Piano Solo - Level 4 - Digital Download SKU: A0.1175105 By Jenifer Lynn Cook. By Robert Lowry. Arranged by Jenifer Lynn Cook. Christian,Religious,Sacred. Score. 3 pages. Jenifer Cook #775254. Published by Jenifer Cook (A0.1175105). Early advanced sacred piano solo arranged by Jenifer Cook.  3 pages (two verses) G Major to A flat MajorThis is another one of Jenifer's spontaneous hymns that her listener's requested sheet music for.

Interactive Download SKU: HX.428573 By Lindsey Stirling. This edition: Interactive Download. New Age,Standards. Piano Solo. 6 pages. Duration 240. Published by Hal Leonard - Digital (HX.428573).

Interactive Download SKU: HX.428588 By Lindsey Stirling. This edition: Interactive Download. New Age,Standards. Easy Piano. 9 pages. Duration 240. Published by Hal Leonard - Digital (HX.428588).

Recorder solo or other Melodieinstruments (flute, oboe, clarinet) - easy to intermediate - Digital Download SKU: S9.Q16361 Composed by Barbara Heller. This edition: Sheet music. Die Ausgabe enthält tagebuchartig entstandene Stücke, die zum Teil alternativ auf der Alt- oder Sopranblockflöte gespielt werden können. Downloadable. Duration 100' 0. Schott Music - Digital #Q16361. Published by Schott Music - Digital (S9.Q16361). The pieces were written in the manner of diary entries, some can be played either on treble or descant recorder. “The recorder was my first instrument as a child and I learnt to play all manner of songs and melodies on it. Subsequently, I was rather less keen on the instrument: its timbre seemed too coarse and monotonous. Even later – when it was promoted to a ‘high art’ instrument in new music – I hated it. Nevertheless, in the early 90s, in an attempt to comply with the wishes of some recorder players, I composed a few pieces in the required manner, i. e. employing new playing techniques, but to this day they remain alien to me as they are terribly contrived. Subsequently, I couldn’t stop thinking about the recorder. I started spontaneously to jot down melodies that came to me in moments of leisure […] which is how, by and by, I learned to love the recorder again.� (Barbara Heller).

Piano Solo - Level 2 - Digital Download SKU: A0.697158 By Guilherme Veroneze. By Guilherme Veroneze. Arranged by Guilherme Veroneze. Classical,Contemporary. Score. 5 pages. Little Symphony Records #305543. Published by Little Symphony Records (A0.697158). The word Frater comes from Latin and refers to the word brother and the single has that name because my brother Ricardo who composed the song with me. December 2020. I was on vacation at my parents' house and I started playing some chords on the piano. Ricardo spontaneously sang a melody that fit unbelievably well. So we developed the song together. Personally, my brother and I have a strong relationship based on friendship and it was very interesting for me to have a musical experience with him. I think Frater is about that: friendship, family, a joyful moment, connection.

3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 · 3 · 3 · 1 – P. S. (Trgl. · 2 Gongs· Gl. · Beck. · Tomt. · Rührtr. · kl. Tr. · gr. Tr. · Vibr.) (4 Spieler) – Cel. · Klav. · Hfe. – Str. altovoice and orchestra - Digital Download SKU: S9.Q2283 Versuch eines Requiems. Composed by Karl Amadeus Hartmann. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 35 minutes. Schott Music - Digital #Q2283. Published by Schott Music - Digital (S9.Q2283). English.Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in his native Germany. He had to wait more than ten years for its first performance, which finally took place in Frankfurt in the spring of 1948 under the direction of Winfried Zillig. I was 21 at the time, and the work left an extraordinarily deep impression on me, an impression that marked the beginning of my admiration for Hartmann's music and its very special kind of intellectuality, which struck me as both important and significant: by this I mean its spontaneous and unrefracted immediacy, its honesty and straightforwardness – qualities that extend beyond this composer's works and affect his whole surroundings, including his fellow human beings. All Hartmann's works, moreover, contain an essential element of the art of compostion, namely, an exact correspondence between the artist's insistent need to express himself and the instrumental resources that he chooses. A superficial listener might perhaps fail to notice at first that the huge orchestral apparatus that Hartmann conjures up exactly matches his powerful expressivity and the colourful nature of his rhetoric. There is also the expansiveness and physically charged vitality of the native of southern Germany, a man capable of combining his own sense of inwardness with the beauty of the moment and a feeling of hymnic grandeur. It is a combination that reflects his own south German countryside and that answers a need to communicate sustained by his own unwavering faith in humanity. - Hans Werner Henze, in: Hartmann: Kleine Schriften.