Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Kerry Marsh. Funk,Jazz,Pop,Soul. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1032960. Published by Kerry Marsh (A0.1453743). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Them Changes is a standout track by Thundercat, featuring a funky, bass-driven groove that highlights Thundercat's virtuosic bass playing and unique blend of jazz, funk, and R&B influences. The lyrics explore themes of heartbreak and emotional turmoil, delivered with Thundercat's signature falsetto vocals.Kerry Marsh's vocal jazz arrangement begins with an a cappella rendition of the song's bridge, serving as a teaser before launching into the now-iconic drums and bass groove. A hallmark of neo-soul, the dissonance between the chord changes and the melody can present challenges for vocal harmonies. This arrangement skillfully navigates these tricky spots, employing octaves and unison writing to minimize clashes, and then breaking out into lush, dense harmonies where they are most effective.The chart concludes with a space for vocal or instrumental improv, accompanied by vocal backgrounds, ending the piece in a sudden and unconventional manner. This modern-day classic will be a hit with your vocal jazz ensemble, offering something for singers, instrumentalists, and the audience alike to enjoy.Perfect for advanced ensembles looking to explore contemporary jazz-funk, this arrangement captures the essence of Thundercat's innovative style while providing a fresh and exciting challenge. Check out the Scoreflipper preview to see how this arrangement can elevate your group's performance and captivate your audience.

Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 66 pages. Kerry Marsh #1032965. Published by Kerry Marsh (A0.1453748). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks Mixer (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Step into the timeless swing of Harry Connick, Jr.'s We Are In Love with this dynamic arrangement for advanced SSATBaB vocal jazz ensemble. In this chart, vocalists often take on the role of the big band brass and winds, while a baritone soloist steps into Connick’s shoes to deliver this swinging love story. The ensemble shines in several key spots, taking the lead with bold and exciting harmonies.A vocal or instrumental improv section adds a layer of spontaneity, launching the tune into a new key with a powerful sendoff from the choir. The ensemble remains engaged with energetic backgrounds, building towards an exhilarating hybrid shout section/soli section. The arrangement culminates in a huge final chorus, bringing the chart to a rousing peak before winding down to a clever and subtle finish.Despite its swinging nature, the chart features a delightful contrast with sudden transitions to a straight-8th Afro-Cuban groove at the end of each chorus. This unique twist keeps both the singers and the audience on their toes, providing a fun and engaging listening experience.Perfect for vocal jazz directors looking to challenge their advanced ensembles, this arrangement offers a mix of technical prowess, stylistic variety, and performance excitement. Check out the Scoreflipper preview to see how this arrangement can bring your group to new heights and captivate your audience.

Rhythm Section SATB Chorus divisi,Voice - Level 3 - Digital Download SKU: A0.1488640 By Terrace Martin. By Latonya Givens, Robert Joseph Searight, Rose Mckinney, and Terrace Martin. Arranged by Kerry Marsh. Blues,Funk,Pop,R & B,Soul. Vocal Jazz Ensemble. 44 pages. Kerry Marsh #1065488. Published by Kerry Marsh (A0.1488640). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).This arrangement captures the driving and energetic spirit of the original track, bringing its infectious groove to life with a dynamic interplay between a soprano/alto soloist and the ensemble. Following the original recording closely, the choir alternates between singing background figures and taking the lead, using unisons and three-part gospel-style harmony to great effect.The rhythm section's role is crucial, with a keyboardist switching between a clavinet and jazz organ patch to recreate the distinctive accompaniment sound from the demo recording and Martin's original track. This blend of textures and harmonies brings out the powerful, soulful essence of the song, making it an exciting addition to any performance. The arrangement offers both ensemble and soloists moments to shine, ensuring a vibrant and engaging performance that resonates with audiences.Dig into the groove and let the energy of Push drive your ensemble to new heights!

Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.876024 Composed by Harry Connick Jr. and Ramsey McLean. Arranged by Kerry Marsh. Contemporary. Vocal Jazz Ensemble. 23 pages. Kerry Marsh #5191189. Published by Kerry Marsh (A0.876024). Lv 4, SSATBaB with fully notated piano and bass parts, drums. If you have a pretty solid mixed vocal jazz group and a male singer who can channel Harry Connick, Jr., this chart will get your singers swinging like a gate! Emulating the big band sound of the original recording, the singers split their time singing background horn figures and taking over the melodic material. Tons of dynamic contrast are a highlight of the chart, and it works really well as an opener or a closer. This title is part of the Vault Collection at KerryMarsh.com, where you can hear the full-length demo, preview the full score and supplement your SheetMusicPlus order with Part Tracks, Minus-One Tracks and the Rhythm Track for this arrangement. While visiting KerryMarsh.com, you can browse (with helpful filters and search options) over 300 charts featured in the main catalog, comprised of the newest sheet music from Kerry Marsh as well as arrangements by Kelly Kunz (for Groove For Thought), Simon Akesson (for Accent), David von Kampen and other excellent vocal arrangers. Demos, score previews and supplemental rehearsal tracks are available for all main catalog charts.

Rhythm Section Voice (SATB divisi) - Level 3 - Digital Download SKU: A0.876027 By Pharrell. By Pharrell. Arranged by Kerry Marsh. Hip-Hop,R & B. Vocal Jazz Ensemble. 50 pages. Kerry Marsh #5204023. Published by Kerry Marsh (A0.876027). Lv 3, SSATB with fully notated piano, bass and drums parts. Only occasionally taking a harmonic left turn from Pharrell Williams’ original smash hit composition, this arrangement will be a real joy for your ensemble members to perform. Some written-out clapping parts will make the performance even more fun and engaging, and the audience will surely have a bit of nostalgia for this big hit from the summer of 2013! This title is part of the Vault Collection at KerryMarsh.com, where you can hear the full-length demo, preview the full score and supplement your SheetMusicPlus order with Part Tracks, Minus-One Tracks and the Rhythm Track for this arrangement. While visiting KerryMarsh.com, you can browse (with helpful filters and search options) over 300 charts featured in the main catalog, comprised of the newest sheet music from Kerry Marsh as well as arrangements by Kelly Kunz (for Groove For Thought), Simon Akesson (for Accent), David von Kampen and other excellent vocal arrangers. Demos, score previews and supplemental rehearsal tracks are available for all main catalog charts.

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.