String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Traditional. 14 pages. Keith Terrett #863773. Published by Keith Terrett (A0.1271373). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Trombone/Low Brass Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1271383 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 21st Century,Jazz,Standards. 14 pages. Keith Terrett #863780. Published by Keith Terrett (A0.1271383). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Saxophone Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Flute Solo - Level 3 - Digital Download SKU: A0.616168 By Paul Desmond. By Paul Desmond. Arranged by Leo Silva. Jazz,Pop,Standards. Individual part. 1 pages. MP Sheet Music #225326. Published by MP Sheet Music (A0.616168). Take Five is a jazz composition written by Paul Desmond and performed by The Dave Brubeck Quartet on the 1959 album Time Out. Recorded at 30th Street Studios in New York on June 25, July 1 and August 18 of the same year, the work is a composition, in the name of Joe Morello's composition if famous for its distinct melody from the solo group and for the use of Joe Morello's composition of the 5/4 bar, originates the Although it was not the composition to use this metric, it was reached the first place of jazz in the United States to reach the position of the first chart of the first compact radio in the United States, reaching the position of the great chart of the first compact radio in the country.

B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.616170 By Paul Desmond. By Paul Desmond. Arranged by Leo Silva. Jazz,Pop,Standards. Individual part. 1 pages. MP Sheet Music #225328. Published by MP Sheet Music (A0.616170). Take Five is a jazz composition written by Paul Desmond and performed by The Dave Brubeck Quartet on the 1959 album Time Out. Recorded at 30th Street Studios in New York on June 25, July 1 and August 18 of the same year, the work is a composition, in the name of Joe Morello's composition if famous for its distinct melody from the solo group and for the use of Joe Morello's composition of the 5/4 bar, originates the Although it was not the composition to use this metric, it was reached the first place of jazz in the United States to reach the position of the first chart of the first compact radio in the United States, reaching the position of the great chart of the first compact radio in the country.

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.616175 By Paul Desmond. By Paul Desmond. Arranged by Leo Silva. Jazz,Pop,Standards. Individual part. 1 pages. MP Sheet Music #225331. Published by MP Sheet Music (A0.616175). Take Five is a jazz composition written by Paul Desmond and performed by The Dave Brubeck Quartet on the 1959 album Time Out. Recorded at 30th Street Studios in New York on June 25, July 1 and August 18 of the same year, the work is a composition, in the name of Joe Morello's composition if famous for its distinct melody from the solo group and for the use of Joe Morello's composition of the 5/4 bar, originates the Although it was not the composition to use this metric, it was reached the first place of jazz in the United States to reach the position of the first chart of the first compact radio in the United States, reaching the position of the great chart of the first compact radio in the country.

Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.616171 By Paul Desmond. By Paul Desmond. Arranged by Leo Silva. Jazz,Pop,Standards. Individual part. 1 pages. MP Sheet Music #225329. Published by MP Sheet Music (A0.616171). Take Five is a jazz composition written by Paul Desmond and performed by The Dave Brubeck Quartet on the 1959 album Time Out. Recorded at 30th Street Studios in New York on June 25, July 1 and August 18 of the same year, the work is a composition, in the name of Joe Morello's composition if famous for its distinct melody from the solo group and for the use of Joe Morello's composition of the 5/4 bar, originates the Although it was not the composition to use this metric, it was reached the first place of jazz in the United States to reach the position of the first chart of the first compact radio in the United States, reaching the position of the great chart of the first compact radio in the country.

Violin Solo - Level 3 - Digital Download SKU: A0.616169 By Paul Desmond. By Paul Desmond. Arranged by Leo Silva. Jazz,Pop,Standards. 1 pages. MP Sheet Music #225327. Published by MP Sheet Music (A0.616169). Take Five is a jazz composition written by Paul Desmond and performed by The Dave Brubeck Quartet on the 1959 album Time Out. Recorded at 30th Street Studios in New York on June 25, July 1 and August 18 of the same year, the work is a composition, in the name of Joe Morello's composition if famous for its distinct melody from the solo group and for the use of Joe Morello's composition of the 5/4 bar, originates the Although it was not the composition to use this metric, it was reached the first place of jazz in the United States to reach the position of the first chart of the first compact radio in the United States, reaching the position of the great chart of the first compact radio in the country.

Violin Solo - Level 2 - Digital Download SKU: A0.767778 By Paul Desmond. By Paul Desmond. Arranged by Ellen Harle. Jazz. 5 pages. Fireworks Music #4366492. Published by Fireworks Music (A0.767778). Take Five, originally performed by the Dave Brubeck Quartet, is a well known piece unusually written in 5/4 time. It is arranged here for intermediate violin and piano.