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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1243644 Composed by Music: David Lantz III and Words: Richard Crashaw (1613?-1649). Sacred. Octavo. 8 pages. Lantz Choral Publications #838603. Published by Lantz Choral Publications (A0.1243644). Intended use: Holy Week, Lent, Good FridayThemes: Crucifixion This eloquent poem by Richard Crashaw (1613?-1649) has been given a profound and reflective setting with a pentatonic flavor. Powerful imagery and beautiful melodic lines combine to create a stirring Lenten / Good Friday anthem. Full of unison, two-part and easy four-part vocal writing, and featuring an accessible piano or organ accompaniment, this SATB anthem is approachable for small and large choirs alike.
All the Purple Rivers Meet
Chorale SATB

$2.35 2.24 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1285699 Composed by David Lantz and Words: Richard Crashaw (1613?-1649). Sacred. 8 pages. Lantz Choral Publications #876794. Published by Lantz Choral Publications (A0.1285699). Intended use: Holy Week, Lent, Good FridayThemes: Crucifixion This eloquent poem by Richard Crashaw (1613?-1649) has been given a profound and reflective setting with a pentatonic flavor. Powerful imagery and beautiful melodic lines combine to create a stirring Lenten / Good Friday anthem. Full of unison, two-part and easy three-part vocal writing, and featuring an accessible piano or organ accompaniment, this SAB anthem is approachable for small and large choirs alike.NOTE: The audio recording is that of the SATB version.Also available for SATB voices.
All the Purple Rivers Meet
Chorale 3 parties

$2.35 2.24 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1094740 Composed by Alan Bullard. A Cappella,Christmas,Classical,Sacred. Octavo. 4 pages. Colne Edition / BullardMusic #698809. Published by Colne Edition / BullardMusic (A0.1094740). Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences.Nativity is for SATB unaccompanied, and is a setting of lines from a mystical Christmas poem by Richard Crashaw. (Do not confuse with Bullard's 'Scots Nativity' which is a different piece). Church Music Quarterly magazine said of 'Nativity': `Really comes out of the page and grabs you: the a capella writing is not easy, but Crashaw’s text comes to life in a very convincing way, and both the word setting and the vocal writing will surely help this lovely piece to become a best-seller'The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
Nativity (Christmas Carol for SATB unaccompanied)
Chorale SATB

$1.99 1.9 € Chorale SATB PDF SheetMusicPlus

Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.991626 Composed by Margaret Woodley. Contemporary. 6 pages. Margaret Woodley #3033771. Published by Margaret Woodley (A0.991626). My setting of the old English poem Epitaph upon a young married couple dead and buried together by Richard Crashaw (1613? - 1649).TO these whom death again did wed This grave 's the second marriage-bed. For though the hand of Fate could force 'Twixt soul and body a divorce, It could not sever man and wife,         Because they both lived but one life. Peace, good reader, do not weep; Peace, the lovers are asleep. They, sweet turtles, folded lie In the last knot that love could tie.  Let them sleep, let them sleep on, Till the stormy night be gone, And the eternal morrow dawn; Then the curtains will be drawn, And they wake into a light  Whose day shall never die in night.
Epitaph - for tenor solo and piano
Voix Tenor, Piano

$4.75 4.53 € Voix Tenor, Piano PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1134936 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pages. Juan Maria Solare #652301. Published by Juan Maria Solare (A0.1134936). Juan María Solare: Bubbles, Floating Bubbles - a polyrhythmic etude Concert etude composed in Bremen (2-3 July) and Worpswede (5 July 2010). Duration: 4:30 (if the repetition -from bar 28 to the end- is being played; if not, 3 minutes). Bublles, Floating Bubbles - by Juan María Solare Bubbles, Floating Bubbles on Youtube: Bubbles, Floating Bubbles on Spotify: This composition is a concert etude, since it can be performed at a recital (and not only used to practice). The degree of virtuosity is relatively low, but nevertheless not suitable for absolute beginners. Technically, the main characteristic of this piece is the polyrhythm 2 against 3: the melody subdivides the quarter in 2, and the accompaniment plays triplets. In this sense, an answer to Carl Czerny's polyrhythmic studie in E major. Please use abundant pedal when playing this piece. The idea is to generate a cloud of sound, not a machinal pattern. The sound character of this piece should be closer to Debussy than to Scarlatti. The initial indication scorrevole (fleeting) should orientate the character and the sound quality, the touch. Fermatas and caesuras should add time to the bar, like breathing in. In bar 8 (end) the silence is only in he left hand: the note of the right hand shouldn't be interrupted. This is actually clear if one read the rhythms carefully, but my experience tells me that it is prudent to underline this particular point. In bar 16 (and similar places), left hand: it is the central melody what should be in foreground, not the bass. Imagine that the melody is played by a cello or viola, and the bass by a double bass (or better: a bassoon). Try to achieve a different timbre and to separate therefore both layers. The title refers to this poem: Sum venti ingenium breve Flos sum, scilicet, aeris …… Sum blandum, petulans, vagum, Pulchrum, purpureum, et decens, Comptum, floridulum, et recens. Richard Crashaw -Jacobean English poet- (1613-1649), Bulla (Bubble) I am the brief nature of the wind To be sure, I am the flower of air ...... I am charming, wanton, inconstant, Beautiful, gleaming, and noble, Ornate, somewhat blooming, and fresh.
Bubbles, Floating Bubbles (piano solo)
Piano seul
Juan MarĂ­a Solare
$3.00 2.86 € Piano seul PDF SheetMusicPlus






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