C Instrument - Level 1 - Digital Download SKU: A0.484247 By Traditional Song. By African Folk Song. Arranged by Marcelo Borba. Children,Country,Folk,Multicultural,Traditional,World. Lead Sheet / Fake Book. 10 pages. Marcelo Borba #103679. Published by Marcelo Borba (A0.484247). Play the banaha with your group of students. I present arrangement of Banaha for boomwhackers version. *Each boomwhacker has a color note in sheet music. Wonderful piece for music educators to work in the classroom. Suitable for schools and music practice with children. For eight boomwhacker instruments - C, D, E, F, G, A, B, C (Score and Parts). Banaha is a folk song, sung in an unknown language, originating in Congo. In Congo, Banaha music has been used on many occasions throughout history, including weddings! https://blog.marceloborba.com/.

Marching Band - Digital Download SKU: A0.486418 By Public Domain. By Popular Music. Arranged by Marcelo Borba. Latin,Multicultural,Sacred,Traditional,Video Game,World. Score and parts. 8 pages. Published by Marcelo Borba (A0.486418). Peixe Vivo is a popular Brazilian song. Organization for percussion group (trio or quartet): Xylophony, Vibrafone and Marimba (2 instrumentalists). Score of the composition and parts to all performers in separate staves. https://blog.marceloborba.com/.

Concert Band - Level 2 - Digital Download SKU: A0.513413 By Marcelo Borba. By Marcelo Barros de Borba. Arranged by Marcelo Borba. Country,Latin,Patriotic,Standards,Traditional. Score and Parts. 2 pages. Marcelo Borba #124181. Published by Marcelo Borba (A0.513413). The preciousness of Brazilian music can be appreciated in this arrangement on the Ijexá rhythm. A small 4-bar Looping for percussion practice. In this arrangement the following percussion instruments are used: Agogô, Afoxé, Atabaque and Alfaia. You can listen to the sound result on the audio available for free. Ijexá is available in full version and with its individual parts.The Ijexá rhythm is a musical form originating in Afro-Brazilian culture, specifically within the traditions of the Jeje people from the former Kingdom of Dahomey (now Benin). Also known as Jexá, Jeje, or Ijeji, Ijexá is often associated with Candomblé, an Afro-Brazilian religion.The history of the Ijexá rhythm dates back to the period of slavery in Brazil when Africans of Jeje ethnicity were brought to the country as slaves. They brought with them their culture, religious traditions, and, of course, their musical expressions. Ijexá is one of the musical manifestations of these people, which developed primarily in the Northeast and Southeast regions of Brazil.The Ijexá rhythm is characterized by a steady beat and a specific rhythmic pattern. It is played in binary meter, with emphasis on the second beat. Instruments used in the execution of Ijexá include atabaques (drums), agogô, xequerê, among others. The lyrics of the songs often address themes related to religion, ancestry, and Afro-Brazilian culture.Over time, Ijexá transcended its original religious context and became incorporated into other Brazilian musical genres, such as popular music, MPB (Música Popular Brasileira), and samba. Its influence can be heard in various compositions, including those by renowned Brazilian artists.The Ijexá rhythm carries a strong cultural and symbolic significance, representing the resistance and preservation of African traditions in Brazil. It is a musical expression that remains alive and present in Brazilian culture, contributing to the diversity and richness of the country's musical heritage.More: https://musicaead.com.br/ijexa-historia-e-cultura-popular/

C Instrument - Level 1 - Digital Download SKU: A0.1310120 By Marcelo Borba. By Public Domain. Arranged by Marcelo Borba. Folk,Historic,Jazz,Multicultural,Patriotic,World. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #899258. Published by Marcelo Borba (A0.1310120). Leadsheet style with chords Vieni Sul Mar é uma tradicional canção napolitana que captura a essência do romantismo italiano. Essa melodia evoca imagens das águas cintilantes do Mar Mediterrâneo e convida o ouvinte a se aventurar em um mundo de amor e paixão.A letra da música descreve um convite apaixonado para um amante se juntar ao mar, navegando juntos em um barco, simbolizando a jornada compartilhada da vida. A melodia suave e melancólica, combinada com a lírica sedutora, faz de Vieni Sul Mar uma canção atemporal que continua a encantar os ouvintes e a celebrar a beleza da música napolitana.Esta canção icônica foi gravada por muitos artistas ao longo dos anos, e sua popularidade transcende fronteiras, tornando-a uma representante da rica herança musical italiana. Vieni Sul Mar é uma amostra cativante do romantismo da região de Nápoles e uma lembrança das maravilhas do amor e da natureza, com seu apelo duradouro que ainda ressoa com as emoções de quem a ouve.A mesma canção foi adaptada para música popular Brasileira com o nome de Oh, Minas Gerais.É uma verdadeira ode ao estado de Minas Gerais, sua cultura, paisagens e povo. Oh, Minas Gerais se tornou um hino não oficial para os mineiros e uma representação musical do amor à sua terra natal, sendo regravada por diversos artistas ao longo dos anos.Vieni Sul Mar is a traditional Neapolitan song that captures the essence of Italian romanticism. This melody evokes images of the shimmering waters of the Mediterranean Sea and invites the listener to venture into a world of love and passion. The lyrics of the song describe a passionate invitation for a lover to join the sea, sailing together on a boat, symbolizing the shared journey of life. The gentle and melancholic melody, combined with the seductive lyrics, makes Vieni Sul Mar a timeless song that continues to enchant listeners and celebrate the beauty of Neapolitan music.This iconic song has been recorded by many artists over the years, and its popularity transcends borders, making it a representative of the rich Italian musical heritage. Vieni Sul Mar is a captivating sample of the romanticism of the Naples region and a reminder of the wonders of love and nature, with its enduring appeal that still resonates with the emotions of those who listen.The same song was adapted into Brazilian popular music with the name Oh, Minas Gerais. It is a true ode to the state of Minas Gerais, its culture, landscapes, and people. Oh, Minas Gerais has become an unofficial anthem for the people of Minas Gerais and a musical representation of their love for their homeland, being re-recorded by various artists over the years.

Percussion Duet - Level 1 - Digital Download SKU: A0.1275502 By Marcelo Borba. By Public Domain. Arranged by Marcelo Borba. Country,Historic,Instructional,Multicultural,Traditional,World. Score. 3 pages. Marcelo Borba #867367. Published by Marcelo Borba (A0.1275502). This is a creative arrangement for the instrumentation: Vibes and Marimba. In this edition you will find the general sheet and the individual parts. Discover the arrangement:.

Mixed Percussion Mallet Percussion,Xylotone - Level 2 - Digital Download SKU: A0.490398 By Marcelo Borba. By Public Domain. Arranged by Marcelo Borba. Contest,Country,Festival,Multicultural,Patriotic,Traditional,World. 5 pages. Marcelo Borba #106331. Published by Marcelo Borba (A0.490398). This is a creative arrangement for the instrumentation: Violin, Xylophone and Marimba bass. In this edition you will find the general sheet and the individual parts. Discover the arrangement on Youtube: https://youtu.be/UvxvTS-yNPw.

C Instrument - Level 1 - Digital Download SKU: A0.1488197 Composed by Marcelo Motta, Paulo Coelho, Paulo Coelho De Souza, and Raul Seixas. Arranged by Marcelo Borba. Folk,Latin,Multicultural,Pop,R & B,World. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #1065081. Published by Marcelo Borba (A0.1488197). For Lead Sheet Style [Melody + Chords] Raul Seixas foi um cantor, compositor e produtor musical brasileiro, considerado um dos mais influentes e icônicos artistas do rock brasileiro. Nascido em Salvador, Bahia, em 1945, ele começou sua carreira nos anos 1960, mas foi na década de 1970 que alcançou o auge de sua popularidade. Conhecido como Maluco Beleza, Seixas era famoso por sua irreverência, letras filosóficas e misturas de rock com elementos da música brasileira, o que o diferenciava no cenário musical da época. Suas músicas abordavam temas como liberdade, misticismo, sociedade e comportamento, refletindo sua visão crítica e, muitas vezes, contestadora da realidade.A música Tente Outra Vez é uma das canções mais icônicas de Raul Seixas e faz parte do álbum Novo Aeon, lançado em 1975. Escrita em parceria com Paulo Coelho e Marcelo Motta, a canção reflete a filosofia de vida de Raul Seixas, com ênfase na perseverança, resiliência e no poder de acreditar em si mesmo, temas que são centrais na sua obra.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1488195 Composed by Marcelo Motta, Paulo Coelho, Paulo Coelho De Souza, and Raul Seixas. Arranged by Marcelo Borba. Country,Latin,Multicultural,New Age,Pop,World. Score. 13 pages. Marcelo Borba #1065078. Published by Marcelo Borba (A0.1488195). Full Score [Piano + Guitar] Raul Seixas foi um cantor, compositor e produtor musical brasileiro, considerado um dos mais influentes e icônicos artistas do rock brasileiro. Nascido em Salvador, Bahia, em 1945, ele começou sua carreira nos anos 1960, mas foi na década de 1970 que alcançou o auge de sua popularidade. Conhecido como Maluco Beleza, Seixas era famoso por sua irreverência, letras filosóficas e misturas de rock com elementos da música brasileira, o que o diferenciava no cenário musical da época. Suas músicas abordavam temas como liberdade, misticismo, sociedade e comportamento, refletindo sua visão crítica e, muitas vezes, contestadora da realidade. A música Tente Outra Vez é uma das canções mais icônicas de Raul Seixas e faz parte do álbum Novo Aeon, lançado em 1975. Escrita em parceria com Paulo Coelho e Marcelo Motta, a canção reflete a filosofia de vida de Raul Seixas, com ênfase na perseverança, resiliência e no poder de acreditar em si mesmo, temas que são centrais na sua obra.

C Instrument - Level 1 - Digital Download SKU: A0.1512163 By Tony Bennett. By Bart Howard. Arranged by Marcelo Borba. Broadway,Classical,Historic,Jazz,Musical/Show,Singer/Songwriter. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #1087204. Published by Marcelo Borba (A0.1512163). **Fly Me to the Moon** (originally titled **In Other Words**) Fakebook is one of the most iconic songs of the 20th century, especially associated with jazz and pop, and made famous by various artists, including Frank Sinatra. The song was written in 1954 by composer and lyricist Bart Howard, and since then, it has become a classic.### Origin and CompositionBart Howard wrote the song intending to create something simpler and more direct, in contrast to the more complex songs popular at the time. Inspired by the style of Cole Porter, he crafted a romantic and engaging melody. Initially, the song’s title was **In Other Words**, and the phrase Fly me to the moon was just part of the lyrics, but over time, the phrase became so memorable that the title was informally changed to **Fly Me to the Moon**.### First Recording and SuccessThe song was first recorded in 1954 by singer Kaye Ballard, but it gained wider recognition when **Peggy Lee** performed it on a television show. Numerous artists recorded their versions over the years, but the most famous recording came in 1964, when **Frank Sinatra** included his version arranged by Quincy Jones on the album *It Might as Well Be Swing*, accompanied by the **Count Basie Orchestra**.### Connection to Space ExplorationInterestingly, the song’s popularity coincided with the space exploration era. Sinatra’s recording became particularly symbolic when NASA adopted the song during the Apollo program. Sinatra's version was played during the Apollo 10 mission and was also part of the Apollo 11 playlist, the first mission that took humans to the moon in 1969.### Cultural ImpactFly Me to the Moon is a timeless song, re-recorded by countless artists in various genres and styles, including jazz, bossa nova, and even pop. Its romantic lyrics and the theme of traveling to the moon captured the imagination of generations, connecting romance, adventure, and exploration into a single package.This song is a symbol of American popular culture and the optimism of the space race era, and it is constantly associated with Sinatra's legacy and classic jazz.

Guitar - Level 1 - Digital Download SKU: A0.1512730 Composed by David Louis Newman, Jeffrey Jerald Poskin, and Marty Frasu. Arranged by Marcelo Borba. Broadway,Comedy,Film/TV,Jazz,Musical/Show,Pop. Tablature. 2 pages. Marcelo Borba #1087682. Published by Marcelo Borba (A0.1512730). LEADSHEET STYLE - with tablature The theme song of The Flintstones cartoon is one of the most recognizable and beloved TV theme songs of all time. It was composed by the legendary American composer Hoyt Curtin, who also created music for many other Hanna-Barbera cartoons.The Flintstones theme song has a jaunty, prehistoric vibe that perfectly matches the show's Stone Age setting and comedic tone. The song features a catchy melody played by a small ensemble of instruments, including saxophones, trumpets, and drums, giving it a lively and upbeat feel.The lyrics of the theme song are simple and memorable, with the iconic opening line, Flintstones, meet the Flintstones, they're the modern stone-age family. The lyrics go on to describe the daily life of the Flintstone family, including Fred, Wilma, Pebbles, and their pet dinosaur, Dino.The Flintstones premiered in 1960 and was the first primetime animated series to air on American television. The theme song, with its catchy tune and catchy lyrics, became an integral part of the show's identity and helped to establish it as a classic of animation.Hoyt Curtin's musical composition for The Flintstones theme song has endured for decades, continuing to delight audiences of all ages with its nostalgic charm and timeless appeal. It remains one of the most iconic and beloved theme songs in the history of television.

C Instrument - Level 1 - Digital Download SKU: A0.1512732 Composed by Brad Breeck, Hoyt S Curtin, Joseph Barbera, Justin Robert Bates, and William Hanna. Arranged by Marcelo Borba. Broadway,Contemporary,Early Music,Film/TV,Jazz,Musical/Show. Lead Sheet / Fake Book. 1 pages. Marcelo Borba #1087701. Published by Marcelo Borba (A0.1512732). Leadsheet style The theme song for the animated television series The Smurfs is an iconic and catchy tune that is instantly recognizable to many. The theme song was composed by Belgian musician Pierre Kartner, who is also known by his stage name Vader Abraham. Kartner composed the song in 1977 specifically for the Dutch-language animated television series called De Smurfen, which was based on the comic strip created by Belgian cartoonist Peyo.The song's original Dutch title is La la la (Het Smurfenlied), which translates to La la la (The Smurf Song) in English. The lyrics are simple and repetitive, with the chorus consisting mainly of La la la la la la followed by Smurf, smurf, smurf on, reflecting the playful and whimsical nature of the Smurfs.The success of De Smurfen led to the production of an English-language version of the series, simply titled The Smurfs, which premiered in the United States in 1981. For the English version, the theme song was adapted and sung by a group called The Hanna-Barbera Singers, with William Hanna and Joseph Barbera being the producers of the American series.Since its creation, the Smurfs theme song has become synonymous with the beloved blue characters and has remained a staple of the franchise across various adaptations, including films and subsequent television series. Its infectious melody and simple lyrics have helped it endure as a beloved piece of pop culture around.

Guitar,Voice - Level 1 - Digital Download SKU: A0.1512734 Composed by Brad Breeck, Hoyt S Curtin, Joseph Barbera, Justin Robert Bates, and William Hanna. Arranged by Marcelo Borba. Blues,Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show. Guitar Tab with Voice. 2 pages. Marcelo Borba #1087712. Published by Marcelo Borba (A0.1512734). TABLATURE STYLE - with chords The theme song for the animated television series The Smurfs is an iconic and catchy tune that is instantly recognizable to many. The theme song was composed by Belgian musician Pierre Kartner, who is also known by his stage name Vader Abraham. Kartner composed the song in 1977 specifically for the Dutch-language animated television series called De Smurfen, which was based on the comic strip created by Belgian cartoonist Peyo.The song's original Dutch title is La la la (Het Smurfenlied), which translates to La la la (The Smurf Song) in English. The lyrics are simple and repetitive, with the chorus consisting mainly of La la la la la la followed by Smurf, smurf, smurf on, reflecting the playful and whimsical nature of the Smurfs.The success of De Smurfen led to the production of an English-language version of the series, simply titled The Smurfs, which premiered in the United States in 1981. For the English version, the theme song was adapted and sung by a group called The Hanna-Barbera Singers, with William Hanna and Joseph Barbera being the producers of the American series.Since its creation, the Smurfs theme song has become synonymous with the beloved blue characters and has remained a staple of the franchise across various adaptations, including films and subsequent television series. Its infectious melody and simple lyrics have helped it endure as a beloved piece of pop culture around.

C Instrument - Level 1 - Digital Download SKU: A0.1515575 By Angelique Kidjo. By Angelique Kidjo and Jean Hebrail. Arranged by Marcelo Borba. Country,Multicultural,Pop,Ska,Traditional,World. Lead Sheet / Fake Book. 3 pages. Marcelo Borba #1089929. Published by Marcelo Borba (A0.1515575). Kelele” is a song by renowned Beninese singer Angélique Kidjo -Leadsheet Style “Kelele” is a song by renowned Beninese singer Angélique Kidjo, featured on her 2021 album Mother Nature. The song reflects Kidjo’s ongoing commitment to promoting social justice, unity, and environmental awareness, blending her powerful voice with vibrant rhythms and captivating messages.In “Kelele,” the word itself means “noise” or “clamor” in many African languages. The song is about making noise, not in the sense of chaos, but in terms of raising one’s voice and raising awareness about injustices and important causes. Angélique Kidjo often uses her platform to address critical social and political issues, and in this song, she calls on people to speak out against corruption, inequality, and climate change.The song’s rhythm is upbeat, combining Afrobeats, electronic elements, and Kidjo’s signature Afro-pop sound. The song’s dynamic energy reflects the urgency of its message: to not remain silent in the face of adversity and to take action for a better world.Within the broader context of Mother Nature, which features collaborations with a number of young African artists, Kelele fits into Kidjo’s mission to pass the torch to the next generation, empowering them to continue the fight for a sustainable, just and inclusive future.Through Kelele, Kidjo encourages a collective call to action and celebrates the power of community to address global challenges.

C Instrument - Level 2 - Digital Download SKU: A0.1499396 Composed by Joyce Silveira Moreno and Toninho Horta. Arranged by Marcelo Borba. Country,Jazz,Multicultural,Pop,R & B,World. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #1075448. Published by Marcelo Borba (A0.1499396). Leadsheet style ## Beijo Partido is a song composed by Brazilian guitarist and composer Toninho Horta, and it has become one of the most emblematic songs in Brazilian popular music, especially within the context of the Clube da Esquina movement, of which Horta was a member. The song also gained notoriety in the voice of Milton Nascimento, one of the leading figures of this movement. ### Origin and ContextToninho Horta composed Beijo Partido in 1973, during a period when he was involved with Clube da Esquina, a collective of musicians from Minas Gerais that mixed elements of Brazilian popular music, jazz, rock, and classical music. The song reflects this mix of styles, characterized by complex harmonies and a melancholic melody, elements that became Horta's trademarks.### Lyrics and MeaningThe lyrics of Beijo Partido are poetic and subjective, a common trait in the compositions of Clube da Esquina. The song talks about the end of a romantic relationship, using the metaphor of a broken kiss to describe the rupture and pain of separation. Despite its melancholic tone, the song carries an intrinsic beauty in the way sadness is expressed delicately and introspectively.### Recordings and ImpactBeijo Partido was first recorded on Toninho Horta's solo album, Terra dos Pássaros, released in 1980. The version by Milton Nascimento, which also became well-known, helped to further popularize the song. Over the years, Beijo Partido has been covered by various artists, both in Brazil and abroad, and is considered a classic of MPB (Música Popular Brasileira).***[Português] Beijo Partido é uma canção composta pelo guitarrista e compositor brasileiro Toninho Horta, e se tornou uma das músicas mais emblemáticas da música popular brasileira, especialmente no contexto do movimento Clube da Esquina, do qual Horta foi um dos integrantes. A música ganhou notoriedade também na voz de Milton Nascimento, um dos principais representantes desse movimento. ### Origem e ContextoToninho Horta compôs Beijo Partido em 1973, durante um período em que ele estava envolvido com o Clube da Esquina, um coletivo de músicos de Minas Gerais que misturava elementos de música popular brasileira, jazz, rock e música erudita. A canção reflete essa mistura de estilos, sendo caracterizada por harmonias complexas e uma melodia melancólica, elementos que se tornaram marcas registradas de Horta.### Letra e SignificadoA letra de Beijo Partido é poética e subjetiva, algo comum nas composições do Clube da Esquina. A canção fala sobre o fim de um relacionamento amoroso, utilizando a metáfora do beijo partido para descrever a ruptura e a dor da separação. Apesar de melancólica, a música carrega uma beleza intrínseca na forma como a tristeza é expressa de maneira delicada e introspectiva.### Gravações e ImpactoBeijo Partido foi gravada pela primeira vez no álbum solo de Toninho Horta, Terra dos Pássaros, lançado em 1980. A versão de Milton Nascimento, que também se tornou bastante conhecida, ajudou a popularizar ainda mais a canção. Ao longo dos anos, Beijo Partido foi regravada por diversos artistas, tanto no Brasil quanto no exterior, sendo considerada um clássico da MPB.

Piano - Level 1 - Digital Download SKU: A0.1499904 By Al Stillman. By Al Stillman and Henry Mancini. Arranged by Marcelo Borba. 21st Century,Broadway,Film/TV,Multicultural,Musical/Show,Standards,World. Score (Chords/Lyrics). 2 pages. Marcelo Borba #1075971. Published by Marcelo Borba (A0.1499904). How Soon Theme - Piano sheet music (with chords) How Soon Theme is a composition by Henry Mancini, one of the most renowned composers and arrangers of American music, especially famous for his work in film and television soundtracks. The song was composed in 1958 for the soundtrack of the film **The Return of the Gunfighter,** a Western that follows the story of a retired gunslinger who is forced back into action. Mancini's score for the film complements the atmosphere of the Old West, blending traditional elements of the genre with his unique style of composition.How Soon Theme stood out for its smooth and evocative melody, with orchestral arrangements that capture both the vastness of the Western landscapes and the emotional tones of the film. Although the film itself did not become a widely recognized classic, Mancini's music, like many of his compositions, took on a life of its own, appreciated for its artistic quality and influence in film music.