Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.880286 By Thelonious Monk. By Thelonious Monk. Arranged by Matt Falker -- Anchor Music. Jazz. Octavo. 11 pages. Anchor Music #4627703. Published by Anchor Music (A0.880286). A very fun and accessible classic bebop tune. Features some SSATB harmonies, but also a lot of unison, two part and three part throughout. A great way to introduce your choir to a few five-part harmonies without overwhelming them! Great opportunity to show off your hippest scatters and rhythm section, as the solo form is over rhythm changes. Plus a fun little surprise at the end!Vocal range: Bb2 – F4. Included: vocal score, piano/guitar combo part, bass/drums combo part.Performance track (no vocals) – available at matfalmusic.com/charts. Individual part tracks – available at matfalmusic.com/charts. Demo performed by Epicenter – Cal State Northridge Vocal Jazz Ensemble (Matt Falker, director)Get all the latest vocal jazz releases at anchormusic.com!facebook.com/anchormusicpub -- soundcloud.com/ampjazz -- vocaljazzacademy.com

C Instrument - Level 4 - Digital Download SKU: A0.1191928 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #791437. Published by John Fries (A0.1191928). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. This song began life in 1930 as a nine-bar phrase with the working title There's No Stopping Me Now.  Its title phrase Nice work if you can get it came from an English magazine.  It was one of nine songs the Gershwin brothers wrote for the movie A Damsel in Distress in which it was performed by Fred Astaire with backing vocals by The Stafford Sisters.  The song was published in 1937.  The first jazz recording of the work was by Tommy Dorsey three weeks after the release of the film.  The song was recorded by many jazz singers and adopted by bebop instrumentalists; Jerry Newman recorded pianist Thelonious Monk performing the tune in 1941 at Minton's Playhouse, a nightclub closely connected with early bebop, and he subsequently recorded it several times.