). I was in the midst of composing this octet for Eric Hewitt and the Boston Conservatory Wind Ensemble when I heard that Gunther Schuller died, on Sunday June 21, 2015. Gunther was my first composition teacher when I was a graduate student at the New England Conservatory of Music in Boston. On impulse I decided to redirect this work to Gunther Schuller, in memoriam. The title is Requiem Octet. All the melodies in the octet are coupled with the Latin text from the requiem. There are eight movements. 1. Requiem aeternam ... 2. Dies irae, dies illa ... 3. Tuba mirum ... 4. Recordare ... 5. Confutatis maledictis ... 6. Lacrimosa ... 7. Libera me ... 8. In paradisum ...RIP, Gunther Schuller, 1925-2015.Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/requiem-octet-in-memoriam-gunther-schuller-2015

Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869393 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #432005. Published by Thomas Oboe Lee (A0.869393).

Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869390 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 11 pages. Thomas Oboe Lee #431999. Published by Thomas Oboe Lee (A0.869390).

Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869394 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 11 pages. Thomas Oboe Lee #432003. Published by Thomas Oboe Lee (A0.869394).

Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869391 Bassoon 2 part. Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 11 pages. Thomas Oboe Lee #432001. Published by Thomas Oboe Lee (A0.869391).

Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869395 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 10 pages. Thomas Oboe Lee #432009. Published by Thomas Oboe Lee (A0.869395).

Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869388 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #431997. Published by Thomas Oboe Lee (A0.869388).

Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869392 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #432007. Published by Thomas Oboe Lee (A0.869392).

Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869396 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #432011. Published by Thomas Oboe Lee (A0.869396).

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started.  In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements.  1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music.  1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.

Bassoon, String Quartet & Piano - Digital Download SKU: IZ.PDP101 Composed by Wayne Barlow. Score and Parts. 38 pages. Imagine Music - Digital #PDP101. Published by Imagine Music - Digital (IZ.PDP101). 9 x 12 inches.Barlow's Prelude, Air and Variation, written in 1948, is the first twentieth-century work scored for the combination of bassoon, string quartet, and piano. There are earlier compositions from the Late Classical and Early Romantic eras by Johann Evangelist Brandl, Domenico Cimarosa and others. It is interesting to note that the other notable modern works for this ensemble are also by American composers, specifically Gunther Schuller and Elliott Schwarz. Barlow's harmonic language is much more conservative than that of Schuller and Schwartz, and he does not exploit the bassoonist's potential virtuosity as do the later composers. The work is notable for Barlow's melodic gift and the care with which he varies the harmonic underpinning, as well as the basic structure of the piece. It is a beautiful composition that never fails to garner compliments after it is performed.