C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May�. Like springtime in the Northern Hemisphere, “Almost May� unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.

C Instrument - Level 2 - Digital Download SKU: A0.1264579 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Lead Sheet / Fake Book. 2 pages. Glauco Fernandes #857406. Published by Glauco Fernandes (A0.1264579). Lead Sheet Arrangement: What Was I Made For - Billie Eilish Elevate your musical skills with our lead sheet arrangement of the melody for the song What Was I Made For by the talented singer Billie Eilish. This arrangement provides the melody, chord symbols, and essential musical elements, making it perfect for any instrument and allowing for easy adaptations.✔� Versatile for any instrument: Our lead sheet arrangement is designed to be adaptable for musicians of any instrument. Whether you play the piano, guitar, saxophone, or any other instrument, you can easily interpret and perform this beautiful melody.✔� Ideal for improvisation: With the chord symbols provided, you have the freedom to explore and improvise around the melody, adding your own personal touch to the music. This arrangement allows for creative interpretations and unique performances.✔� From the Barbie movie soundtrack: What Was I Made For is one of the tracks from the soundtrack of the 2023 Barbie movie. With our lead sheet arrangement, you can capture the essence of the song and incorporate it into your own musical repertoire.✔� Explore Billie Eilish's talent: Billie Eilish is known for her unique style and captivating music. With our lead sheet arrangement of What Was I Made For, you can immerse yourself in Billie Eilish's musical world and bring her music to life through your instrument.✔� Professional quality: Our lead sheet arrangement is created with the highest standard of quality, ensuring an exceptional learning and performance experience. You will receive a complete and accurate score that provides all the necessary musical elements for an authentic interpretation.✔� Instant and convenient access: Through our online sale of sheet music, you can have immediate access to the digital format of the lead sheet arrangement for What Was I Made For. This allows you to start practicing and performing this captivating melody right away.Enhance your musical abilities and create unique interpretations with our lead sheet arrangement of What Was I Made For by the talented Billie Eilish. Take this opportunity to explore the music of one of the most acclaimed artists of our time. Start playing What Was I Made For today and let your instrument bring the melody to life in your own distinctive way.

C Instrument - Level 2 - Digital Download SKU: A0.1395614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise and Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #979054. Published by Anastace (A0.1395614). The perfect Easter morning song, He is Risen, was inspired by centuries of Christians on Easter morning, proclaiming to each other and to the entire world that HE IS RISEN! And we reply again, HE IS RISEN INDEED! As heard on my YouTube channel, this is the lead sheet version in the key of G major, to suit either very high or very low voices, with a 9-note range of G-A.This song is beautiful for an Easter church service, either sung by a soloist or as a way to open a church service on Resurrection Sunday! It's perfect for a single singer accompanied by keyboard or piano for a powerful, prophetic statement, or can be joined halfway by a praise band or a pipe organ, whatever matches the style of your church's music. For best results, a smooth, rich pad sound should be used, especially for the beginning. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in D major [original key]Full piano and vocal arrangement in G major [for lower voices]Full piano and vocal arrangement in F major [for higher voices, a true soprano range]Lead Sheet in D Major to match the original keyPiano solo for a perfect matching prelude or postlude or communion interlude.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1459183 By Myles Smith. By Jesse Finkelstein, Myles Smith, and Peter Fenn. Arranged by Barry McCormick. Folk,Pop,Singer/Songwriter. Score. 5 pages. B. McCormick #1038156. Published by B. McCormick (A0.1459183). Introducing the Piano Vocal and Guitar arrangment of Stargazing Mood: Warm, fun, and happy About the Song and Songwriter: “Stargazing” is a breakout hit by English singer-songwriter Myles Smith. The song, released in May 2024, is known for its warm, fun, and happy mood. Myles Smith, born in Luton, England, is celebrated for his unique blend of folk, Americana, and pop influences. Arrangement Details: This is a Piano Vocal and Guitar Arrangement. This arrangement includes the melody with lyrics and an accompanying piano part. The melody has the chords above and also contains the strumming pattern at the start of the verse. Keeping the melody on a separate staff means this could be used with any instruments in C and the piano part as an accompaniment. The accompaniment is written to try and capture the main features of the song, helping to give a convincing performance of the song. Difficulty Level: The guitar part is suitable for beginner to easy intermediate level players, with the main challenge being maintaining the strumming pattern consistently. The vocal part is suitable for intermediate to upper intermediate level singers, with a wide vocal range of B4 - G#5. The piano part itself has a difficulty level of easy intermediate to intermediate level. It is very repetitive, with the hardest part being the syncopated inverted pedal E which comes in the intro, chorus, bridge, and outro.Unique Selling Points: This arrangement stands out for several reasons: The strumming pattern is provided at the start of the verse. Small noteheads are used to differentiate between the backing vocal parts and main vocal parts, and also in the verses for parts of the melody that differ between verses. The piano part provides a condensed version of what is going on in the band2. The vocal melody exists only in the vocal line and the piano is designed to accompany the singer2. The ability to read sheet music and understand musical notation on the piano also translates well to guitar, making it easier for you to learn new pieces and write your music. Target Audience: This arrangement is ideal for educators and individuals learning music.Potential Uses: This arrangement of “Stargazing” could be used in a variety of settings, such as: Music education: It’s a great piece for teaching students about chord progressions, strumming patterns, and vocal techniques. Performances: It’s suitable for school concerts, open mic nights, or casual performances among friends and family. Self-study: It’s a wonderful piece for individuals looking to expand their repertoire and improve their guitar, vocal, and piano skills. Reading sheet music is a crucial tool for musicians, providing accuracy, consistency, learning opportunities, communication, and preservation of musical compositions4. This arrangement of “Stargazing” offers all these benefits and more. 

C Instrument - Level 3 - Digital Download SKU: A0.1433855 By Hozier. By Andrew Hozier-Byrne, Daniel Krieger, Daniel Tannenbaum, George Miller, Peter Gonzales, Sergiu Adrian Gherman, and Tyler Reese Mehlenbacher. Arranged by Barry McCormick. Pop,Singer/Songwriter. Lead Sheet / Fake Book. 7 pages. B. McCormick #1014066. Published by B. McCormick (A0.1433855). Discover the essence of ‘Too Sweet’ with our captivating lead sheet arrangement. Hozier’s soulful composition comes to life in this concise format, allowing you to explore the melody, lyrics, and essential chords. Key Features: Instrument: Suitable for voice and any instrument (e.g., piano, guitar). Difficulty Level:  Guitar: If played in the original key without a capo the use of numerous barre chords puts this piece into a more intermediate level. If capo chords are used it is attainable for more novice and beginner players that have a little experience already. Voice: For singers the range and rhymic attributes, along with the vocal techniques used to achieve a similar performance to the recorded track, takes this piece the upper end of intermediate level. Possibly even higher. Unique Aspects: Memorable Melody: The lead sheet captures the heart of the song, emphasizing the beautiful melody. Chord Symbols: Easily follow the chord progressions in the original key or explore capo options for a fresh sound. Bass Riff: The intro section features the iconic bass riff, which repeats throughout the verse and bridge. Guitar Chord Sheet: Two additional Guitar Chord Sheets provided. One in the original key with the related Chord Diagrams and the other in Capo III chords with those Chord Diagrams. Ideal for quick reference while playing for more novice players. Suggested strumming Patterns included. Immerse yourself in the bittersweet emotions of ‘Too Sweet.’ Whether you’re performing solo or teaching others, this arrangement resonates with longing, nostalgia, and a touch of melancholy. Where can you use this? Musicians: Perfect for gigs, open mics, or jam sessions. Educators: Ideal for teaching chord progressions and song structure. Enthusiasts: Add this gem to your repertoire and evoke the magic of Hozier’s music. Download now and let ‘Too Sweet’ weave its spell through your fingertips. Share your rendition on social media and inspire fellow musicians, make sure to tag us @resourcefularrangements!

C Instrument - Digital Download SKU: A0.1154957 By James Momanyi. By James Momanyi. Christian,Opera,Sacred,Singer/Songwriter,Spiritual. Lead Sheet / Fake Book. 3 pages. James Momanyi #755236. Published by James Momanyi (A0.1154957).

C Instrument - Level 3 - Digital Download SKU: A0.518392 By Jim Reeves. By Audrey Allison and Joe Allison. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #129085. Published by John Fries (A0.518392). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  He'll Have to Go is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a massive hit in both genres early in 1960. The song is about a man who's talking by telephone to the woman he loves, when he realizes that another man is with her. The recording features a small group of musicians: Floyd Cramer on piano, Marvin Hughes on the vibraphone, Bob Moore on bass, Buddy Harman on drums, Hank Garland on guitar, and the Anita Kerr Singers providing the background vocals. Country music historian Bill Malone noted that He'll Have to Go in most respects represented a conventional country song, but its arrangement and the vocal chorus put this recording in the country pop vein. In addition, Malone lauded Reeves' vocal styling - lowered to its natural resonant level to project the caressing style that became famous - as being why many people refer to him as the singer with the velvet touch..

C Instrument - Level 3 - Digital Download SKU: A0.1176882 By Phil Collins. By Phil Collins. Arranged by Fae Book Guy. Pop. Lead Sheet / Fake Book. 2 pages. Fakebook Guy #776965. Published by Fakebook Guy (A0.1176882). Get ready to play one of the most iconic ballads of the 80s with this sheet music for Another Day in Paradise by Phil Collins. With its haunting melody and thought-provoking lyrics, this song has stood the test of time and remains a staple in contemporary music. This sheet music is perfect for pianists, singers, and musicians of all levels who want to bring this timeless classic to life. Whether you're a seasoned performer or just starting out, this sheet music will provide you with all the notes and chords you need to perform this timeless hit with ease. So why wait? Order your copy of Another Day in Paradise sheet music today!Discover the ultimate collection of high-quality sheet music for all your musical needs! Our sheet music is carefully crafted to bring you the best in notation and layout, so you can play your favorite tunes with confidence and ease.With our sheet music, you'll enjoy exceptional detail and clarity in every note and chord, ensuring that you can play with accuracy and precision. Our sheet music is designed with the musician in mind, with a clean, easy-to-read layout that makes it simple to follow along and practice.Whether you're a beginner or an experienced musician, our sheet music is perfect for anyone who wants to improve their skills and enjoy the full expression of their musical talents. So why wait? Order your sheet music today and start playing like a pro!#Iconic ballad#Timeless classic#Phil Collins#Piano sheet music#Easy to play#Popular song#Haunting melody

C Instrument - Level 2 - Digital Download SKU: A0.1493721 By JP Saxe. By James Ryan Ho, Jonathan Percy S. Saxe, Jonathan Saxe, Jordan K Johnson, Jordan Kendall Johnson, Malay Ho, Michael Pollack, and Stefan Johnson. Arranged by Teresa Young. Contemporary,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 2 pages. Teresa Young #1070384. Published by Teresa Young (A0.1493721). Arranger Teresa Young's transcription of JP Saxe's beautiful Anywhere, from his 2023 album A Grey Area, came about as most do: her adult student wanted to interpret it. This simple lead sheet in the user-friendly key of C major includes just melody, lyrics, and chords. A lead sheet in JP's key of F# major, and one in the more user-friendly key of F, are also available here. And if you're looking to approximate JP's piano sound, see the piano-vocal versions here in F major, F# major, and C major, all loosely following his piano acccompaniment. Just search, Anywhere JP Saxe Teresa Young. Enjoy!

C Instrument - Level 3 - Digital Download SKU: A0.1368401 By JP Saxe. By James Ryan Ho, Jonathan Percy S. Saxe, Jonathan Saxe, Jordan K Johnson, Jordan Kendall Johnson, Malay Ho, Michael Pollack, and Stefan Johnson. Arranged by Teresa Young. Pop,Singer/Songwriter. Lead Sheet / Fake Book. 2 pages. Teresa Young #952747. Published by Teresa Young (A0.1368401). Arranger Teresa Young's transcription of JP Saxe's beautiful Anywhere, from his 2023 album A Grey Area, came about as most do: her adult student wants to interpret it. This simple lead sheet in JP's key of F# major includes just melody, lyrics, and chords. A lead sheet in the more user-friendly key of F major is also available here. And if you're looking to approximate JP's sound quickly, see the piano-vocal versions here in F major and F# major that loosely follow his piano acccompaniment.

C Instrument - Level 2 - Digital Download SKU: A0.1368400 By JP Saxe. By James Ryan Ho, Jonathan Percy S. Saxe, Jonathan Saxe, Jordan K Johnson, Jordan Kendall Johnson, Malay Ho, Michael Pollack, and Stefan Johnson. Arranged by Teresa Young. Pop,Singer/Songwriter. Lead Sheet / Fake Book. 2 pages. Teresa Young #952746. Published by Teresa Young (A0.1368400). Arranger Teresa Young's transcription of JP Saxe's beautiful Anywhere, from his 2023 album A Grey Area, came about as most do: her adult student wants to interpret it. This simple lead sheet in the user-friendly key of F major includes just melody, lyrics, and chords. A lead sheet in JP's key of F# major is also available here. And if you're looking to approximate JP's sound quickly, see the piano-vocal versions here in F major and F# major that loosely follow his piano acccompaniment.

C Instrument - Level 2 - Digital Download SKU: A0.1460713 By Dasha. By Adam Wendler, Cheyenne Rose Arnspiger, Dasha Novotny, and Kenneth Travis Heidelman. Arranged by Barry McCormick. Country,Folk,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 5 pages. B. McCormick #1039620. Published by B. McCormick (A0.1460713). “Austin” by Dasha - Digital Sheet Music (Lead Sheet & Guitar Chord Sheet) Immerse yourself in the feisty anthem “Austin,” a country hit by the talented Dasha that’s taken the music world by storm. This digital sheet music arrangement captures the song’s infectious energy and folksy charm, making it perfect for line dancing or a spirited solo performance.Crafted with meticulous attention to detail, this Lead Sheet arrangement condenses the essence of “Austin” into a three-page roadmap, ideal for performers seeking both clarity and depth. The inclusion of a bonus Guitar Chord Sheet further enriches your musical experience, offering versatile options for playing and teaching. Key Features: Detailed Lead Sheet with melody, lyrics, guitar chords, and chord diagrams. Notated strumming patterns on a percussion line for easy reference. Suggested fingerpicking patterns with TAB and right-hand guitar fingerings. Tabbed interludes and backing vocals for a comprehensive guide through the song. Small noteheads for fiddle melodies to distinguish instrumental parts. The accompanying Guitar Chord Sheet simplifies strumming patterns with intuitive arrows and right-hand fingering notations, catering to a range of playing styles from beginner strumming to intermediate fingerpicking.With a vocal range spanning from G3 to A4, “Austin” is accessible to singers with varying abilities. The rhythmically challenging phrases are balanced by a stepwise melody and triadic movements, providing an engaging learning curve for vocalists.This piece is suitable for low intermediate guitarists on average, with its four repeating chords combined with the strumming/fingerpicking bridging beginner and intermediate levels. Whether you’re strumming on the beat or exploring more complex rhythms, “Austin” offers a rewarding challenge. Target Audience & Uses: “Austin” resonates with fans of modern country music and those drawn to its honky-tonk vibe. It’s an excellent choice for educational settings, casual performances, or anyone looking to expand their repertoire with a viral hit. The censored lyrics ensure it’s appropriate for all audiences, maintaining the song’s integrity while respecting listeners’ sensibilities.Embrace the spirit of “Austin” with this comprehensive digital sheet music arrangement – your gateway to mastering Dasha’s chart-topping sensation.

C Instrument - Level 1 - Digital Download SKU: A0.1490248 By Ed Sheeran feat. Khalid. By Ed Sheeran, Fred Gibson, Khalid Robinson, Max Martin, and Shellback. Arranged by Marcelo Borba. Multicultural,Pop,Rock,Singer/Songwriter,Standards,World. Lead Sheet / Fake Book. 3 pages. Marcelo Borba #1067088. Published by Marcelo Borba (A0.1490248). Leadsheet Style  Beautiful People is a song by British singer Ed Sheeran, featuring American singer Khalid. It was released in June 2019 as part of Sheeran's collaboration album titled *No.6 Collaborations Project*. ### Context and Theme The song's lyrics address the superficiality and social pressures associated with the luxurious and status-driven lifestyle often linked to fame. The song criticizes the shallow lifestyle that many people consider desirable but can be empty and unfulfilling. Instead of conforming to the social standards of beautiful people, Sheeran and Khalid promote the idea of authenticity and the importance of staying true to oneself, regardless of others' expectations. ### Music Video The music video for Beautiful People complements this message, showing a regular couple who feel out of place in a world of luxury and excess. The couple remains true to their authenticity, contrasting with the behavior of the people around them. ### Reception and Impact The song was well received by both the public and critics, praised for its message and the contrast between the modern pop production and the introspective lyrics. It achieved commercial success, charting in several countries worldwide.Beautiful People is a reflection on the challenges of authenticity in a world obsessed with appearances and status.

Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835800 By Ed Sheeran. By Ed Sheeran, Foy Vance, and Johnny McDaid. Arranged by Paul Burnell. Contemporary. Score and parts. 33 pages. Paul Burnell #3494245. Published by Paul Burnell (A0.835800). What Do I Know?, words and Music by Ed Sheeran, Foy Vance and Johnny McDaid, arranged by Paul Burnell for instruments in four parts.Duration 3:55The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with layout appropriate for string quartet this does not indicate a preferred instrumentation.Examples of the 'clicks/taps etc.' indicated by the X noteheads at the beginning of the piece in Part 2, and subsequently in the other parts, include:Woodwind - instrument key clicks or slaps,Brass - tapping the instrument bell with fingernail, 'popping' the mouthpiece,Strings - tapping the body of the instrument with fingers.In this arrangement the song has been transposed from the original key of E major to C major.Programme note:'What Do I Know?' is a song by the English singer-songwriter Ed Sheeran. It was included on his third studio album '÷' (pronounced 'divide'). After the album's release in 2017 the song was released as a single and charted at number 9 on the UK Singles Chart.

Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.