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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1414908 By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Contemporary,Praise & Worship,Religious,Sacred. Score. 7 pages. Martin Music Editions #996658. Published by Martin Music Editions (A0.1414908). In this stripped-down yet deeply emotive arrangement of Nothing But the Blood of Jesus, crafted in the style of Fernando Ortega and Jesus Culture, the focus is on the interplay between violin, voice, and piano. This rendition radiates a sense of intimacy and contemplation, drawing listeners into a sacred space of worship and reflection.The piano introduces the piece with gentle, lingering chords that evoke a sense of reverence. Its melodies are reminiscent of Fernando Ortega's contemplative style, creating a foundation that supports and uplifts the subsequent elements of the arrangement.As the vocalist begins, their voice carries the timeless lyrics with sincerity and warmth. Each word is infused with meaning, resonating against the piano's backdrop. The vocal delivery, reminiscent of Jesus Culture's heartfelt expression, conveys both vulnerability and deep conviction, inviting listeners to engage with the profound message of the hymn.The violin enters delicately, weaving its melodic lines around the vocal phrases. Its tone is expressive and soul-stirring, adding a poignant layer of emotion to the arrangement. The violin's presence evokes Fernando Ortega's introspective sensibility, enhancing the lyrical depth and drawing out the thematic richness of the hymn.As the arrangement progresses, the piano's role evolves, providing rhythmic support and harmonic depth. The vocal and violin melodies intertwine, creating a dialogue that reflects the spiritual journey depicted in the lyrics. The simplicity of the instrumentation allows each element to shine individually while blending harmoniously together.During the chorus, the arrangement swells with emotional intensity. The vocalist's delivery becomes more impassioned, emphasizing the profound truth encapsulated in the refrain. The piano responds with cascading arpeggios, underscoring the soaring declarations of faith and redemption.In the quieter moments, the violin takes center stage, offering introspective solos that invite contemplation. Its melodic lines soar above the piano's accompaniment, articulating the yearning and gratitude expressed in the hymn's verses.As the arrangement reaches its culmination, the trio of voice, violin, and piano unites in a transcendent climax. The vocal harmonies rise in unison, resonating with the instrumentation to create a moment of profound connection and worshipful response.In this arrangement of Nothing But the Blood of Jesus, the collaboration between voice, violin, and piano channels the spirit of Fernando Ortega and Jesus Culture. Rooted in simplicity yet imbued with deep emotion and spiritual depth, this rendition invites listeners to experience the transformative power of grace and redemption through music.
Worship Series - "Nothing But The Blood Of Jesus" for Voice, Piano, and optional violin solo
Piano, Voix et Guitare
Fernando Ortega
$7.99 7.65 € Piano, Voix et Guitare PDF SheetMusicPlus

Small Ensemble Banjo,Drum Set,Guitarron,Violin - Level 4 - Digital Download SKU: A0.1506666 By Peyber A. Medina H. By Quirino Mendoza y Cortes. Arranged by Peyber A. Medina H. 20th Century,Chamber,Country,Mariachi,Traditional. 65 pages. Peyber Medina #1082035. Published by Peyber Medina (A0.1506666). Experience the lively spirit of Jesusita en Chihuahua with this unique and dynamic arrangement for violin quartet, vihuela, banjo, guitarrón, and drum set. Originally composed by Quirino Mendoza y Cortés, this iconic Mexican polka is known for its fast-paced rhythm and deep ties to Mexican culture, particularly during celebrations like Mexico's Independence Day.Arranged by Peyber A. Medina H., this version expands on the traditional sound by adding a vibrant combination of vihuela, banjo, and guitarrón, giving it a rich, full-bodied texture. The drum set adds a modern rhythmic drive, making it perfect for concerts, recitals, and cultural events.Instrumentation: 4 Violins Vihuela Banjo Guitarrón Drum Set This arrangement is suitable for intermediate to advanced players and provides a fresh take on a beloved classic. Whether you're preparing for a national celebration, a cultural event, or just looking to add an exciting Mexican piece to your repertoire, this piece will captivate your audience.Key Features: Exciting orchestration with traditional and modern instruments Ideal for performances and recitals celebrating Mexican culture Fully produced sheet music, ready for performance Don't miss out on this dynamic arrangement that brings Jesusita en Chihuahua to life in a new and exciting way! Why choose this arrangement? Unique blend of traditional Mexican instruments and modern elements Clear, professional notation designed for ease of performance Captures the energy and historical significance of Jesusita en Chihuahua Buy now and explore more of my arrangements on: Sheet Music Plus and Sheet Music Direct
Jesusita en Chihuahua - Quirino Mendoza y Cortes - Epic Violin Quartet Arrangement by Peyber Medina
Peyber A Medina H
$19.99 19.14 € PDF SheetMusicPlus

Harp - Level 2 - Digital Download SKU: A0.939536 Composed by Traditional. Arranged by Christa Grix. Christian,Christmas,Jewish,Praise & Worship,Sacred. Score. 5 pages. Freefall Music LLC #6616551. Published by Freefall Music LLC (A0.939536). This piece of music is ideal for an interfaith service, and combines two melodies that, at first glance, seem completely unrelated in temperament. Come O long Expected Jesus is based on the hymn tune JEFFERSON, an early American tune first published in Alexander Johnson’s Tennessee Harmony in 1818. Sim Shalom is a traditional Yiddish folk song and blessing.These two separate melodies from different cultures share – not just a modal melody with similar harmonies, but a shared longing for redemption through peace, hope, healing and light.
Come Thou Long Expected Jesus/Sim Shalom
Harpe

$7.99 7.65 € Harpe PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1270338 Composed by Paul Addison, Marian Kurzdorfer, and Karen Kurzdorfer. Arranged by Paul Addison. Children,Religious. Score. 59 pages. Paul Addison #862749. Published by Paul Addison (A0.1270338). This musical tells a story of what life might have been like for Jesus at the age of 12. He learns lessons from the scriptures in synagogue school, including the Creation, the Ten Commandments, and the stories of Samson and David. He has dinner with his family, and his sisters ask about the role of women in the home and  in the culture. He discusses learning a trade with his father Joseph. Then the family takes a trip to Jerusalem for the Passover feast, and it is there that Jesus talks with the rabbis and scholars about the deeper meaning of the scriptures. They ask, “Who is this boy?â€, to which the women reply, “His name is Jesusâ€.The songs are at an easy level, mostly with single-line melodies. There is one rap song, “Rabbi’s Rapâ€, which could be accompanied by a beat-box sound. There is also a medley, “Who Is This Boy? / His Name is Jesusâ€, in which the scholars and teachers sing two verses, the women’s chorus sings two verses, and then they sing together.The musical runs about 40 minutes.
Small Town Boy: A Musical About the Boyhood of Jesus
Piano, Voix

$12.99 12.44 € Piano, Voix PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.818235 By Stephen R Dalrymple. By Elizabeth C. Clephane 1830–1869 (lyrics) and Frederick Charles Maker 1844–1927. Arranged by Stephen R Dalrymple. Contemporary,Sacred. Score. 12 pages. Stephen R Dalrymple #3098321. Published by Stephen R Dalrymple (A0.818235). Beneath the Cross of Jesus ♫ Original piano arrangement by Stephen R Dalrymple ♫ Based on the public domain hymn by Elizabeth C. Clephane 1830–1869 (lyrics) and Frederick Charles Maker 1844–1927 (melody) ♫ In preparing to compose the arrangement I asked myself “What would be the opposite of “Beneath the cross of Jesus I fain would take my stand.†How could I picture that? The opposite of firm footing, stability, taking a stand is vacillating between ideas or chasing numerous ideas. ♫ I pictured the wind scattering leaves and debris, but failing to budge heavy objects, anchored to the ground. ♫ Our culture bids us chase after status, power, money, pleasure, thrills … The problem, of course is that the shelf life of the satisfaction that these things brings is very short. Chasing after status, power, money, pleasure, thrills, etc. is like is like chasing the wind. ♫ Portraying chasing the wind allowed me to use some contemporary classical composition techniques such as polymeter, polytonality, and deliberate dissonance. The first theme suggests the futility and inevitable frustration of chasing the wind. The score opens up to the beauty of a life grounded on the cross of Jesus Christ. ♫ music © 2017 (copyright registered in ‘I See Your Glory’ collection) ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the composer ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet, 4) Small page piano score for performing from a 10 inch tablet. ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
Beneath the Cross of Jesus
Piano seul
Stephen R Dalrymple
$4.50 4.31 € Piano seul PDF SheetMusicPlus


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