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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1249128 By Joseph O'brien. By Christian Hale, Coby James, and Joseph O'brien. Arranged by Sterling Stowell. A Cappella,Christian,Praise & Worship. Octavo. 12 pages. Stowell Music Publishing #843588. Published by Stowell Music Publishing (A0.1249128). With its accessible yet engaging vocal lines, this lively arrangement is suitable for a wide range of skill levels. Down In My Heart (Joy), originally recorded by Joseph O'Brien, translates seamlessly to a cappella and is sure to bring a smile to your listeners' faces!This arrangement is designed for 9 or more performers (including the vocal percussionist line)--perfect for a spirited a cappella group or a dynamic choir.Visit this link to listen to Sterling Stowell's recording of this arrangement: https://share.amuse.io/eOnYARAXiIjP
Down In My Heart (joy)
Chorale TTBB
Joseph O'brien
$2.99 2.55 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1460307 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Joseph Hollings. 20th Century,Grunge,Pop,Rock. 11 pages. Joseph Hollings Publishing #1039239. Published by Joseph Hollings Publishing (A0.1460307). Duration: 3m 50sIntroducing a hauntingly beautiful SATB (soprano, alto, tenor, bass) arrangement of Radiohead's iconic hit, Creep, with piano accompaniment. This 3-minute and 50-second choir sheet music arrangement is perfect for school or community choirs, capturing the emotional intensity and raw power of the original song. SATB Choir Arrangement with PianoDesigned for mixed choirs with piano accompaniment, this arrangement is suitable for various performance levels, making it ideal for school and community choirs. This arrangement reflects the poignant themes of alienation, longing, and vulnerability, making it a compelling addition to any choir's repertoire. Ideal for concerts, festivals, and special events, this arrangement brings a touch of Radiohead's powerful sound to your performances, ensuring a memorable experience for both singers and audiences. About the Song:Creep, released in 1992, is one of Radiohead's most beloved songs, resonating deeply with audiences worldwide. Written by Thom Yorke, the song deals with themes of self-doubt and yearning, blending personal reflection with universal feelings of alienation. Its raw lyrics and haunting melody make it a timeless classic that continues to captivate listeners. Enhance your choir's repertoire with this beautifully crafted SATB arrangement of Creep by Radiohead. Perfect for adding a touch of modern rock to your next performance, this piece will captivate both singers and audiences alike. Download now and make your choir's performance unforgettable with this powerful arrangement, ideal for school and community choirs.
Creep
Chorale SATB
Radiohead
$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.485138 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Joseph Gargaro. Pop,Rock. Octavo. 9 pages. Joseph Gargaro #104142. Published by Joseph Gargaro (A0.485138). A TTBB arrangement for Male Voice choir and piano. This arrangement is a darker, more epic arrangement of the piece in a pop/rock ballad style. The gentle beginning is soon contrasted with a loud and powerful chorus. A quiet, more introspective A Cappella brige provides a brief respite before the grand finale of the final chorus. The rich harmonies, exciting piano part, and expressive melodies and harmony lines make this a standout performance for your group in any setting.
Creep
Chorale TTBB
Radiohead
$1.99 1.7 € Chorale TTBB PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 8.52 € Orchestre à Cordes PDF SheetMusicPlus






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