Piano Solo - Advanced Intermediate - Digital Download Composed by Louis Moreau Gottschalk (1829-1869). Arranged by Flavio Regis Cunha. Romantic Period, Ragtime, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha

String Ensemble - Level 2 - Digital Download SKU: A0.889393 Composed by Luis Artur dos Anjos Teixeira. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 1 pages. Luis Anjos Teixeira #2924269. Published by Luis Anjos Teixeira (A0.889393). Queluz is my first Duet written in 1984. Here is a digital version token from the original manuscript, played by Garritan Cellos on the Finale. The name of the piece comes from the place where I was living Queluz, a very poor suburb from Lisbon, with the highest rate of suicide in Portugal back in those times.So I did Music to fly away and it saved my soul from being exposed to such an environment. I hope this tune will help Your soul to reach the 7 skies too.It is an easy piece to play, it can be easily performed by beginners. It is a flexible piece that can be played in many different ways. The bowing can be adjusted to the intention or taste of the players.  P.S. - I am doing this Files for my beloved Minimi - She says - RAW MEAT EVERY DAY TAKES THE VETERINARIAN AWAY - This is the message from Minimi, the Stray Queen Cat. Check out uncorrupted sites (pages) like cat nutrition or Dr. Jones or Dr. Karen BeckerorDr. Mercola.This is also dedicated to my lost Father Pedro Anjos Teixeira and to my unknown Opa Luis Silveira, both great Artists and the magical source of my Life and inspiration.It was a pleasure to write it and I hope You have fun listening. Thanks a lot for taking Your time, I hope You enjoyed it too.My Love to You all, my dear Brothers and SistersSláinte !!!

Brass Ensemble Bass Trombone,Euphonium,Horn,Piccolo Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1292240 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida. 19th Century. Score and Parts. 19 pages. BitNotes.jp #882854. Published by BitNotes.jp (A0.1292240). The Overture A Midsummer Night's Dream is originally composed by the German composer Felix Mendelssohn, who was inspired by reading William Shakespeare's play A Midsummer Night's Dream. It was initially created as a piano piece for duet, intended for enjoyment with his sister Fanny. Notably, Mendelssohn himself later arranged it for orchestra in 1826 when he was just 17 years old.Fast forward 16 years, this piece took an unconventional path to composition. It was commissioned by King Wilhelm IV of Prussia at the time, and the overture became part of a larger work known as Incidental Music, where it was accompanied by other pieces, apart from the overture.The Overture A Midsummer Night's Dream begins with four chords that evoke a gentle breeze, as if beckoning you into the world of fairies, in line with the folklore that claims that on the eve of Midsummer (Walpurgis Night), fairies and witches gather for revelry. It then transitions into the theme of the fairy's fluttering wings, followed by the music of the Fairy King's palace, the lovers' theme, and passages for clowns and hunting scenes. Finally, it returns to the fairies, dancing and disappearing as if carried away by the wind.We have arranged this enchanting piece for a brass ensemble, featuring ten players (3 trumpets, 3 horns, 3 trombones, and 1 tuba). The 1st Trumpet part includes an optional switch to Piccolo Trumpet, but this is purely optional and not mandatory to perform the arrangement.Additionally, please note that the 3rd Trombone part is intended for the Bass Trombone but can also be performed using Euphonium or Tenor Bass Trombone.

String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Traditional. 14 pages. Keith Terrett #863773. Published by Keith Terrett (A0.1271373). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Trombone/Low Brass Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1271383 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 21st Century,Jazz,Standards. 14 pages. Keith Terrett #863780. Published by Keith Terrett (A0.1271383). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Saxophone Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Bassoon,Cello,Double Bass,Trombone - Level 3 - Digital Download SKU: A0.792356 Composed by David Brubeck. Blues,Jazz. 16 pages. Gordon Cherry #4806783. Published by Gordon Cherry (A0.792356). A visual stereogram represents a 3-D image while looking though a pair of 2-D images. There are special viewers that are used to give this effect where two images viewed through the special device can give a 3-D or stereographic effect. Brubeck's Stereograms for Bass Clef Instruments are musical versions of the graphic form.  Brubeck uses familiar folk melodies to create his Stereograms and adds jazzy twists to many of them. The musical version may contain two or three individual parts within a single melodic line, thus the musical 3-D Stereogram is created. Bach’s unaccompanied works have underlying multiple parts in them and Brubeck has been inspired by the Master to create a similar texture in these works. They are suitable encore pieces or performance pieces, alone or grouped into ad hoc suites.  Brubeck’s music requires rhythmic accuracy and multiple tonal colors, and are especially useful as sight reading tools to keep the performer sharp and on his/her toes. He has also added octave suggestions to allow them to be playable by the widest array of bass clef instruments Each Stereogram is dedicated to a special musical hero in Brubeck’s life. Excellent as study etudes or sight-reading pieces, Stereograms can be performed/practiced by Trombonists, Bass Trombonists, Tubists and Euphoniumists. The 13 melodies used in Volume I are: You Are My Sunshine, This Little Light of Mine, The Itsy Bitsy Spider, When the Saints Go Marching In, Just a Closer Walk With Thee, Frère Jacques, On Top of Old Smokey, If You're Happy and You Know It, London Bridge is Falling Down, Twinkle Twinkle Little Star, Jesus Loves Me, Have You Ever Seen a Lassie, Go Tell Aunt Rhody.

Orchestra - intermediate - Digital Download SKU: S9.Q16429 From the musical fairytale Pollicino. Composed by Hans Werner Henze. This edition: score. Concertino. Downloadable, score. Duration 9 minutes. Schott Music - Digital #Q16429. Published by Schott Music - Digital (S9.Q16429). A good means for amateur orchestras to approach New Music! Henze's enchanting fairytale opera Pollicino was written for the school children of the little hiltop vollage, Montpulciano, in Tuscany where he stated his famous summer workshop. It has since been performed all over the world, including two productions in England.3 Sopraninoblfl. (auch 2 Sopranblfl.) · 2 Altblfl. · Tenorblfl. · Bassblfl. · Tenorkrummhr. (od. Hr. od. ein ähnliches Instrument) · Basskrummhr. (od. Fg. od. Pos. mit Dämpfer od. ein ähnliches Instrument) - P. S. (Sopranglsp. · Altglsp. · Altmetallophon · Sopranxyl. · Altxyl. · Bassxyl. · 2 Trgl. · 3 hg. Beck. · 3 Schellentr. [ohne Schellen] · Mil. Tr. · Schellentr. · Trinidad Steel Drum [od. Altmetallophon] · gr. Tr. [mit Beck.] · Mar. · Matraca · Kast.) (5 Spieler) - 2 Git. · Harm. (od. elektr. Org.) · Klav. - Sopranpsalter (od. Org. od. Vl.) · Altpsalter (od. Org. od. Vl.) · Tenorpsalter (od. Org. od. Vl.) - Str. (Solo-Vl. · 3 · 0 · 0 · 1 · 1) Einzelbesetzungen: Musica facile I: 2 Sopraninoblfl. · 2 Altblfl. · Tenorblfl. · Bassblfl. - P. S. (Schellentr. · Mar.) (2 Spieler) - Sopranglsp. · Bassxyl. - 2 Git. - Str. (1 · 0 · 0 · 1 · 1) Musica facile II: Sopraninoblfl. · 2 Sopranblfl. · 2 Altblfl. · Tenorblfl. · Bassblfl. · Tenorkrummhr. (od. Hr.) · Basskrummhr. (od. Fag. od. Pos.) - P. S. (Trinidad Steel Drum [od. Altmetallophon]) (1 Spieler) - Sopranglsp. · Altmetallophon · Sopranxyl. · Altxyl. - 2 Git. - Sopranpsalter (od. Vl.) · Altpsalter (od. Vl.) · Tenorpsalter (od. Vl.) - Str. (3 · 0 · 0 · 1 · 1) Musica facile III: P. S. (2 Trgl. · 3 hg. Beck · 3 Schellentr. [ohne Schellen] · Schellentr. · Mil. Tr. · gr. Tr. [mit Beck.] · Mar. · Kast. · Matraca) (5 Spieler) Musica facile IV: 3 Sopraninoblfl. · 2 Altblfl. · Tenorblfl. · Bassblfl. - S. (Trinidad Steel Drum) (1 Spieler) - Altglsp. · Sopranxyl. · Altxyl. · Bassxyl. - 2 Git. - Sopranpsalter (od. Org. od. Vl.) · Altpsalter (od. Org. od. Vl.) · Tenorpsalter (od. Org. od. Vl.) - Str. (0 · 0 · 0 · 1 · 1) Musica facile V: 3 Sopraninoblfl. · 2 Altblfl. · Tenorblfl. · Bassblfl. - Altglsp. · Sopranxyl. · Altxyl. · Bassxyl. - 2 Git. - Sopranpsalter (od. Org. od. Vl.) · Altpsalter (od. Org. od. Vl.) · Tenorpsalter (od. Org. od. Vl.) Musica facile VI: 3 Sopraninoblfl. · 2 Altblfl. · Tenorblfl. · Bassblfl. - Tenorkrummhr. (od. Hr.) · Basskrummhr. (od. Fg. od. Pos.) - P. S. (Trgl. · Schellentr.) (2 Spieler) - Sopranxyl. · Altxyl. · Bassxyl. - Git. · Harm. (od. elektr. Org.) · Klav. - Sopranpsalter (od. Org.) · Altpsalter (od. Org.) · Tenorpsalter (od. Org.) - Str. (Solo-Vl. · 3 · 0 · 0 · 1 · 1).