Composed by Jacques Offenbach (1819-1880). For piano and voice. Soldiers, Leisure, Happiness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1011435 Composed by Tim Risher. Christian,Contemporary,Sacred. Octavo. 27 pages. Tim Risher #3681137. Published by Tim Risher (A0.1011435). SATB and Organ. In English.Kyrie 1:50Gloria 2:10 Sanctus 1:00 Agnus Dei 2:05 This Missa L'homme armé is based on the famous tune used by many composers in the 15th and 16th centuries. I have used as the base material in different ways; sometimes quoting directly (Agnus Dei), sometimes using the melodic intervals to create the movement (Sanctus).The text is in English; from the Episcopalian Book of Common Prayer. Each movement is short and the counterpoint is kept to a minimum for clarity of text. It is appropriate for church services; the piece is written so one movement can be performed as an indivicual work.In a concert setting, it of course may be performed complete. There is no Credo movement; that was a decision on my part, as singing the Credo in the Episcopalian service (or Anglican) is not usual.

Chamber Orchestra - Digital Download SKU: A0.901701 Composed by David Thompson. Contemporary. Score and parts. 94 pages. David M Thompson #6402383. Published by David M Thompson (A0.901701). This is a set of variations for nine instruments--four woodwinds and five stringed instruments--on the old Medieval tune L'homme armè. One of the strings--the viola--doubles on tambourine. Somewhat difficult, but can be done pretty readily with experienced musicians. (Much easier than the Piston Divertimento, which has the same instrumentation.) Conductor score and set of parts are included.(flute, oboe, clarinet, bassoon, two violins, viola [tambourine], cello and double bass).

Recorder - Digital Download SKU: A0.756392 Composed by Josquin des Prez. Arranged by Gil Garty. Renaissance. Recorder Ensemble. 5 pages. Gil Garty #3001047. Published by Gil Garty (A0.756392). Arranged for 4 recorders (STTB).

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.944880 Composed by Bob Dylan. Arranged by Andrew Bearden. Contemporary. Octavo. 19 pages. Andrew Bearden Music Publishing #5205111. Published by Andrew Bearden Music Publishing (A0.944880). An arrangement of Bob Dylan's biting commentary on war profiteering. Includes quotes of l'homme arme and dies irae.

Small Ensemble Bassoon,Cello,Trombone,Viola - Level 5 - Digital Download SKU: A0.984150 Composed by Michael Kibbe. Contemporary. Score and parts. 37 pages. Stretto Music #4595541. Published by Stretto Music (A0.984150). Three movement duo for Viola and Trombone (or Bassoon or Cello), ending with L'Homme Arme variations. [7:45].

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1511495 Composed by Reno Fusani. Chamber. 54 pages. Reno Fusani #1086648. Published by Reno Fusani (A0.1511495). L’Homme armè (trans. The Armed Man) is a French secular tune from the late Middle Ages. It was often used by composers as a cantus firmus for their motets, canzonas and even (to the chagrin of the Church) in thier settings of the Mass. Here are a short set of variations for Woodwind Quintet using that evocative tune.

Piano,Viola - Digital Download SKU: A0.777967 Composed by Frédéric Chopin (1810-1849) - Alexander Glazunov (1865-1936). Arranged by Mikio Kamada. Romantic Period. Score and part. 6 pages. ACORDO Sheet Music #4609011. Published by ACORDO Sheet Music (A0.777967). Etude Op. 25, No. 7 in C-sharp minor composed by Frédéric Chopin is for a piano technical study.  The melody part is played by the left hand.  It is sometimes called Cello as a term of endearment.  There are several arrangement for Cello solo accompanied by Piano.  The arrangements by Auguste Franchomme (1808-1884), Jules de Swert (1843-1891), and WÅ‚adysÅ‚aw Tarnowski (1836-1878)  are in d minor.  On the other hand, the arrangement by Alexander Konstantinovich Glazunov (1865-1936) is in e minor, which is the most poplar one. This score is a transcription for Viola and Piano.

Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533426 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. Musik Fabrik Music Publishing #2913673. Published by Musik Fabrik Music Publishing (A0.533426). A setting of a poem by Édouard Pailleron. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In C major Duration: aprox. 6 minutes 30 secondsLorsque le premier homme à sa première aurore,Au sein du monde immense et vierge comme lui,Promenait vaguement, pensif et seul encore,La curiosité de son divin ennui,Les mots venaient éclore à sa lèvre étonnéeÀ chaque enchantement du spectacle infini,Comme vient la chanson éclore au bord du nid:À l’heure qu’il naissait la parole était née.Mais, lorsque s’éveillant de son autre sommeil,Il vit, plus belle encore que l’aurore première,Eve nue et debout dans la grande lumière,Comme un astre vivant, adorable et vermeil;Il étendit les bras vers sa maîtresse blonde,Et, jusqu’à son désir inclinant sa beauté,Sachant bien que l’amour lui coûterait le monde,Du remords éternel il fit la volupté;Et dans le doux transport dont l’âme était saisie,Et dans le dur sanglot qui s’y venait briser,Tu naquis à ton tour, ô jeune poésie,De la première larme et du premier baiser!

Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533427 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. Musik Fabrik Music Publishing #2913681. Published by Musik Fabrik Music Publishing (A0.533427). A setting of a poem by Édouard Pailleron. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Ab major Duration: aprox. 6 minutes 30 secondsLorsque le premier homme à sa première aurore,Au sein du monde immense et vierge comme lui,Promenait vaguement, pensif et seul encore,La curiosité de son divin ennui,Les mots venaient éclore à sa lèvre étonnéeÀ chaque enchantement du spectacle infini,Comme vient la chanson éclore au bord du nid:À l’heure qu’il naissait la parole était née.Mais, lorsque s’éveillant de son autre sommeil,Il vit, plus belle encore que l’aurore première,Eve nue et debout dans la grande lumière,Comme un astre vivant, adorable et vermeil;Il étendit les bras vers sa maîtresse blonde,Et, jusqu’à son désir inclinant sa beauté,Sachant bien que l’amour lui coûterait le monde,Du remords éternel il fit la volupté;Et dans le doux transport dont l’âme était saisie,Et dans le dur sanglot qui s’y venait briser,Tu naquis à ton tour, ô jeune poésie,De la première larme et du premier baiser!