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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534181 Composed by Charles Colin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and parts. 20 pages. Musik Fabrik Music Publishing #3227001. Published by Musik Fabrik Music Publishing (A0.534181). Charles Colin was born in Cherbourg, France on June 2, 1832. He entered the Paris Conservatory and won a First Prize in Oboe in 1852 and then studied composition, winning the Second First Grand Prix de Rome in 1857 (Bizet won the First Grand Prix the same year). In 1868, he became the Professor of Oboe at the Paris Conservatory. His series of eight Solos were written for the exams of his class. He died on July 26, 1881 in Paris.These works were published by Millereau with the instrumentation “pour hautbois ou saxophoneâ€. The saxophone part was obviously the soprano instrument in C of the “orchestral†family of C-F instruments,which are no longer in use except for the C-Melody Tenor instrument. These versions are published for the more common series of instruments in Bb and Eb. The saxophone part is the same as for the instruments in C, but the piano part is transposed to keep the ranges the same.
Charles COLIN Solo de Concours no. 1, Opus 33 , arranged for Bb soprano or tenor saxophone and piano
Saxophone Tenor et Piano

$11.40 9.9 € Saxophone Tenor et Piano PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813071 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 27 pages. Regis Bookshar #6097373. Published by Regis Bookshar (A0.813071). Saxophone Quintet - Intermediate - Digital Download. This selection, Burgundian Air/March of the Three Kings, has been arranged for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, by Regis Bookshar. It incorporates two traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (22 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
Burgundian Air/March of the Three Kings (F min) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Quintette de Saxophone: 5 saxophones

$18.00 15.64 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group.   The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
My Saxophone and Me (B flat version)
Saxophone Tenor et Piano

$5.95 5.17 € Saxophone Tenor et Piano PDF SheetMusicPlus

Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1147430 Composed by Igor Korneitchouk. 21st Century,Contemporary. Individual part. 8 pages. Studio at the Post #747654. Published by Studio at the Post (A0.1147430). Duration: 10 – 11 minutes, 7 pp. Description: Each étude is for a different saxophone requiring the soloist to take a break and switch instruments. The first is for alto (or potentially baritone) sax, the second for either tenor or soprano. The études use a minimalist approach of adding and subtracting notes to create their continuous stream of “musical consciousnessâ€. The composer created these études in the process of writing his de facto saxophone concerto “The Disqualification of Harry Semantix as Trial Juror for East County†(such score also available for saxophone and chamber orchestra, or saxophone and piano).
Semantic Études 1 & 2
Saxophone

$2.01 1.75 € Saxophone PDF SheetMusicPlus

Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.844576 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925273. Published by Phil Beaman (A0.844576). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda.  It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
Polka Russe-Czerny-Tenor Saxophone Solo
Saxophone Tenor

$3.99 3.47 € Saxophone Tenor PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.851128 Composed by George Frideric Handel. Arranged by Sophia Johanna. 20th Century,Christian,Christmas,Classical,World. Score. 18 pages. Sophia Transistor #6139725. Published by Sophia Transistor (A0.851128). German traditional Christmas Song Tochter Zion, freue dich = Daughter Zion, rejoice by Georg Friedrich Händel arranged for family band or every random band with multiple various and variable instruments in every color and key.Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. This arrangement of the traditional chistmas song Tochter Zion (Daughter Zion) offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in german and english) choir Arrangement- solo instruments in C (violin, flute,etc.) quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumset ;-)YouTube Play Along: https://youtu.be/Pfo_Mu-8Z-sGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... Dieses Arrangement des Weihnachtsklassikers JTochter Zion beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Deutsch und auf Englisch.Folgende Musikinstrumente werden durch diese Noten abgedeckt: - Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf deutsch und englisch); 3 Strophen, 4-stimmig- Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - Schlagwerk / Schlagzeug / Schelleninstrument ;-)Viel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.traditional german christmas children song by James Lord Pierpontarranged by Sophia Johannafor family bandPublic Domain InstrumentalLiedtext1. Tochter Zion, freue dich!Jauchze, laut, Jerusalem!Sieh, dein König kommt zu dir!Ja er kommt, der Friedenfürst.Tochter Zion, freue dich!Jauchze, laut, Jerusalem!2. Hosianna, Davids Sohn,Sei gesegnet deinem Volk!Gründe nun dein ewig' Reich,Hosianna in der Höh'!Hosianna, Davids Sohn,Sei gesegnet deinem Volk!3. Hosianna, Davids Sohn,Sei gegrüßet, König mild!Ewig steht dein Friedensthron,Du, des ew'gen Vaters Kind.Hosianna, Davids Sohn,Sei gegrüßet, König mild! Hashtags:#TochterZion#smppressmusic#Weihnachtslieder#sheetmusicplus
Tochter Zion - Daughter Zion, rejoice - for various instruments
Piano, Voix et Guitare

$4.99 4.33 € Piano, Voix et Guitare PDF SheetMusicPlus

Large Ensemble Alto Recorder,Cello,Clarinet,Harpsichord,Organ,Piano,Soprano Recorder,Tenor Saxophone,Viola,Voice - Level 2 - Digital Download SKU: A0.912978 Composed by Andrei Lucian Drăgoi (Dragoi). Baroque. Score and parts. 2 pages. Andrei-Lucian Dragoi #1999329. Published by Andrei-Lucian Dragoi (A0.912978). This is a small piece composed for children and addressed to piano beginners of any age. The title is given both in English and Romanian (as the composer is Romanian). This is an arrangement for piano solo (numbered as no.1). However it may be played also on: organ, harpsichord and even on instrumental duet (string duet [violin/viola/guitar with 2nd viola/cello/2nd guitar], woodwinds duet [piccolo/clarinet/soprano recorder with tenor flute/2nd clarinet/alto recorder], brass duet [clarinet/tenor sax/alto sax and 2nd clarinet/tenor sax]) or vocal duet (tenor and baritone/bass). The melody has also auto-accompaniment characteristics and can be played even with any solo voice/instrument.The audio sample was generated from the musical sheet using the Stereo Bells timbre from Native Instruments FM7 Vintage: https://www.soundonsound.com/reviews/native-instruments-fm7
Medieval Rainbow (Curcubeu medieval) (arrangement for piano solo no.1)
Piano seul

$1.99 1.73 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax.  Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir

$47.95 41.65 € PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.739420 Composed by Cesar Auguste Franck. Arranged by David Catherwood. Romantic Period,Wedding. Score and parts. 26 pages. Opus 3 Music #3421517. Published by Opus 3 Music (A0.739420).  Panis angelicus This arrangement of Franck's famous vocal solo is intended originally for Trombone and Orchestra but will work equally well with other suitable instruments in the solo role ('cello, bassoon, euphonium, violin , clarinet etc) and if necessary just a quartet accompaniment.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe 1, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 2 in F (Horn in F)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)Panis angelicus (Latin for Bread of Angels or Angelic Bread)Panis angelicus     (May the Bread of Angels)fit panis hominum;   (Become bread for mankind;)Of course the instrumental parts could also be used to accompany the original vocal part.
Panis Angelicus - Solo with Flexible 4 part instrumental accompaniment arr. David Catherwood
Orchestre d'harmonie

$9.50 8.25 € Orchestre d'harmonie PDF SheetMusicPlus

Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Low Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.730398 Composed by James Nathaniel Holland. Concert,Contemporary,Graduation. Score and parts. 20 pages. James Nathaniel Holland #3077765. Published by James Nathaniel Holland (A0.730398). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This beautiful piece arranged for low voice (Alto (Key of D, Range: G3 to D5), piano (or harp or organ) and additional instrumental duets (Treble instruments in C (flute, oboe, viola or violin), Treble instruments in Bb (clarinet, trumpet, tenor saxophone), alto/bass instruments in C (cello, bassoon, trombone),  bass instruments in C (cello, bassoon, trombone) or in F (horn or English horn) or viola part is adapted from the ballet the Wind in the Willows. This piece is perfect for funerals, graduations, or any solemn occasions. Text is non-religious, but expresses universal sentiments of one's helping others and impermanence. The sample here is presented with voice, piano and solo violin.Text:Those roads I have trodd'nAnd the faces I have known,If I've left a bit of good,That is my salvation.
Adagio No 1, My Salvation from An Adagio Suite for Solo Low (Treble) Voice and Piano

$6.50 5.65 € PDF SheetMusicPlus

Tenor Saxophone(s)/TC Euphonium(s) - Digital Download SKU: C7.CGIN46 Arrangements for Solo Instrument to Full Orchestra. Composed by arr. Stan Pethel. Arranged by Stan Pethel. With Piano or orchestrated audio CD accompaniment. Part. 24 pages. Chorister's Guild - Digital #CGIN46. Published by Chorister's Guild - Digital (C7.CGIN46). UPC: 749193030387.Spirituals of Faith is designed to allow for maximum flexibility of use. With the exception of the percussion book, each book includes a Solo and an Ensemble part for each of the ten spirituals. Basic performance can be with a solo instrument and piano or a solo instrument and accompaniment track. Add to this any combination of instruments using the ensemble parts up to and including full orchestra. While there are some passages that may be a challenge for younger players, most of the arrangements are within the skill level of a Grade III band or orchestra composition and are accessible by players from eighth grade and above. They are good lengths for preludes, offertories, and featured instrumental performance in the church or school setting. For similar flexible instrumental arrangements, please explore our Hymns of Praise and Carols of Christmas, Set 1 series.
Spirituals of Faith - Tenor Saxophone(s)/TC Euphonium(s)

$9.95 8.64 € PDF SheetMusicPlus

Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Medium Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.730397 Composed by James Nathaniel Holland. Concert,Contemporary,Graduation. Score and parts. 17 pages. James Nathaniel Holland #3077739. Published by James Nathaniel Holland (A0.730397). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This beautiful piece arranged for medium voice (Baritone (Key of G, Range: C to high G), piano (or harp or organ) and additional instrumental duets (Treble instruments in C (flute, oboe, viola or violin), Treble instruments in Bb (clarinet, trumpet, tenor saxophone), bass instruments in C (cello, bassoon, trombone) or in F (horn or English horn) is adapted from the ballet the Wind in the Willows. This piece is perfect for funerals, graduations, or any solemn occasions. Text is non-religious, but expresses universal sentiments of one's helping others and impermanence. The sample here is presented with voice, piano and solo trumpet.Text:Those roads I have trodd'nAnd the faces I have known,If I've left a bit of good,That is my salvation.Though naught to fame,or of great deeds reserved to claim,or that fortune's passed me by.
Adagio No 1, My Salvation from An Adagio Suite for Solo Medium (Baritone, Bass Clef) Voice and Piano

$5.50 4.78 € PDF SheetMusicPlus






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