Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.912481 Composed by Thomas R. Schadl. Christian,Contemporary,Easter,Romantic Period,Sacred. Octavo. 6 pages. Thomas R. Schadl #3019163. Published by Thomas R. Schadl (A0.912481). Based on Revelation 1: 5-6, Jesus Was The First To Conquer Death is an anthem that resembles the Victorian choral writings of Sir John Goss (1800-1880) and John Stainer (1840-1901). The first part states that Christ is the ruler of all earthly kings and should be sung at a stately manner, but not too slow. The next part, where the choir sings at a slower pace, is about Christ's love for humanity. The final section is performed at a moderately fast tempo and it is about Christ's eternal glory. The speed for the Amen section could be stretched to bring the anthem to a brilliant conclusion.    .

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.941930 By Styx. By Dennis Deyoung. Arranged by Cris Conerty. A Cappella,Barbershop,Contemporary,Pop,Rock. 6 pages. Cris Conerty #5728763. Published by Cris Conerty (A0.941930). This arrangement stays true to STYX's iconic anthem about maintaining faith and hope amidst adversity and inhumanity - still relevant today. 4 min. in length, but easy to learn with repeating musical phrases. Imagine your bass section belting out their feature at the bridge: And if I see a light, will I believe? Tell me, how will I know?! The counterpoint between parts during the repeated chorus sections are fun and breaths have been built in so no one needs to run out of air!  Tenors will love their melody moments and the baritone voice leading brings ease and flow to their part. This song could be the focal point fo your next show!

Piano Solo - Level 3 - Digital Download SKU: A0.1323137 Composed by Dom Waldock. 21st Century,Chamber,Classical,Contemporary,Film/TV. Score. 2 pages. Dominic Waldock #911404. Published by Dominic Waldock (A0.1323137). DEATH for solo piano, by Dom Waldock.This piano piece is directly inspired by Terry Pratchett’s depiction of the character Death from his fantasy Discworld novels. He is portrayed visually in a similar way to many other personifications in literature: as a skeleton in a hood and cloak carrying a scythe. His personality, however, is more comical and he has a particular fascination with humanity. Within this composition we hear the introduction of Death with the sound of “funeral bells�, replicated by long and slow notes low in the piano’s range. The harmony is dissonant and unnerving as the supernatural being strolls through his realm.The music soon takes a turn to a mid-register melody to represent the mortal world and the death of a loved one, embellished with high-pitched arpeggios to suggest the approach of something magical. Eventually Death’s chimes and the mortal being meet and their themes are intertwined, as the reaper leads them out of this world and into the next. They fade off into the distance and all we are left with is the lonesome ring of the funeral bells.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1273068 By Public Domain. By Public Domain. Arranged by Noemi Bretas. Country,Folk,Historic,Pop,Traditional. Octavo. 15 pages. Marcelo Borba #865257. Published by Marcelo Borba (A0.1273068). Arrangement for 4 voices choir. Shosholoza is a popular South African folk song that has a rich history and cultural significance. The origins of the song can be traced back to the late 1800s and early 1900s, during the time of the South African gold and diamond mining boom.The word Shosholoza is believed to have been derived from the Ndebele and Zulu languages and translates roughly to go forward or make way for the next person. It was initially a call used by train drivers and mine workers to synchronize their movements while pushing and pulling railway cars or working in the mines.The song's lyrics and melody evolved over time through oral tradition, passed down among the workers as a form of communication, motivation, and solidarity. The rhythm and repetitive chanting helped the workers maintain a sense of unity and cooperation during physically demanding and often harsh conditions.During the era of racial segregation and oppression in South Africa, Shosholoza became an anthem of resilience and hope for the black South African population. It symbolized their spirit of endurance and unity in the face of adversity, and it came to be associated with the struggle against apartheid.With time, Shosholoza gained popularity beyond the confines of the mines and railway yards. It became a well-known folk song, performed by choirs, musicians, and cultural groups across South Africa and around the world. It embodies the spirit of ubuntu (the belief in the interconnectedness of all humanity) and has been used as a symbol of South African identity and pride.In modern times, Shosholoza continues to be celebrated as a cherished piece of South African musical heritage. It is often performed during sporting events, cultural festivals, and gatherings as a way to celebrate unity, strength, and resilience.Overall, Shosholoza remains a powerful reminder of South Africa's history, the struggles its people endured, and the enduring spirit of hope and solidarity that transcends adversity.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.976936 Composed by Sabrina Pena Young. Broadway,Film/TV,Halloween,Musical/Show,Opera. 6 pages. Sabrina Peña Young #3430823. Published by Sabrina Peña Young (A0.976936). Dramatic science fiction inspired choral work from groundbreaking post-apocalyptic 21st century animated opera Libertaria. Quirky and partially inspired by Dr. Who, this choral work is a fun musical theater piece for choir. The Medallion Girls are part of a futuristic genetic experiment meant to perfect humanity after a radiation permanently mutated humans. Truly a unique work. Award-winning composer and TED Talk Speaker. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.

Voice - Level 2 - Digital Download SKU: A0.1505975 By The Next Humanity. By Bill Mullin. Arranged by Robin A. Smith. Contemporary,Pop,Romantic Period,Wedding. Accompaniment. Duration 240. Mullin Over Music ASCAP #1081358. Published by Mullin Over Music ASCAP (A0.1505975). Romantic Wedding Song - Anniversary Ballad;  The sheet music for Piano/Vocal is available through Hal Leonard ARRANGE ME -NOTEFLIGHT and outletsThe song is from the Podcast Musical As I Recall F()REVER. Sung originally by Jaimee Paul; This track may not be recorded & released to the general public. Personal use to friends & family is fine;The full orchestration score is available to record for a clearance license fee from info@sigmusic.com; Any original recordings of the song may be performed aith Standard Mechanical Licensign via the MLC or the Harry Fox Agency. The International Standard Musical Work Code (ISWC)  is T3235599885.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1505967 By The Next Humanity. By Bill Mullin. Arranged by Robin A. Smith. Broadway,Contemporary,Musical/Show,Pop,Romantic Period,Wedding. Score. 9 pages. Mullin Over Music ASCAP #1081343. Published by Mullin Over Music ASCAP (A0.1505967). Romantic Wedding Song - Anniversary Ballad;  The song is from the Podcast Musical As I Recall F()REVER. Sung originally by Jaimee Paul; An instrumental track of the orchstration may be purchased for general public playback to have a solo vocalist sing to it. It may not be recorded & released to the general public;  The full orchestration score is available to record for a clearance license fee from info@sigmusic.com; Any original recordings of the song may be performed with Standard Mechanical Licensing via MLC  or the Harry Fox Agency. The International Standard Musical Work Code (ISWC)  is T3235599885.

Concert Band - Level 3 - Digital Download SKU: A0.1475449 Composed by Jerry Goldsmith. Arranged by Lorenzo Bocci. Film/TV. 58 pages. Lorenzo Bocci #1053000. Published by Lorenzo Bocci (A0.1475449). STAR TREK®: First Contact - Theme From The Paramount Motion Picture Star Trek: First Contactfor Concert Band - Grade 3 - Digital Download - More Star Trek MusicComposed by Jerry Goldsmith. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 2'46''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Star Trek: First Contact is a 1996 American science fiction film directed by Jonathan Frakes in his feature film debut. It is the eighth movie of the Star Trek franchise, and the second starring the cast of the television series Star Trek: The Next Generation. Jerry Goldsmith scored First Contact, his third Star Trek feature.  Instead of composing a menacing theme to underscore the Borg, Goldsmith wrote a pastoral theme linked to humanity's hopeful first contact. The theme uses a four-note motif used in Goldsmith's Star Trek V: The Final Frontier score, which is used in First Contact as a friendship theme and general thematic link. Star Trek: First Contact was released on November 22, 1996, and was the highest-grossing film on its opening weekend. Critical reception was mostly positive. First Contact was nominated for the Academy Award for Best Makeup, and won three Saturn Awards. Subscribe to my YouTube Channel to stay updated on new releases.