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Piano Solo - Level 2 - Digital Download SKU: A0.1408324 Composed by Matthew Colson. 21st Century,Classical,Contemporary,Romantic Period. Score. 3 pages. Matthew Colson #990907. Published by Matthew Colson (A0.1408324). 2023/4 is a collection of 11 pieces for solo piano. They are all written in ¾ time and were composed throughout 2023.“Patience is the eighth piece from 2023/4. I started this piece back in July after a therapy session. I shelved it as I didn't know where to take it at the time, and brought it back later in the year, where I finished it.I generally do not put pedal markings in my music - please use pedals (sustain & una corda) at your discretion. About the composer:Matthew Colson is a hobby composer from New England. He began writing little piano pieces in 2003. Since then, he has written several pieces, ranging from piano to orchestral. His music has been performed live in the United States and Australia. To listen to his original compositions, please visit his YouTube page: EmceeMusic42If you perform my music, I’d love to hear it! For any business or personal correspondence: emceemusic42@gmail.com.
2023/4: 8. Patience
Piano seul

$2.50 2.15 € Piano seul PDF SheetMusicPlus

Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 40 pages. Luis Anjos Teixeira #3478441. Published by Luis Anjos Teixeira (A0.889414). Celtiberian Fantasy For Harp And Strings written for the - 2018 Chamber Music Contest Entry. Dear music Lovers and Friends.  Celtiberian Fantasy was designed to be performed by a group of five artists, or even seven, nine, one thousand or more!  Any kind of diatonic Harp can be used to perform this piece.  The harp part can also be performed as a solo piece.  When performing the piece solo and according to the size of the harp or the needs of the artist of course, it is possible to transpose the left hand part an octave lower and to open many of its chords or adding a bass without damaging the caracter of the music. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it is written. The double bass is a soloist but it can be reenforced with a cello. Otherwise the cello joins the ensemble only in the „Tutti. However in the absence of a Double bass, than should the cello take its part. A Cello should always be present in the case that a little stringed orquestra performs the piece. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform by experienced artists. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale.  The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is a Harp Quintet with a Double Bass instead of a Cello. Another audio version with the full orquestra will be found in sound cloud at „Anjos Teixeira Music. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
Celtiberian Fantasy For Harp and Strings

$28.99 24.88 € PDF SheetMusicPlus

Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
Eternal Bridge For Oboe Harp And Strings

$25.00 21.46 € PDF SheetMusicPlus

Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1310119 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary,Singer/Songwriter. Full Performance. Duration 373. David Warin Solomons #899257. Published by David Warin Solomons (A0.1310119). Music composed and performed by David W SolomonsThis setting is the first song that I wrote in Strasbourg in 1976, where I met the poet Marie Keyser, who features in this video.Her poem is about the angst of adolescence. She is a scholar of German poetry and in particular the works of Hölderlin.The poem is as follows Entends mon chant d'exil et comme avec patience ensevelie en terre hostile je désapprends la respiration l'instant et toute presence humainedu royaume au bord du tempsils m'ont arrachée de l'aubeet maintenant le temps sévitle mal de terre est profondjamais la nuit n'atteint l'auroreinachevés abolis nous reposonsmais je me souviensentends mon chant d'exil et le déchirementau royaume lointain au bord du tempss'accomplit la naissance et le premier vertige de voir d'entendre et de de toucher le mondeploie l'adolescence alanguie enclose en ellel'île à fleur de mer au chant d'écume éphemère et renouveléet l'envol s'accomplit vers le point d'aubeoù le premier chant indécis de la grive musiciennedélie les sources dormeuses,le vent et l'envie d'allerles arbres vont en cortège devantentends mon chant de retour et le cheminement....mais pourquoi l'exil revient-il, briser l'allégeancecondamner les jardins et les demeures et dicter à nouveau l'errancej'entends par mes déchiruresles rumeurs humaines et l'arrêt de mort de l'instant convalescentils m'ont arrachée de l'aube....tu dis que le château entre les bouleaux frêles regarde la vallée entièrede l'aube à la nuitet déjà ériges la touroù dormir ou demeurer où vivre déliée de la mélancholiemais les fleurs dorment sous la terresemées par milliers dans le jardin balsamaire.
Elégie de Marie (Mary's Elegy) (mp3)
David Warin Solomons
$4.50 3.86 € PDF SheetMusicPlus

Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889415 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 18 pages. Luis Anjos Teixeira #3479405. Published by Luis Anjos Teixeira (A0.889415). Dear music Lovers and Friends. Gnome`s Dream revealed in the2018 Chamber Music Contest Entry.    Gnome`s Dream was designed to be performed by a group of five artists, or even seven, nine, one thousand or more!  Any kind of diatonic Harp can be used to perform this piece.  When playing the harp with the rest of the ensemble it might be better to perform it mostly as it was written.  In the absence of a Double bass, than should the cello take its part. In the case of an ensemble with more artists where we have already formed a bowed stringed orquestra, The double bass while playing the introduction of the piece remains a soloist and it will than be reenforced with a cello while the other bowed instruments are also playing. It would be good to tune the E string of the double bass down to a D but if this is not possible than simply play the lower „D notes one octave higher. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale.  The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is here presented as a Harp Quintet. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
Gnome`s Dream For Harp And Strings

$16.44 14.11 € PDF SheetMusicPlus






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