Advanced Intermediate - Digital Download By E.Y. "Yip" Harburg. Arranged by Paul Hemmer. Individual Part, Score. 9 pages. Published by PJMS MUSIC

Choral SATB choir - Digital Download Composed by Keith Getty and Stuart Townend. Arranged by Lloyd Larson. Vocal Solo Sheet Music Series. Easter Sunday, General Worship, Creed, Cross of Christ, Hope, Love. Octavo. 12 pages. Duration 12 minutes. Hope Publishing - Digital #C5675DP. Published by Hope Publishing - Digital

Composed by Welsh Carol. Arranged by Mark Hanson. Early Music, Christian, General Worship, World, Christmas. Octavo. 6 pages. Published by Mark H. Hanson - Hansong Music (S0.223443). - Octavo - Early Music,Christian,General Worship,World,Christmas - Mark H. Hanson - Hansong Music

SAB choir, Piano (With Optional Percussion) - Digital Download Arranged by Larry Shackley. Sacred Anthem, Christmas. Octavo. 12 pages. Lorenz Publishing Company #e10/4357L. Published by Lorenz Publishing Company

Composed by Antonio Vivaldi (1678-1741). Arranged by Richard Cook. For Choir - other voicings,TTBB. Baroque Period,Christian,Spiritual,Sacred,Christmas. Early Intermediate. Octavo. 8 pages. Published by Sing Sacred

Composed by Walter Donaldson, Wm. Jerome. Arranged by Bill Wilson. Score, Set of Parts. 15 pages. Published by Alexander Wilson (S0.208611). - Score,Set of Parts - - Alexander Wilson

Composed by Traditional Austrian Carol. Arranged by Richard Cook. For Choir - other voicings, TTBB with Tenor Solo. Classical Period, Sacred, Christmas. Octavo. Sing Sacred #ACA101. Published by Sing Sacred

Composed by Joseph Funk. Arranged by Adam Jensen. Contemporary Classical, Christian, Sacred, General Worship, Easter. Score, Set of Parts. 17 pages. Published by Adam Jensen (S0.106691). - Score,Set of Parts - Contemporary Classical,Christian,Sacred,General Worship,Easter - Adam Jensen

Composed by Lew Pollack (1895-1946). Arranged by Keith Gemmell. Jazz, Dixieland, Ragtime, General Instructional, Recital. Score, Set of Parts. 30 pages. Published by Keith Gemmell (S0.90929). - Score,Set of Parts - Jazz,Dixieland,Ragtime,General Instructional,Recital - Keith Gemmell

Composed by English Traditional. Arranged by F. Leslie Smith. Christian, Christmas. Score, Set of Parts. 30 pages. Published by Sweetwater Brass Press (S0.175595). - Score,Set of Parts - Christian,Christmas - Sweetwater Brass Press

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloise�, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                                                     Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1460761 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by Will Corbin. Blues,Jazz,Pop. 20 pages. Will Corbin #1039660. Published by Will Corbin (A0.1460761). Billie Holiday first recorded this song in 1941 (and a couple more times after that, in different settings). As the story goes, it was inspired when Holiday's mother refused her a loan with the words, God bless the child that's got his own. She and frequent collaborator Arthur Herzog Jr. then put the song together in 20. Or so the story goes. Whatever the case, this classic anthem, covered by just about every singer born since then, is in the Grammy Hall of Fame. It also helped win a Grammy for Album of the Year for Blood, Sweat & Tears in 1968. They also performed it at Woodstock. This arrangement, for two trumpets, horn, trombone and tuba (featuring the trombonist in the role of lead BS&T singer David Clayton-Thomas), is based on their treatment of Holiday's soulful tune.

Digital Download SKU: A0.1411243 By Paul Kenny. By Paul Kenny. Multicultural,New Age,World. Full Performance. Duration 4648. Paul Kenny #993578. Published by Paul Kenny (A0.1411243). EMDR Therapy by Paul KennyWhat is EMDR Therapy?Eye Movement Desensitization and Reprocessing (EMDR) is a psychotherapy treatment that is designed to alleviate the distress associated with traumatic memories.EMDR (Eye Movement Desensitization and Reprocessing) is a psychotherapy that enables people to heal from the symptoms and emotional distress that are the result of disturbing life experiences. Repeated studies show that by using EMDR therapy people can experience the benefits of psychotherapy that once took years to make a difference. It is widely assumed that severe emotional pain requires a long time to heal. EMDR therapy shows that the mind can in fact heal from psychological trauma much as the body recovers from physical trauma. When you cut your hand, your body works to close the wound. If a foreign object or repeated injury irritates the wound, it festers and causes pain. Once the block is removed, healing resumes.EMDR therapy demonstrates that a similar sequence of events occurs with mental processes. The brain’s information processing system naturally moves toward mental health. If the system is blocked or imbalanced by the impact of a disturbing event, the emotional wound festers and can cause intense suffering. Once the block is removed, healing resumes.Using the detailed protocols and procedures learned in EMDR therapy training sessions, clinicians help clients activate their natural healing processes.For more details please visit - www.PaulKenny.com.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - Digital Download SKU: A0.1242493 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by a do Ray me flute studio production Ray-Michael Kauffman. 21st Century,Contemporary,Film/TV,Pop,Singer/Songwriter. 53 pages. As do Ray meflute studio production #837642. Published by as do Ray meflute studio production (A0.1242493). The Village by Wrabel, arranged for flute choir /ensemble arranged by me, Ray-Michael Kauffman. This beautiful and poignant song  is part of my Compositions that care series, meaning all profits from thios arrangemnt goes to a charity. This charity is for LGBTQ+. ( about the song meaning)Wrabel, the composer, stated the song is about the LGBTQ+ community and all the hardships they face.The song is directed and to encourage and give hope to a trans person who is being treated poorly and ostracized , and to let that perosn struggling know that there is absolutely Nothing wrong with you and there's soemthing wrong with the village.Too many of the trans/LGBTQ+ comminity are struggling , especially in todays political climate. All around the world LGBTQ+ persons are being bullied, discriminated against , attacked, thrown in jail , and even killed with liitle to no laws to protect people.in my own personal life, as a victim of a horrible hate crime where the person involved attmepted to beat me and kill me , unfortuanelty i found out very qucikly how laws even in the USA do not protect me , how many cops ignored me and/or attmepted to make the attack  my fault , and how laywers did not want to help and judges either ,and beacsue of the laws i was not protected as a minority and the crime wasn't a hate crime even though the criminals admitted this as the reason of the attack.I was told that this was not a hate crime , unless the criminals made me a victim of S.A., used a car/vehicle , or a gun, or actually ended my life. I also wanted to add , this brutal attack ( recorded on video by the criminals )  which caused such serious bodily harm, had me in the hospital for surgeries, and required months of long and painful rehab and therapy.As a country, as a society, as a planet ,  we all need to do better, and have to have more protections for such a discriminated group of persons.I did want to add , all the issues happening around the world, and even here in the USA, such as the awful and fascist discrimitory laws in Florida and other states it's no wonder the statistics of LGBTQ+ that contemplate ending their person or even attempting the act .I ask respectfully  that every one please go to law makers and demand better laws and treatments of people no matter what community there are of. All people deserve respect, proper medcial care, and to have the same rights as every other human being.  We all  can and must  be the change  you wish to see in the world. ( Ganhdi)Thank you for checking my  special arrangement out, and please check out my other arrangements on SheetMusicPlus and my Website  @ doRaymeflute.com 

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862507 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 61 pages. Michael Butkus-Bomier #2032065. Published by Michael Butkus-Bomier (A0.862507). Here is a blues in C minor, a staple of jazz groups both large and small. This chart has several unusual aspects, all set within this familiar format. The theme is stated by the trumpets, then, the saxes take a one-chorus interlude on a pentatonic figure. The first (and ONLY) soloist on the audio track is the tenor sax. BUT, the chart is designed to have the alto, tenor, bari, and finally All THREE saxes blowing their blues away at once! A similar treatment follows with the trumpets. Three blues choruses from the piano give the horns a break, and a SampleSolo is included for this instrument ONLY, due to the nature of the group improv that is structured into the piece. Then the trombones have their 12-bar interlude, and the lead trombone plays three more 12-bar sets, but just the one horn, as we've had enough group enthusiasm at this point! At the conclusion, the three interlude sections all come back, but simultaneously, as they have been designed to fit together. Then the final statement of the theme is played in hocket or stretto, whichever term you choose, with one voice starting and the other two choirs following behind. This chart can be played using only one soloist per section, or with the entire group solos, or anything in between, for that matter! If you have a blowing band, you'll want to show them off! Running time with a single soloist per section is 3 mins 45 secs. considerably longer with the multiple and group solos. MBB.