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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535406 Composed by Jacques Dussouil. Christmas,Contemporary,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #4283615. Published by Musik Fabrik Music Publishing (A0.535406). Jacques Dussouil was the Titular Organist of the Grand Orgue Boisseau of Notre-Dame de Royan from 1966 until his death in 2016. During his studies at the High School of Poitiers, he was also the student of pianist Hélène d’Ambelle who was herself a student of the great French Pianist Alfred Cortot. It was his work with Jean-Albert Villard, the organist of the Cliquot organ of the Cathedral of Poitiers which would determine his vocation as an organist. Jacques Dussouil continued his studies in Paris with Noëlie Pierront and especially with Edouard SouberbielleHis duties at the Royan Cathedral lead him to also become a choral director and composer, founding one of the best Cathedral Choirs in France which he directed for many years. This activity lead to the compostion of a large number of sacred works, including his Mass in D for two organs and Chorus.2. Une Petite Étoile1. Une petite étoile est née, Petite étoile de Judée.Elle a illuminé le ciel, Chantons l’enfant qui nous est né.Noël, Noël, éclaire-moi, Cloches en chœur, sonnez la joieEt qu’à travers toute la terre, La paix inonde l’univers.2. Une petite étoile est née, Mon cœur s’est mis à espérerQue la haine et l’indifférenceSeront vaincues par l’espéranceNoël, Noël, éclaire-moi, Cloches en chœur, sonnez la joieEt qu’à travers toute la terre, La paix inonde l’univers.3. Une petite étoile est née, Nos larmes ont cessé de couler, Car Dieu nous a fait le cadeauD’un fant que je vois si beau.Noël, Noël, éclaire-moi, Cloches en chœur, sonnez la joieEt qu’à travers toute la terre, La paix inonde l’univers.
Jacques Dussouil: "Une Petite Étoile" from Quatre Noëls for SATB mixed chorus
Chorale SATB

$1.99 1.9 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Published by ROBERT DEBBAUT (A0.939403).  American lyric poet Sara Trevor Teasdale (1884-1933) was the first woman and the first poet to win the Pulitzer Prize for Literature. She won the 1918 Pulitzer Prize for her 1917 collection entitled Love Songs. Teasdale was roundly praised for her lyric mastery and romantic subjects. Her poems most often take on the first person role of their female narrators and protagonists. Teasdale’s first poem was published in 1907. Later that year she published her first collection of poems, Sonnets to Duse and Other Poems, written mainly for the Italian actress Eleonora Duse. In 1911 her second collection Helen of Troy and Other Poems received high praise from critics. Her third collection, Rivers to the Sea from 1915 was and remains a best seller and has been reprinted several times. The three poems used here, Joy, The Answer, and .To Joy all date from 1915. These three poems were also included in her Pulitzer Prize-winning collection Love Songs. Teasdale was born in St. Louis, Missouri on August 8, 1884. She was a sickly child, so much so that she was home schooled. As a young woman she had many suitors, including the poet Vachel Lindsay, who thought he could never provide for her. She eventually married businessman Ernst Filsinger, a great admirer of her poems. The couple relocated to New York City. Filsinger’s constant business travel left Teasdale very lonely and depressed. She eventually relocated to another state so she could quickly divorce him. Filsinger was shocked. Teasdale took up again with Vachel Lindsay, who has himself married and had children. Lindsay committed suicide in 1931 and Teasdale followed likewise two years later. She is interred at Bellefontaine Cemetery in St. Louis.
A Trilogy of Joy, three short anthems on poems by Sara Teasdale for women's chorus and piano
Chorale SSAA

$9.95 9.51 € Chorale SSAA PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone GĂ©rard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano.  Previously unpublished, De l’abĂ®me profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 MĂ©lodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’AcadĂ©mie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La CĂ©ppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, ThĂ©orèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.” La CĂ©ppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by GĂ©rard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.” For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
Voix duo, Piano

$12.95 12.37 € Voix duo, Piano PDF SheetMusicPlus

Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1385762 Composed by Kenneth J. Alford. Arranged by Keith Terrett. 20th Century,Film/TV,Instructional,Standards,Traditional. 48 pages. Keith Terrett #969699. Published by Keith Terrett (A0.1385762). Colonel Bogey transcribed for Brass & Brass Band Quintet.The Colonel Bogey March is a British march that was composed in 1914 by Lieutenant F. J. Ricketts (1881–1945) (pen name Kenneth J. Alford), a British Army bandmaster who later became the director of music for the Royal Marines at Plymouth. The march is often whistled. Featuring in films since it first appeared in The Lady Vanishes in 1938, Empire magazine included the tune in its list of 25 of Cinema's Catchiest Earworms.Since service personnel were, at that time, not encouraged to have professional lives outside the armed forces, British Army bandmaster F. J. Ricketts published Colonel Bogey and his other compositions under the pseudonym Kenneth J. Alford in 1914. One supposition is that the tune was inspired by a British military officer who preferred to whistle a descending minor third rather than shout Fore! when playing golf. It is this descending interval that begins each line of the melody. The name Colonel Bogey began in the late 19th century as an imaginary standard opponent in assessing a player's performance, and by Edwardian times the Colonel had been adopted by the golfing world as the presiding spirit of the course. Edwardian golfers on both sides of the Atlantic often played matches against Colonel Bogey. Bogey is now a golfing term meaning one over par.
Colonel Bogey March for Classical Brass & Brass Band Quintet with Percussion

$12.99 12.41 € PDF SheetMusicPlus

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
Brisbane Ladies (Augathella Station)
Chorale TTBB

$2.20 2.1 € Chorale TTBB PDF SheetMusicPlus

Small Ensemble - Level 3 - Digital Download SKU: A0.835894 Composed by Kenneth J. Alford. Arranged by Paul Burnell. 20th Century. Score and parts. 37 pages. Paul Burnell #6612805. Published by Paul Burnell (A0.835894). Colonel Bogey March, Kenneth J. Alford, arranged by Paul Burnell for instruments in four partsDownload comprises both score and partsDuration 3:20Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.The key of this arrangement has been transposed from that of the original composition.Play cue-sized notes in brackets where the main notes are out of range.In part 4, bars 37-54, the upper octave may be played where the lower notes are out of range or impractical.Programme note:The 'Colonel Bogey March' was composed in 1914 by Lieutenant F. J. Ricketts (1881 - 1945) a British Army bandmaster who later became the director of music for the Royal Marines at Plymouth. Since service personnel were, at that time, not encouraged to have professional lives outside the armed forces, F. J. Ricketts published his compositions under the pseudonym Kenneth Alford. Supposedly, the tune was inspired by a British military officer who preferred to whistle a descending minor third rather than shout Fore! when playing golf. It is this descending interval that begins each line of the melody. English composer Malcolm Arnold added a counter-march, which he titled 'The River Kwai March' for the 1957 film 'The Bridge on the River Kwai'. On account of the movie the 'Colonel Bogey March' is often incorrectly credited as the 'River Kwai March'.
Colonel Bogey March, arranged for instruments in four parts

$3.99 3.81 € PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 4 - Digital Download SKU: A0.835893 Composed by Kenneth J. Alford. Arranged by Paul Burnell. 20th Century. Score and parts. 9 pages. Paul Burnell #6612811. Published by Paul Burnell (A0.835893). Colonel Bogey March, Kenneth J. Alford, arranged by Paul Burnell for duet - instrument in Eb, instrument in BbDownload comprises both score and partsDuration 3:20Part 1 in Eb (Alto Clarinet, Alto Saxophone, Tenor Horn)Part 2 in Bb (Bass Clarinet, Tenor Saxophone, Euphonium) The arrangement may be suitable for other instruments with the same transpositions.Score shows parts transposed.The key of this arrangement has been transposed from that of the original composition.Programme note: The 'Colonel Bogey March' was composed in 1914 by Lieutenant F. J. Ricketts (1881 - 1945) a British Army bandmaster who later became the director of music for the Royal Marines at Plymouth. Since service personnel were, at that time, not encouraged to have professional lives outside the armed forces, F. J. Ricketts published his compositions under the pseudonym Kenneth Alford. Supposedly, the tune was inspired by a British military officer who preferred to whistle a descending minor third rather than shout Fore! when playing golf. It is this descending interval that begins each line of the melody. English composer Malcolm Arnold added a counter-march, which he titled 'The River Kwai March' for the 1957 film 'The Bridge on the River Kwai'. On account of the movie the 'Colonel Bogey March' is often incorrectly credited as the 'River Kwai March'.
Colonel Bogey March, arranged for duet: instruments in Eb and Bb

$1.99 1.9 € PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.515957 Composed by John Bacchus Dykes. Arranged by Eve C. Mailly. Contemporary,Holiday,Patriotic,Sacred. Score and parts. 14 pages. Zene Strings #6452687. Published by Zene Strings (A0.515957). Eternal Father, Strong to Save (aka Melita) is used as the Navy Hymn. It is sung at the U.S. Naval Academy, the Royal Navy (GB), and is often used for military observances, patriotic occasions, and at funerals for military personnel and for two US Presidents.This arrangement is for string quartet, with four different and interesting arrangements included -- one for each verse -- before returning to the opening arrangement of the familiar melody. The first violin begins and ends the piece with the melody. Other verses feature the cello, followed by the viola. One verse has the two violins in harmony, with the lower strings providing a simple accompaniment.  From your friends at Zene Strings - enjoy!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
Eternal Father, Strong to Save - Navy Hymn (Melita) - String Quartet
Quatuor ŕ cordes: 2 violons, alto, violoncelle

$14.99 14.32 € Quatuor ŕ cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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