Level 4 - Digital Download SKU: A0.1114067 By Budapest Scoring String Quartet. By David Warin Solomons. Classical,Comedy,Contemporary. Full Performance. Duration 136. David Warin Solomons #715968. Published by David Warin Solomons (A0.1114067). Instrumental quartet based on my choral piece The Choir in the Rain which is a sequence of limericks written and set to music by the composer imagining the scene if a choir were made to sing in the rain, complete with colds, coughs, sneezes and fever. Original limericks: (Introductory words: pitter patter pom etc) Our conductor was trying to train our choir to sing in the rain the music got wet and to our great regret we finally had to refrain So all of us went back indoors and we sang from our poor dripping scores but the audience cheered as we persevered and demanded sev'ral encores It was then that we all started sneezing the basses were coughing and wheezing The altos in harm'ny sniffed not very calmly but the audience thought we were teasing The Sopranos then noticed their dresses were shrinking and causing distresses the buttons they popped and the tenors they hopped as those buttons shot right past their faces It seemed that the choir was dissolving and the room started slowly revolving we'd all caught a cough it near carried us off as the fever we'd got was evolving We finally reached the last ditty in that chilly and rain sodden city oh we're told that in Spain it just rains on the plain but here it soaks both plain and pretty Performed by Violin 1: Csongor Veér Violin 2: Anna Fehér Viola: Péter Kondor Cello: Mátyás Ölveti of Budapest Scoring.

Piano Solo - Intermediate - Digital Download Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer

Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.596510 Composed by Juan María Solare. 20th Century,Instructional,Jazz,World. 11 pages. Juan Maria Solare #3368739. Published by Juan Maria Solare (A0.596510). Vorbeiziehende Bäume [Trees passing by] is a piece for 2 saxophones where the Southamerican origin of the composer clearly arises to the surface: an original metamorphosis of the tango argentino flirting with jazz. Vorbeiziehende Bäume is part of a set of eleven pieces for saxophone duo (all others will be uploaded soon) called Eisenbahn (Railroad). All eleven pieces have titles related to the railway. If you are wondering why a German title, the reason is quite simple: that's where the composer lives. In this edition, Vorbeiziehende Bäume is offered in four instrumental combinations: - 2 saxophones (2 Tenor or 2 Alto) - Alto Sax + Tenor Sax - 2 Baritone Sax - Bb Clarinet + Tenor Sax No parts are needed: scores are already transposed (practice showed that it is much efficient to read this piece from the score, seeing also the partner's part). The piece, that is dedicated to Albanian clarinetist Ibrahim Gunbardhi, has been performed by him together with Mr. Thomas Sauer. Here is a rehearsal: https://www.youtube.com/watch?v=Y0_6xIGHRb0   The composer's description on the score reflects an experience that most of us had: Imagine you are on a train. You see different landscapes through the window. But somehow it's always the same.

Bass Clarinet & Piano - Intermediate - Digital Download Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, Technique Training, Recital. Score, Set of Parts. 16 pages. Published by jmsgu3

Brass Ensemble - Level 3 - Digital Download SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3422709. Published by Nick Walkley (A0.940770). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for trumpet sextet and performed by the cornet section of the Band of the Welsh Guards, before being expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above,shining as bright as the sun;you'll find no sin nor sorrow there,and never a tear is shed. I am a weary traveller;may my path lead mefrom here to my Father's land;God, bless me on my way. We thank you for eternityGod the Father, one in three.For you are gentle and mild to us in Jesus Christ! Amen. Note to conductors:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for even the best of bands!An optional vocal part is provided in both Norwegian and English, but the arrangement functions with or without it. Cues are written for important lines should players be missing, otherwise many of the parts are doubled across the band. Therefore this arrangement should be playable by bands from approximately 2nd/3rd division upwards even if some players are missing.

String Orchestra - Level 3 - Digital Download SKU: A0.521714 By Train. By David Katz, Pat Monahan, and Sam Hollander. Arranged by Sherry Lewis. Pop,Rock. Score and Parts. 23 pages. Sherry Lewis Publishing #6400507. Published by Sherry Lewis Publishing (A0.521714). MARRY ME String Orchestra for 2 violins, viola, cello and string bass Intermediate Level Score 10 pages Parts: 10 pages Time: 3'40 ABOUT THE DEMO: This demo is shortened in the beginning to get to the main tune. MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts  however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups.  AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations.  ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!

Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing

Guitar - Level 3 - Digital Download SKU: A0.1449611 By Jacob Collier. By Jacob Collier. Arranged by Justin Roth. This edition: audio, pdf. Contemporary, Folk, Instructional, Pop, Singer/Songwriter. Guitar Tab. 11 pages. Rothirric Music #1029367. Published by Rothirric Music (A0.1449611). This transcription is an acoustic guitar arrangement by Justin Roth, created “in the style of Jacob” in Jacob’s signature DAE(G)AD tuning. Jacob has not performed or released an acoustic guitar version of this song to date. So, certain liberties were taken to adapt his keyboard voicings within the constraints of the range of notes available on the guitar in this tuning while staying as close to the original arrangement as possible. Despite the harmonic complexity of parts of the song, learn the easy and repeatable chord shapes that Jacob actually uses to make this song easier to play than you think. This transcription is intended as a chordal and rhythmic guide to the song, making it more accessible, no matter what your level of playing is. It also indicates primary and secondary chords, giving you the option to simplify the arrangment by eliminating secondary passing chords, if necessary.As a professional fingerstyle guitarist himself, arranger and transcriber, Justin Roth, has been teaching and transcribing Jacob Collier's guitar arrangements with precision and attention to detail unlike no other to date. Supplemental tutorial videos that accompany Justin's transcriptions are available here: https://bit.ly/JCtutorials

Large Ensemble - Level 3 - Digital Download SKU: A0.522149 Composed by Pedro Figueredo (1818-1870). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 38 pages. Colin Kirkpatrick Publications #3507973. Published by Colin Kirkpatrick Publications (A0.522149). REPUBLIC OF CUBA: El Himno de Bayamo This national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. Although it's primarily designed for band, you can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same 38-page PDF file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets (9th above concert pitch); Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat        (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below Part 3 in B flat for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, cello, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.   Parts 1a and 2a are provided because Parts 1 and 2 are too low to be comfortably played by flute and piccolo. By using these parts you can create a high woodwind tone above the other instruments.   The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.