String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.520963 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Sherry Lewis Publishing. Pop,Rock. 21 pages. Sherry Lewis Publishing #3360811. Published by Sherry Lewis Publishing (A0.520963). CHASING CARS String Trio for 2 violins and cello or violin, viola and celloIntermediate LevelScore: 11 pagesParts: 8 pages Time: 4'08MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!

Violin Solo - Level 3 - Digital Download SKU: A0.520965 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Sherry Lewis. Pop,Rock. 6 pages. Sherry Lewis Publishing #3363213. Published by Sherry Lewis Publishing (A0.520965). CHASING CARS Solo ViolinIntermediate LevelScore: 0 pagesParts: 3 pages Time: 4'08MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!

Piano Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.521745 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Sherry Lewis. Pop,Rock. 24 pages. Sherry Lewis Publishing #6417635. Published by Sherry Lewis Publishing (A0.521745). CHASING CARS String Orchestra for 2 violins, viola, cello and string bass chords such as C, Em, etc. Intermediate Level Score: 12 pages Parts: 9 pages  Time: 4'08 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts  however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups.  AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations.  ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533604 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 7 pages. Musik Fabrik Music Publishing #3030521. Published by Musik Fabrik Music Publishing (A0.533604). I. Each TwigII. Above the EmbersIII. Beneath the SkylarkIV. Morning MistV. Snow Covered CornfieldVI. Night JourneyVII. Finding the SkySeven Haiku (2005) for voice and piano was written for Amanda Elizabeth Forsythe and Edward Elwyn Jones, on the occasion of their wedding, June 4, 2005. The work consists of seven short settings of contemporary haiku by Hilary Tann (b. 1947). The seven movements follow each other without pause and should always be performed in theirentirety.

Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.775984 Composed by Carson Cooman. Contemporary,Standards. 8 pages. Musik Fabrik Music Publishing #2035117. Published by Musik Fabrik Music Publishing (A0.775984). Brief Vibrations (2010) was written for and is dedicated to Jonathan Mark Roberts. The cycle comprises settings for unaccompanied voice of poems by Elisabeth T. Eliassen (b. 1961) from the collection Brief Encounters With Fluidity (2008). I. Kairos II. Stillness Sings III. Within the Embrace IV. Spring Rain V. The Vine VI.Vibrations Performance notes: These songs may be performed by any vocalists of any voice type or sex. They may also be performed in any transposition. However, all songs performed must be transposed in exactly the same manner. Though a performance of all six songs is highly preferred, smaller groupings or individual songs may be performed, particularly if the performance is not in concert. Throughout all songs, exceptional sensitivity, expressivity, and freedom is necessary to project a compelling performance. There should never be any sense of metronomic rigidity. The music serves to express and declaim the text, and this should be the driving force in shaping any interpretation.

Piano Solo - Level 4 - Digital Download SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601. Published by Musik Fabrik Music Publishing (A0.533554). I. (Flowing)II. (Fast, nimble)III. (Funereal) (in memoriam Donald Martino)IV. (Dancing)V. (Distant, echoing) (for Richard and Dee Wilson)VI. (Moderate, singing, with humor) (for Michael Finnissy)VII. (Slow, very lyrical)VIII. (March)IX. (Envoi: Very slow, from afar)Nine Preludes (2007) for piano was written for and is dedicated to pianist Marilyn Nonken; it was commissioned byRichard Mason.Although the work is composed as a set of discrete movements, the preludes are very much interconnected, as motivicand developmental ideas run throughout the entire set. The basic musical material (founded upon collections of minorand major thirds) is shared among all nine movements. An elegiac quality runs throughout the work.The first prelude (Flowing) is inspired by the piano music of Johannes Brahms, whose contributions to the instrument’sliterature have been a significant and ongoing influence on my work.The second prelude is fast and bright. Consistent staccato textures are maintained as the two hands intertwine.The third prelude (Funereal) is dedicated to the memory of American composer Donald Martino (1931–2005). The musicrefers very obliquely to Martino’s setting of Robert Herrick’s poems of death and eternity in The White Island (1985).The fourth prelude (Dancing) is light and buoyant. After a melodic middle section, the opening music reverses itself to theend.The fifth prelude (Distant, echoing) is dedicated to Richard and Dee Wilson. Through large blocks of sustained sound (bothquiet and loud), the movement explores certain harmonic colors of the piano.The sixth prelude (Moderate, singing, with humor) is dedicated to English composer Michael Finnissy. The opening ismarked “like an ‘off-kilter’ folk song,â€� and this original melody is subjected to a variety of transformations and textures.The rhythmic patterns are constantly in flux.The seventh prelude (Slow, very lyrical) is melodic and passionate, with a nocturnal character. The middle builds to anintense climax before dying away.The eighth prelude (March) is spiky and crisp. In the trio, the march theme is turned first into a tonal ballad beforegradually transforming back into the language of the march. A faster reprise of the opening music follows.The ninth prelude (Envoi: Very slow, from afar) is an elegaic “farewell.â€� Romantic gestures and harmonies try to assertthemselves before the music dies away.Performance Note: Although it is preferred that the entire set of nine preludes be played in concert, individual preludes (or smallerassembled groupings) may be performed when necessary for programming needs. If the entire set is played, however, the order of thepreludes should not be changed. The movements should be listed in the program in the format shown at the top of this page.Recorded by Donna Amato on Carson Cooman: Piano works  ALTARUS AIR-CD-9015

Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€�Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpackâ€� themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts.  The score plus solo part are for sale as another item.  Individual parts are also for sale.

Trumpet Solo - Level 3 - Digital Download SKU: A0.775966 Composed by Carson Cooman. Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2034727. Published by Musik Fabrik Music Publishing (A0.775966). Newton Antiphonies (2008) for two or more trumpets was composed for the First Unitarian Society in Newton, Massachusetts on the occasion of its 160th anniversary in November 2008. The score of the work consists of seven cells, each with a different tempo. It is important that the distinct tempo and character of each cell be observed. Other than starting points (as described below), no rhythmic coordination between the performers should be attempted in any way. A performance should begin with the first trumpet playing cell #1. When he reaches the point in the cell marked with an asterisk (*), the second player begins playing cell #1. Once the first player has finished cell #1, after a brief pause, he may choose any one of the other six cells to play next. When the second player has reached the point in cell #1 marked by the asterisk, the third player begins cell #1, continuing after a pause to whichever cell he has chosen next. This thus continues in this same manner for each trumpet. Ideally, the piece will last between 2 and 5 minutes, although if there are an exceptionally large number of trumpets used, it may be longer. Each player thus always begins with cell #1 and after finishing it, plays the remaining cells in any order he chooses, not repeating any and pausing briefly between each one. Once finished with playing all seven, the player stops. When only one player (the last player) is left playing his final cell (and ideally at the point marked with the asterisk in whichever cell he is playing), the first trumpet should begin playing cell #7 again. Thus, the first player will always end the piece alone with cell #7, which is the only repetition of a cell that occurs in the context of performance. The composer recommends between 4 and 6 trumpets for an ideal performance, however any number (two or more) is acceptable. It is also strongly requested that the trumpets surround the audience antiphonally. The work may be performed on any matched trumpets (i.e., do not mix C and Bb instruments).

Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.� Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack� the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part.  The complete parts and seperate parts are available for sale on this site.

Flute, Flute Choir: 3 Flutes, Alto Flute (alt. c-part included), Bass Flute, opt. Contrabass Flute - Intermediate - Digital Download By Andy Williams. Arranged by Phyllis Avidan Louke. Score, Set of Parts. 13 pages. Published by Louke Publishing

Organ - Level 3 - Digital Download SKU: A0.1151360 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Sacred,Wedding. Score. 49 pages. James M Stevens Music ASCAP #751546. Published by James M Stevens Music ASCAP (A0.1151360). This is a collection of 16 original organ solos written in 2022 in lyrical and meditative styles. The YouTube video is Carson Cooman's recording of the first piece, Andante Arioso, while the MP3 recording is of the 2nd piece The Call of Home. Every piece is also available separately. James Michael Stevens is a prolific composer residing in Nashville, TN and whose organ works are performed around the world.

Instrumental Duet,Piano Bassoon,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.533705 Composed by Carson Cooman. Children,Contemporary. Score and parts. 16 pages. Musik Fabrik Music Publishing #3039007. Published by Musik Fabrik Music Publishing (A0.533705). I. Cloud SongII. Bear SongPooh’s Serenade (2002) for bassoon, cello, and piano was commissioned by hrCMEfor Arts First 2002. The work is dedicated to Lembit Beecher, in appreciation forwhat he has done for the ensemble. The “Pooh� of the title is, of course, Winnie-the-Pooh, the lovable bear from A. A. Milne’s books of stories, Winnie-the-Pooh (1926)and The House at Pooh Corner (1928).The work is cast in two short movements. The basic musical material is sharedbetween the movements. Each is inspired by a different one of Pooh’s “songs.� Thefirst movement, Cloud Song, was inspired by Pooh’s song as he pretends to be acloud, floating through the air tied to a balloon – attempting to fool some bees as hesteals their honey. The second movement, Bear Song, is inspired by one of Pooh’shappiness songs: “Sing Ho! for the life of a Bear!“This work may be performed in one of two ways: (1) The movements may be playedtogether as a chamber piece. The notes above should be printed in the program – andpossibly the texts as well. (2) A narrator could be used to read the poems before theplaying of each movement – and perhaps read also some extracts (to provide contextfor the poems) from the Milne stories.

Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1113567 By Man Of La Mancha. By Joe Darion and Mitch Leigh. Arranged by Phyllis Avidan Louke. Broadway,Film/TV,Musical/Show,Standards. 12 pages. Louke Publishing #715479. Published by Louke Publishing (A0.1113567). Low Flute Ensemble The Impossible Dream from Man of La Mancha Program Notes The Impossible Dream (The Quest) is the most popular song from the 1965 Broadway musical Man of La Mancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh, with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter’s Hall of Fame. I have always found the lyrics of The Impossible Dream extremely moving: To dream the impossible dream To fight the unbeatable foe To bear with unbearable sorrow And to run where the brave dare not go To right the unrightable wrong And to love pure and chaste from afar To try when your arms are too weary To reach the unreachable star This is my quest To follow that star No matter how hopeless No matter how far To fight for the right Without question or pause To be willing to march, march into Hell For that Heavenly cause And I know if I'll only be true To this glorious quest That my heart will lie peaceful and calm When I'm laid to my rest And the world will be better for this That one man, scorned and covered with scars Still strove with his last ounce of courage To reach the unreachable star This arrangement for Low Flute Ensemble can be performed with as few as 5 players or a full flute choir with multiple players on a part. It is scored for 3 alto flutes, 2 bass flutes, and optional contrabass flute. Broadway Movies Popular Ballad Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com. A list of Phyllis Louke’s SMP publications with full length recordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/.

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736270 Composed by Mitch Leigh. Arranged by Phyllis Avidan Louke. Film/TV,Pop. 12 pages. Louke Publishing #3489035. Published by Louke Publishing (A0.736270). 2018 Chamber Music Contest EntryThe Impossible Dream from Man of La ManchaProgram Notes Low Flute Ensemble The Impossible Dream (The Quest) is the most popular song from the 1965 Broadway musical Man of La Mancha and is also featured in the 1972 film of the same name.  The song was composed by Mitch Leigh, with lyrics written by Joe Darion.  It was awarded the Contemporary Classics Award from the Songwriter’s Hall of Fame. This arrangement for Low Flute Ensemble can be performed with as few as 5 players or a full flute choir with multiple players on a part.  It is scored for 3 alto flutes, 2 bass flutes, and optional contrabass flute.  I have always found the lyrics of The Impossible Dream extremely moving: To dream the impossible dream, To fight the unbeatable foe, To bear with unbearable sorrow, To run where the brave dare not go. To right the unrightable wrong, To love pure and chaste from afar, To try when your arms are too weary, To reach the unreachable star. This is my quest, To follow that star No matter how hopeless, No matter how far. To fight for the right Without question or pause, To be willing to march Into hell for a heavenly cause. And I know if I'll only be true To this glorious quest That my heart will be peaceful and calm When I'm laid to my rest. And the world will be better for this, That one man scorned and covered with scars Still strove with his last ounce of courage. To fight the unbeatable foe. To reach the unreachable star. BroadwayMoviesPopularBalladMusicals Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit.  www.phyllislouke.com   A list of Phyllis Louke’s SMP publications with full length recordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/  

String Orchestra - Level 3 - Digital Download SKU: A0.775953 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 27 pages. Musik Fabrik Music Publishing #2033577. Published by Musik Fabrik Music Publishing (A0.775953). Concerto in modo antico (2011) for recorder and strings was commissioned by and is dedicated to recorderist John Turner. The five movements of the work draw upon stylistic elements of Medieval and Renaissance music. I. Estampie II. Aria III. Echo Gigue IV. Ground (in memoriam Lee Hoiby) V. Estampie da capo Orchestra details: A small string orchestra is suggested. String quintet may be used if necessary (although the first violin part in the second movement will be nearly entirely double stops). Though it is not preferred, the recorder may be discretely amplified if necessary, particularly if using a large string orchestra. A piano reduction is provided primarily for rehearsal purposes. If absolutely necessary, the work may be performed in concert with piano, although the string scoring is vastly preferred.