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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1289652 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 8 pages. RayThompsonMusic #880358. Published by RayThompsonMusic (A0.1289652). Sports et divertissements (Sports and Pastimes) is a cycle of 21 short piano pieces composed in 1914 by Erik Satie.The set consists of a prefatory chorale and 20 musical vignettes depicting various sports and leisure activities. First published in 1923, it has long been considered one of his finest achievements.Musically it represents the peak of Satie's humoristic piano suites (1912-1915), but stands apart from that series in its fusion of several different art forms. Sports originally appeared as a collector's album with illustrations by Charles Martin, accompanied by music, prose poetry and calligraphy. The latter three were provided by Satie in his exquisite handwritten scores, which were printed in facsimile. This is my arrangement for wind quintet of:8. Le Yachting (Yachting) - Modéré (Moderately.) (In half-notes, bass octaves). Legato. Satie's prose:Quel temps !Le vent souffle comme un phoque.Le yacht danse.Il a l'air d'un petit fou.La mer est démontée.Pourvu qu'elle ne se brise pas sur un rocher.Personne ne peut la remonter.Je ne veux pas rester ici, dit la jolie passagère.Ce n'est pas un endroit amusant.J'aime mieux autre chose.Allez me chercher une voiture.A stern ostinato in the lower reaches of the piano summons up a wind-blown sea as it tosses about members of a yachting party.A pretty lady passenger is not amused by the rough weather. I'd rather do something else, she pouts. Go fetch me a car. The sea ostinato returns to end the piece.Arranged standard wind quintetCheck out my other Satie arrangements3 Gymnopédies and 3 Gnossiennes. ( sold separately and as collections).Also: Rag-Time du Pacquebot (Ragtime of the Steampacket) and Sonatina Bureaucratique.
Satie: Sports et Divertissements 8. Le Yachting - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$2.99 2.85 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553870 Composed by Jacques Offenbach. Arranged by Ray Thompson. Opera,Romantic Period,Standards. 9 pages. RayThompsonMusic #5205107. Published by RayThompsonMusic (A0.553870). Orpheus in the Underworld ] and Orpheus in Hell] are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy.In the last decade of the 19th century the Paris cabarets the Moulin Rouge and Folies Bergère adopted the music of the Galop infernal from the culminating scene of the opera to accompany the can-can, and ever since then the tune has been popularly associated with the dance.My arrangement is the final part of the Overture which was arranged by the Austrian musician Carl Binder (1816–1860) for the first production of the opera in Vienna, in 1860.Arranged wind quintet.Includes Clarinet in A and Bb.
Offenbach: Orphée aux Enfers  "Galop Infernal" (Can-Can) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$14.95 14.26 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553868 Composed by Jacques Offenbach. Arranged by Ray Thompson. Opera,Romantic Period,Standards. Score and parts. 19 pages. RayThompsonMusic #5197807. Published by RayThompsonMusic (A0.553868). Orpheus in the Underworld ] and Orpheus in Hell] are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy.In the last decade of the 19th century the Paris cabarets the Moulin Rouge and Folies Bergère adopted the music of the Galop infernal from the culminating scene of the opera to accompany the can-can, and ever since then the tune has been popularly associated with the dance.My arrangement is the final part of the Overture which was arranged by the Austrian musician Carl Binder (1816–1860) for the first production of the opera in Vienna, in 1860.Arranged double wind quintet.Includes Clarinets in A and Bb.
Offenbach: Orphée aux enfers  "Galop Infernal" (Can-Can) - symphonic wind ensemble

$9.95 9.49 € PDF SheetMusicPlus

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553869 Composed by Jacques Offenbach. Arranged by Ray Thompson. Opera,Romantic Period. Score and parts. 52 pages. RayThompsonMusic #5204901. Published by RayThompsonMusic (A0.553869). Orpheus in the Underworld and Orpheus in Hell are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy.This arrangement is of The best-known and much-recorded Orphée aux enfers overture which is not by Offenbach, and is not part of either the 1858 or the 1874 scores. It was arranged by the Austrian musician Carl Binder (1816–1860) for the first production of the opera in Vienna, in 1860In the last decade of the 19th century the Paris cabarets the Moulin Rouge and Folies Bergère adopted the music of the Galop infernal from the culminating scene of the opera to accompany the can-can, and ever since then the tune has been popularly associated with the dance.This music also appears at the end of the overture.Arranged double wind quintet/bassClarinets in Bb provided in addition to Clts in A.
Offenbach: Orphée aux Enfers  Overture - symphonic wind ensemble

$17.95 17.12 € PDF SheetMusicPlus

Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others.  This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness.  The sound sample is a performance by the composer, with Chris Benson on cello.  (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics)  The pdf file contains score and parts.  An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes).  Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars!  Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
Ta Maman for alto, cello and guitar

$10.00 9.54 € PDF SheetMusicPlus

Guitar quartet - Digital Download SKU: ZZ.DZ-4333 Composed by Fabrice Pierrat. Score and parts. 16 pages. Les Productions d'OZ - Digital #DZ 4333. Published by Les Productions d'OZ - Digital (ZZ.DZ-4333). These 12 waltzes were composed for my different guitar ensembles: cycle I (from the 3rd year) and cycle II.Some waltzes are classical in structure, others borrow creole rhythms, mazurka, bélyia (traditional Guyanese rhythms) creole waltz and swing waltz.The writing of pieces inspired by traditional rhythms is not always academic, this in order to better respect the style to which they refer.They are not connected by any common thread but simply punctuate the 12 months of the year according to my inspiration.Ces 12 valses ont été composées pour mes différents ensembles de guitares : cycle I (dès la 3e année) et cycle II.Certaines valses sont de structure classique, d’autres empruntent des rythmes créoles, mazurka, bélyia (rythmes traditionnels guyanais) valse créole et valse swing.L’écriture des pièces inspirées des rythmes traditionnels n’est pas toujours académique, ceci afin de mieux respecter le style auquel elles font référence.Elles ne sont reliées par aucun fil conducteur mais ponctuent simplement les 12 mois de l’année selon mon inspiration.
12 Valses - Mars

$9.95 9.49 € PDF SheetMusicPlus






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