Choral Choir (SATB) - Digital Download SKU: A0.1003862 Composed by Larry A. Schacher. 20th Century,Christian,Rock. Octavo. 43 pages. Larry A. Schacher #3110167. Published by Larry A. Schacher (A0.1003862). 2017 Choral contest.‘Genesis’ is a major choral work based on the book of Genesis from the bible. ‘Genesis’, my choral work, is retelling the story of creation with a mixture of 20th century classical music at the beginning and morphing into rock and roll, with a glorious ending praising God. A different recording with voice over lyrics is available at: https://soundcloud.com/larry-schacherLarry Schacher is a multi-instrumentalist, vocalist, arranger and composer. Larry is fluent on piano, sax, clarinet, flute, guitar and bass. While in college, Larry also learned the violin, viola, trumpet, trombone, and bassoon.Larry taught public school music, and gifted classes in music for high schoolers at Eastern Oregon University, and Montana State; Larry also taught adult classical and folk guitar classes at Mt. Hood Community College. Larry also developed a rock and roll boot camp for middle schoolers that ran for several years during spring breaks at the Overlake School in Redmond, Wa. Larry was commissioned to to write the Overlake School anthem. Larry’s students have earned scholarships to the Berkeley School of music; attended the Thornton School of music; New York University and many others. Larry is a recording studio musician and besides the 5 albums he has published on CDbaby, he has appeared on many other albums, produced jingles for commercials that received air play in the Seattle market, and was the pianist for a syndicated gospel TV show. Larry has performed from Hawaii to New York city. One of Larry’s fondest memories is writing and conducting an arrangement of our national anthem that was sung by Seattle Opera at a Sonics/Sun basketball game.  https://store.cdbaby.com/cd/larryschacher2http://fandalism.com/mystro1020https://soundcloud.com/search?q=Larry%20Schacher

SATB choir and organ, optional C instrument or chamber orchestra, and optional congregation - Medium - Digital Download SKU: MQ.60-8010-E Composed by Peter Latona. Feast of the Holy Family. Downloadable choral score. 8 pages. MorningStar Music Publishers - Digital Sheet Music #60-8010-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-8010-E). English. Genesis 15:5.This gentle, expansive hymn tune is a fitting vehicle for the text inspired by Genesis 15:5, which cites God's promise to Abraham that his descendants will be as countless as the stars. Written for the Papal Mass in Philadelphia on September 27, 2015, it can be performed simply with organ and oboe, or with organ and chamber orchestra; congregation joins in on the final two stanzas.

Piano Solo - Level 4 - Digital Download SKU: A0.818229 By Stephen R Dalrymple. By Isaac Watts and Lowell Mason (from George Frederick Handel). Arranged by Stephen R Dalrymple (Dalrymple Designs). Christmas. Score. 14 pages. Stephen R Dalrymple #3087649. Published by Stephen R Dalrymple (A0.818229). Joy to the World with The Hallelujah Chorus ♫ piano solo arrangement by Stephen R Dalrymple ♫ based on the public domain hymn by Isaac Watts and Lowell Mason (from George Frederick Handel) ♫ Isaac Watts published the lyrics in 1719. We credit Isaac Watts for helping to popularize “hymns� over “Psalms� in Protestant churches in the 18th Century. The texts of “Psalms� came directly from the Bible; “hymns� were more interpretive and reflective. Whether to allow the use of hymns rather than Psalms in church was a controversial topic of the 17th and 18th centuries! ♫ Watts used Psalm 96 and 98 with Genesis 3 to create the lyrics of Joy to the World. For over a hundred years, the lyrics were sung to various Psalm tunes. ♫ Lowell Mason published our current version with the melody ANTIOCH in 1848. He attributed the melody to George Frederick Handel by Lowell. We can find several fragments of this melody in Handel’s music, there is no complete statement of the melody in Handel. And so ANTIOCH is now attributed to Mason. ♫ The Hallelujah Chorus serves as the introduction and the conclusion of this arrangement. It was first published within Messiah, an oratorio by George Frederick Handel in 1741. The lyrics were created by Charles Jennens from the King James Bible. ♫ “The Lord is come� is the present perfect tense. It seems archaic, yet the present perfect tense has a distinct meaning. It points to a current action that is sustained. It isn’t just that Christ came in the past. But that Christ came and is still here with us. ♫ music © 2017 (copyright registered in 'I See your Glory’ collection) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the composer ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ A duplicate YouTube video in English is available under the title Joie dans le monde https://youtu.be/QrcR5GaKzW4♫ @DalrympleDesigns.

String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.

Piano Solo - Level 5 - Digital Download SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726553. Published by Niska Music Publishing (A0.1125813). Another arrangement that had its genesis as a vocal chart for Five By Design. However, this piece went on to be performed in our holiday show, “A Winter’s Evening.� I have always loved the Gustav Holst melody to Christina Rossetti’s poem, subsequently it was that setting that I chose to arrange for our group. When I was selecting pieces for my second collection of Christmas Preludes, I knew this would be among them. The piece starts out quite gently, and in my mind’s ear I hear a cello and oboe establishing a mood of utter serenity and calm as the snow gently falls outside the frost-covered window. Soon the oboe is joined by a clarinet as they play a duet while the cello continues the gentle sway of eighth notes. For the pianist, there must be great control of the left hand to keep it as calm as possible while the melody floats above, just as the snow falls to the earth. As the second verse begins, the right hand now plays a triplet pattern beneath the melody. It is a gentle breeze, stirred by the wings of angels and cherubim, upon which the crystalline flakes swirl and dance in the cold night air. All the while the left hand continues its steady motion of eighth notes. Halfway through the triplet pattern moves to the left hand and the right hand takes up the eighth notes while still keeping the melody above all. The verse comes to a close with a slowing of the tempo to emphasize the importance of what the poet states in the last lines of the poem: “Yet what I can I give Him, — Give my heart.� It is all that any of us can do, and all that we are asked to do.

Organ - difficult - Digital Download SKU: S9.Q6228 Poème symphonique. Transcription by Jean Guillou. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Organ - Symphonic Poem - transcription. Downloadable. Duration 14' 30. Schott Music - Digital #Q6228. Published by Schott Music - Digital (S9.Q6228). German • English • French.Orpheus is one of 12 symphonic poems composed by Franz Liszt between 1848 and 1858. Liszt regarded these compositions as representing a higher form of musical creation. Their genesis in what he described as a poetic idea allowed him to favour freedom of expression over the constraints of form. The score of 'Orpheus' was first performed on 16 February 1854, under the baton of the composer, as the curtain rose for a production of Gluck's opera 'Orpheus' in Weimar. It had been inspired in particular by the contemplation in the Louvre museum in Paris of an Etruscan vase despicting Orpheus as a symbol of beauty and civilisation, mitigating the brutality of the world through the power of his art. This symphonic poem was first transcribed for organ in about 1860 by Alexander Wilhelm Gottschalk (1827-1908), one of Liszt's pupils. It appears that Liszt was moved to make radical modifications to that version, in spite of which it still remains unsatisfactory. It does, however, give us the benefit of proving that Liszt, who also transcribed the work for piano duet, was not against the idea in itself of a transcription for organ. Jean Guillou's transcription is more than a simple adaptation. As far as Romantic music is concerned, he is responsible for finding appropriate equivalents to the dramatic function of instrumentation to create an atmosphere which comes as close to that of the original composition as possible, to enrich the contrapuntal texture and to contribute to the simulation of the orchestral sound.

Small Ensemble,Strings Alto Saxophone - Level 4 - Digital Download SKU: A0.1043322 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 8 pages. Kevin Riley #648012. Published by Kevin Riley (A0.1043322). You Are So Beautiful is a song written by Billy Preston and Bruce Fisher that was first released in 1974 on Preston's ninth studio album, The Kids & Me. It was also the B-side of his single Struttin'. Later that same year, English singer Joe Cocker released a slower version of the song on his album I Can Stand a Little Rain. Cocker's version was produced by Jim Price, and released as a single in November 1974. It became Cocker's highest charting solo hit, peaking at number five on the United States' Billboard Hot 100 (Cocker's biggest hit on the pop chart was Up Where We Belong, a duet with Jennifer Warnes from the 1982 film An Officer And A Gentleman, which reached number 1), and at number four on Canada's Top Singles chart. Some sources credit Dennis Wilson of the Beach Boys with contributing to the song's genesis. Wilson performed the song live with the Beach Boys from the late 1970s onwards. Kenny Rankin, Ray Stevens, Kenny Rogers, Bonnie Tyler and Brian Kennedy are also among the artists who have covered You Are So Beautiful. The song has also been featured in numerous movies, television shows, and ads.

Small Ensemble,Strings Oboe - Level 4 - Digital Download SKU: A0.1043310 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 8 pages. Kevin Riley #647999. Published by Kevin Riley (A0.1043310). You Are So Beautiful is a song written by Billy Preston and Bruce Fisher that was first released in 1974 on Preston's ninth studio album, The Kids & Me. It was also the B-side of his single Struttin'. Later that same year, English singer Joe Cocker released a slower version of the song on his album I Can Stand a Little Rain. Cocker's version was produced by Jim Price, and released as a single in November 1974.It became Cocker's highest charting solo hit, peaking at number five on the United States' Billboard Hot 100 (Cocker's biggest hit on the pop chart was Up Where We Belong, a duet with Jennifer Warnes from the 1982 film An Officer And A Gentleman, which reached number 1) and at number four on Canada's Top Singles chart. Some sources credit Dennis Wilson of the Beach Boys with contributing to the song's genesis.Wilson performed the song live with the Beach Boys from the late 1970s onwards. Kenny Rankin, Ray Stevens, Kenny Rogers, Bonnie Tyler and Brian Kennedy are also among the artists who have covered You Are So Beautiful. The song has also been featured in numerous movies, television shows, and ads. This version is for String Quartet and Oboe.

Soli: SSATB – Chor: SATB – 2./2Blfl.2.0.0. – 0.2.0.0. – Pk – 2Vl.2Va.Vc – Bc(Org) mixed choir (SATB) with solo parts (SSATB) and orchestra - intermediate - Digital Download SKU: S9.Q588709 Composed by Marc-Antoine Charpentier. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Von den 4 erhaltenen Vertonungen des Te Deum von Charpentier ist dieses zweifellos sein berühmtestes Werk, bekannt als Eurovisions-Erkennungsmelodie. Downloadable, Study score. Duration 27 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q588709. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q588709). Of the 4 surviving settings of the Te Deum by Charpentier, the present one composed in the 'joyeux et très guerrier' key of D major, is undoubtedly his most famous work, thanks to television producers who chose its opening prelude to be the Eurovision signature tune in the early 1950s. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Te Deum but it has been suggested that it may have been performed during the celebrations of the military victory of Steinkerque (3 August 1692). It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687.

Soli: SSATB – Chor: SATB – 2./2Blfl.2.0.0. – 0.2.0.0. – Pk – 2Vl.2Va.Vc – Bc(Org) mixed choir (SATB) with solo parts (SSATB) and orchestra - intermediate - Digital Download SKU: S9.Q22898 Composed by Marc-Antoine Charpentier. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 27 minutes. Schott Music - Digital #Q22898. Published by Schott Music - Digital (S9.Q22898). Of the 4 surviving settings of the Te Deum by Charpentier, the present one composed in the 'joyeux et très guerrier' key of D major, is undoubtedly his most famous work, thanks to television producers who chose its opening prelude to be the Eurovision signature tune in the early 1950s. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Te Deum but it has been suggested that it may have been performed during the celebrations of the military victory of Steinkerque (3 August 1692). It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687.

Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.669209 By Daniel Kelley. By Franz Joseph Haydn. Arranged by Daniel Kelley. Classical,Instructional,Sacred,Traditional,Wedding. Score and parts. 4 pages. Last Resort Music Publishing #278204. Published by Last Resort Music Publishing (A0.669209). Composed originally as a chorus for Haydn’s The Creation, the triumphant The Heavens are Telling was first performed in 1779. With text taken from Genesis as well as Milton’s Paradise Lost, this exuberant work is not merely a Classical standard, but a thrilling masterpiece. Playable by Viola & Cello Duet, Viola & Bassoon Duet Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.

Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.669212 By Daniel Kelley. By Franz Joseph Haydn. Arranged by Daniel Kelley. Classical,Instructional,Sacred,Traditional,Wedding. Score and parts. 4 pages. Last Resort Music Publishing #278208. Published by Last Resort Music Publishing (A0.669212). Composed originally as a chorus for Haydn’s The Creation, the triumphant The Heavens are Telling was first performed in 1779. With text taken from Genesis as well as Milton’s Paradise Lost, this exuberant work is not merely a Classical standard, but a thrilling masterpiece. Playable by Two Cellos, Two Bassoons, Cello Duet, Bassoon Duet, Cello & Bassoon Each duet is published in score form (both parts on the same page) so that the players can play from the same part. All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.